"Peter Gunn" Image of Sally (TV Episode 1958) Poster

(TV Series)

(1958)

User Reviews

Review this title
6 Reviews
Sort by:
Filter by Rating:
8/10
Noir Television
gordonl561 May 2013
Warning: Spoilers
. PETER GUNN – "Image Of Sally" – 1958 Phillip Pine is a crook just out prison. He returns to town to look up his girl, Monica Lewis, from back in the day. He also wants to collect his end of a $200,000 robbery he pulled before going to jail. Holding the cash is his robbery partner, Richard Devon. During his first night in town, Pine is attacked. Pine defends himself and he kills the gunman in self-defence. The Police however are right on the scene and grab him up for murder.

Pine calls in Peter Gunn, (Craig Stevens) to help. He asks Stevens to find his girl and see if she will take him back. When Stevens asks about the dead man, Pine just says it was a set-up. Pine is sure his ex-partner, Richard Devon in involved. Stevens agrees to have a look into the matter.

He goes through his book of informants till he hits Herb Ellis. Ellis is the hep-cat beatnik who always has his ear to the ground. He gives Stevens the location of Miss Lewis.

Before Stevens can look up Lewis, he is paid a visit by thug Devon and several large friends. They apply a generous dose of punches to the gut between questions. Why was Stevens at the jail talking to Pine etc? Stevens answers that he just there to see his buddy, Police Lt Herschel Bernardi. Satisfied with the answer, Devon and the boys leave Stevens in a heap and take off.

Now of course Stevens is thoroughly annoyed. He calls on Bernardi and asks him to release Pine. They will then follow the man and pinch Devon if he tries another hit. Stevens also lets Pine know where he can find his girl, Lewis.

Everything goes off like clockwork as Pine hotfoots it to see Lewis. She wants nothing to do with Pine anymore. She has taken up with Devon now. They are living high on the hog off the 200 large. Devon ordered the hit on Pine rather than give him his cut.

Devon of course shows and Pine flattens him with a right cross. "I did 4 years for that cash! You can keep it now! I'm going to the cops so you can do some time!" Devon is not impressed with this idea and pulls his rod. He fires into Pine's back as he exits the apt. Pine staggers a few feet, then, falls down the stairs, dead.

Stevens, along with Lt Bernardi have just arrived at the apt and see the murder. They draw their pieces and engage Devon in a lively round of gunfire. Devon is the loser in this argument and ends up with a mouthful of floor.

Directed by series creator, Blake Edwards. The story was by Steve Fisher. Fisher is well known to film-noir fans. He did the story or screenplay for, I WAKE UP SCREAMING, JOHNNY ANGEL, DEAD RECKONING, THE HUNTED, I WOULDN'T BE IN YOUR SHOES, ROADBLOCK, THE LOST HOURS, VICKI, HELL'S HALF ACRE, NIGHT FREIGHT, I MOBSTER and THE BIG TIP OFF.

(B/W)
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Tough Image after a Sad Story
biorngm2 October 2017
Warning: Spoilers
No fog at night, except on the terrace, some smoky rooms, they were night clubs, no raincoat on Jacoby, intrigue by listening device, confession of one shooter, and gunfire in the beginning and end certainly provides enough action as Pete looks into the relationship metamorphosing from one criminal to another through the title character. We learn of the characters' past, present and see their future unfold as Pete gives Jacoby a choice to nail the principal bad guy rather than the captured ex-con stay locked up, accused. Jacoby reluctantly complies to the PI's request. The episode title is exemplified at the close and this makes the episode worth viewing as nobody really wins, well Jacoby gets his guy, but at a cost to a few, as always. Good acting by the cast and of course it was good to see Capri again, still not talking.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Yeah, Right
darbski9 October 2017
Warning: Spoilers
**SPOILERS** The "moll" in this non-dramatic drama is kinda cute. Besides that, fuggedaboudit. The cop was right in the first place, and Gunn was stupid for ever taking the case. Where's a two-bit thug like (Now, I can't even remember the cheap... oh, yeah...), "Si" gonna get 2 grand, if it wasn't from the heist? Pete can't take it because he knows it's stolen. So the cops are gonna turn him loose? Uh Hunh. Both bad guys are dead, and girlie is walking away. Now, maybe, she's got a stash she was afraid to touch while Nord (Nerd) was alive, and MAYBE she's gonna do a little better for herself; maybe. THAT would have been an interesting ending. The one they stuck on this show? Dead dog dull.
1 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Parts Are Better Than The Whole
dougdoepke2 March 2016
Pete's hired to track down a crook who's let his associate take the rap for a big heist. It's the mysterious Sally who holds the key to his whereabouts.

Average episode, at best. Reviewer cc is correct: the 30-minutes is a little flat, and I'm not sure why. There's the expected slam- bang hook that had me reaching for a cushion for cover. Then there's the colorful character, Wilbur, (Ellis) tapping into the Beatnik fad of the time— "Can you dig it, man!". Speaking of Wilbur, I'm just wondering if he sold that pile of ugly clay that's supposed to be a profound comment on something or other. And how about his gamin-like model, Capri, (Candela) with no dialogue and a wide-eyed payday.

Gunn's producers always had a ready-made solution to an entry whose plot didn't add up to the needed 30-minutes. Just insert a cool jazz scene or some business with Mother or Edie or Jacoby. Pete's chemistry with all three was nearly always easy and entertaining. Okay, if the usual compelling elements are present, what's the problem with the episode. It may be two things—the parts are clumsily assembled undercutting the usual suspense, while the direction, McDearmon, does little to compensate. Nonetheless, it's still Peter Gunn and if the good parts don't combine well, happily there're still the parts.
5 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
A Few Nice Scenes, But That's It
ccthemovieman-130 December 2009
A man no sooner gets out of prison serving a four-year term, when someone tries to kill him. The reverse happens and the survivor winds up back in jail. He asks Pete to track down his girlfriend. That, it turns, leads to unpaid money from a big robbery, two-timing by the woman.....and more murder.

I'm making it sound a little better than it really was, because this was somewhat of a blah episode. It was the first one I've seen in this first season that was kind of flat. We did get a little humor from the beatnik "Wilbur" (Herb Ellis) and a nice, tender scene with "Edie" (Lola Albright) and our hero had been beat up by thugs.

The above were the highlights of otherwise-unmemorable episode, although the head thug "Joe Nord" was played by an actor (Richard Devon) who was only in his twenties but looked a lot older.
7 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
Image of Sally
Prismark1020 July 2021
Si Robbin has just been released from prison for armed robbery but some people are after him in a dark street.

When Si is attacked he defends himself but now finds himself arrested for murder.

Peter Gunn is hired to find Si's girlfriend Sally. It seems Si took the rap for the heist job and now he wants his share of the proceeds.

The beatnik Wilbur was the most memorable person in this story and he was unintentionally funny.

Some of the characters do some really stupid things in this episode. They were lucky that they did not get killed.
1 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed