The Prisoner (1967–1968)
8.0/10
368
7 user 2 critic

Fall Out 

After witnessing the trials of Number 2 and Number 48 and meeting the President of the Assembly, Number 6 escapes during the chaos that follows.

Director:

Reviews

Watch Now

From $1.99 (SD) on Amazon Video

Photos

Add Image Add an image

Do you have any images for this title?

Edit

Cast

Episode cast overview:
Alexis Kanner ...
Angelo Muscat ...
...
Kenneth Griffith ...
Peter Swanwick ...
Michael Miller ...
Edit

Storyline

At a tribunal where Number 1 appears initially to be a mechanical eye the Prisoner is informed by the president that he has won the right to be an individual,rather than a number.He will be allowed to leave and is given money for his journey. However he is not allowed to speak. A shadowy figure who resembles the Prisoner would seem to be the actual Number One and Number Six dispenses him - and the assembly - in a rocket.As he leaves he frees Number Two,who has been put on trial,along with Number Two's butler,who has served him throughout and a young man known as Number Forty-Eight. Having dropped off Number Two at the Houses of Parliament the Prisoner returns o his own home,which has Number one on its door. Written by don @ minifie-1

Plot Summary | Add Synopsis

Genres:

Drama | Mystery | Sci-Fi

Edit

Details

Language:

Release Date:

4 February 1968 (UK)  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

Was hurriedly produced when Patrick McGoohan was informed the show was being canceled instead of being renewed for a second season. Because of this, he brought Leo McKern back after 13 months following his appearance in The Prisoner: Once Upon a Time (1968). McKern had altered his appearance in the interim and was no longer as hirsute, so McGoohan devised a scene whereby the dead Number 2 would be resurrected by means of a process that required his face being shaved before final resuscitation could be achieved. See more »

Goofs

Number Six walks past the same jukebox twice. It is easily identifiable by the Lesley Gore record in it. See more »

Quotes

[first lines]
Supervisor: We thought you would feel happier as yourself.
See more »

Crazy Credits

The episode opening credits are preceded by an on-screen acknowledgment of Portmeirion, where the episode was filmed. See more »

Connections

Referenced in Twin Peaks: Fire Walk with Me (1992) See more »

Soundtracks

I, Yi, Yi, Yi, Yi (I Like You Very Much)
(uncredited)
Music by Harry Warren
Lyrics by Mack Gordon
Performed by Carmen Miranda
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Liberation
9 June 2015 | by (North America) – See all my reviews

Number six(Patrick McGoohan) has survived degree absolute, and is now brought behind the scenes of power to meet number one, but first must witness the trials of a resurrected number two(Leo McKern) and a number 48(Alexis Kanner) overseen by the president(played by Kenneth Griffith) who lays out their crimes, though both men are defiant, and the president promises allegiance to six, who is satisfied by his victory, but wary of the tribunal and president, but accepts the invitation to confront the elusive number one, so that all will be revealed, but identity and power are not so easy to accept or fully explain, leading to an astonishing unmasking, violent escape, and bizarre happenings leading back to the beginning...

Legendary final episode is a shocking, surprising, audacious, courageous, infuriating and overall brilliant (and yes), satisfying conclusion, though much misunderstood by some not used to the bold and original approach taken by star, writer, and director Patrick McGoohan, who didn't end the series in a familiar "James Bond" style villain and approach, but instead created an inspired masterwork that challenges the expectations and provokes the intelligence of the audience to not be a passive viewer, but actually think about what they are seeing. Describing the on-screen doings is not enough; this demands to be seen as the most unpredictable, innovative episode of television ever aired, though of course some don't understand it, so instinctively dismiss it, yet to do so is an injustice.

Intensely fascinating and ultimately liberating, both incredibly serious yet defiantly inexplicable and comedic("All You Need Is Love" is most ironically used here.) Nothing like it has ever aired again, and it will never be forgotten, even if appreciation of it varies throughout the years. A breathtaking achievement that deeply moved and surprised me like nothing else ever broadcast. It is a sublime masterpiece, and I love it to pieces!


2 of 2 people found this review helpful.  Was this review helpful to you?

Contribute to This Page