While Perry, Paul and Sharon are racing to the cabin to save Duke, Paul is seen in the backseat with Perry. The next scene is a frontal shot of the two women, Paul is no longer seen in the back seat. The next shot once again shows Paul in the backseat.
When Sharon rode up to the cabin in the police car, she was sitting in the middle of the back seat between Fern and Paul. But later, without getting out of the car she is sitting behind the steering wheel in the front seat.
No, she was sitting in the front seat between the cop and Fern in both shots.
No, she was sitting in the front seat between the cop and Fern in both shots.
When Perry tries to talk Duke out of the cabin, the longer shots show a bush almost next to him, to his left. But the close-ups (obviously done in-studio) have the bush directly behind him.
A Deputy District Attorney says he will prosecute a man who has stolen from a corpse for the crime of robbery. Stealing from a corpse is theft, not robbery.
An establishing shot of Perry walking into the Los Angeles County Courthouse was apparently made at a much earlier date as Perry's hair is styled differently.
The LAPD police units used are obviously studio vehicles. Not only are the markings on the doors incorrect, but LAPD never used Ford Galaxies or AMC Ambassadors for the era depicted (1966). They also did not use gumballs on the roof, but twin 'can' lights and a separate siren.
The second tear gas canister fired by the policeman landed in the exact same spot as the first one. Obviously the same footage was used for both shots.
The Police would not respond with sirens when hoping to contain a suspect. The sirens would alert the suspect, so that's the last thing the police would want.