|Index||7 reviews in total|
Above average episode, thanks to offbeat casting and characters. My real reason for commenting is that this episode may well contain the single funniest 30 seconds in a beloved series not known for its humor. In 1959, the short-lived "beatnik" phenomenon was emerging among artists and would-be artists, especially on the West Coast. Its core was a general disgust with the sterile conformism the beats perceived among the rising suburban prosperity of the period. They gathered in coffee houses and had poetry reading and bongo drums as entertainment, and effected a kind of jazzy slang like "Man, let's split. This place is nowheres-ville". Allan Ginsberg, Lawrence Ferlinghetti, and Jack Kerouac are probably the best known. Anyway, kudos to the unknown scripter who placed about 30 seconds of this super-slick, jazzy lingo into the mouth of super-straight, 70 year-old Ray Collins as Lieutenant Tragg. It comes out of nowhere during the 60 second epilogue, leaving the audience open-mouthed and wondering if they could possibly have heard correctly-- Tragg as a be-bopping hipster. Wow! That's the living end, man!
Pop singer Frankie Laine who is playing a comedian is the Perry Mason
client who retains Raymond Burr to sue ad man Harry Jackson. Laine
pitched an idea for a TV show to Jackson who was to sell it to both
network and sponsor. Well he sold it all right, just didn't sell Laine
as part of it.
But when Jackson is found dead, body stuffed neatly under his desk in his office it's Laine's pal and all around GoFer Walter Burke who is charged with the murder. Burke is playing a variation of his Sugar Boy character from All The King's Men, a little man with a temper and his prints are on a gun found at the scene.
Mutual loyalty between Laine and Burke prevents both prosecution and defense from arriving at the truth, but of course it's Raymond Burr who sees that. And Jackson was a man who double dealt a lot of people in his professional and personal life. The answer lies in the world of the beatniks who were making the scene at that point.
I do so love that coda after the case is solved when Lieutenant Tragg shows himself in command of the hipster lingo of the era. Ray Collins is one cool dude, Daddy-O.
This episode is worth seeing simply because it's off-beat (no joke
There's Bobby Troup (Dr Early in "Emergency!) as a bearded beatnik who plays cool piano and smokes pot. (Yes, really.) Then there's Frankie Laine as comic Danny Ross -- who looks remarkably like Danny Thomas. He doesn't sing "Mule Train" or crack a whip, though. And we learn that Della isn't familiar with Yiddish slang -- amazing for someone who lives in Los Angeles.
Perhaps the best moment in the entire series occurs in the courtroom when Mason argues with Burger over a point of testimony. Mason says something like "Mr Burger's taste for the obvious leads him to confuse my desire to protect my client's interests with arguing over technicalities." (That isn't exact, but it expresses the thought.) Burger is not happy, and murmurs sotto voce.
With a usual mystery this episode took a turn to the beatnik world
where we get a confession worthy of finger-snap applause from any
coffee house location in the world. It was just too bad that the show
seemed to move like molasses in winter or we could have seen a nice
When a out-of-work comedian, Danny Ross, is promised a job by the slick talking agent named Charles Goff, that fails when Goff signs another person, the viewer knows that it will just be a matter of time before Goff gets knocked off by some form of violence. But it is not Ross that is accused of the murder but his side-kick Freddie Green.
Even with some sketchy evidence, Hamilton Burger's office issues a murder warrant prompting Perry Mason to come to the aide of the widely known comedian's friend. There will be plenty of people that are considered suspects as most of the cast would not be shedding tears for Goff's death but Perry will find the true murderer by means of translation some groovy talk produced by one person in the show.
Perhaps I was expecting too much from the title of the episode but this show just was not that interesting. When we do get the confession it was difficult to understand before Perry Della and Lt Tragg inform the viewers of just exactly was said. The best part of the show is the last one minute. Lt Tragg leaves us with a line that real heavy man or should I say Lt Daddy-O.
*** This review may contain spoilers ***
OK, first, the 30 seconds they save time compressing the open and
credits on the Hallmark Channel is lame, but I get it. Showing it once
and a while wont bounce the check for the electric.
This is one of the better ones that must have been pushed through while the Standards and Practices people were busy.
The funniest scene is Tragg and Buzzie at the piano. I rewound it a few times and laughed every time. Open use of weed on TV in 1959, as Buzzie would say, "Man, this is the wildest". Buzzie is funny as heck i the courtroom. Also, catch Raymond Burr breaking up at the end and Bobby Troup getting screen cred for the "Jaded Joker Theme".
The legal parts are pretty good, dropping in "contra-coup injuries" had me back in evidence class.
Yes, that is the exact line spoken by Lt. Tragg (Ray Collins) to
beatnik "Buzzie" (Bobby Troup) while he pokes at the piano. Tragg lifts
up one of Buzzie's discarded cigarettes butts, sniffs it, and drops it
back into the tray. Buzzie then offers Tragg a drag on the butt in his
mouth. "No!" Tragg says. Buzzie sends a cloud of smoke into Tragg's
face, enough to determine that while there is smoke, there is no tea.
"Shocked?" Buzzie mumbles, mocking Tragg's disappointment.
One wonders how many of the "squares" watching Perry Mason in 1959 knew that "tea" was a reference to marijuana? That scene alone makes this episode worth watching, but wait, there's more! Ubiquitous TV character actor Walter Burke plays sidekick to the equally ubiquitous 1950s star Frankie Laine, playing not a singer but a comic. But Troup steals the show, at least until the last minute when septuagenarian Collins steals it back, showing that he's no square, Daddy-O. The hidden joke is that Troup, far from being a down-but-unhip-Beatnik, was a talented (and wealthy) light jazz songwriter, penning "Route 66" 12 years before. He and his wife Julie London, also a singer, had a lifelong relationship with her ex, Jack Webb. Perry delivers one of his most sesquipedalian courtroom scenes, quoting verbatim from a forensics textbook, his intellectual gymnastics leaping over poor Prosecutor Burger and leaving him flat on the mat. Good fun all around!
*** This review may contain spoilers ***
***SPOILERS*** Thre are two major things that happen in this hip Perry
Mason, Raymond Burr, episode. One with Perry's personal secretary Della
Street, Barbara Hale, almost out of thin air asking Perry to explain to
her what the word Snook, a helpless dope in Yiddish, means? And last
but not least the straight laced Lt. Tragg, Ray Collins, going native
or hipster as he lets his hair down in telling off Della that he won't
let a slick chick like her goof him off in that despite he's now
pushing 70 has become one of the "Cool Ones" of the hip 1950's Beat
Ther's nothing cool about what happened in promoter Charles Goff, Harry Jackson , being found murdered in his office by his secretary Isa Hiller,Mary LaRoche, with his skull fractured and shot for good measures. Goff had screwed comedian Danny Ross played by country & western singer Frankie Laine out of staring in his upcoming TV show that Danny broke his back in promoting for him. As it turned out it wasn't Danny who was arrested in Goff's murder but his good friend the jockey size, 4 foot 10 inch and 95 pound, Freddie Green played by Walter Blake who's fingerprints were found on the murder weapon. In him being a big fan of Danny Ross Perry commits himself to defend his friend Freddie even though he admits to him, with a jail guard listening in, that he in fact did murdered Goff. Perry seeing right through Green's fake confession finds out that Goff wasn't killed by the bullet that came from Freddie's gun he was already dead. But was murdered some time earlier with a tire iron that split him skull open!
****SPOILERS**** There was no courtroom scene here with the killer breaking down under Perry's cross-examination and admitting his guilt. That took place in the hip and with it beatnik espresso bar the "Purple Wall" where Groff's murderer in beatnik lingo laid out the reasons why he offed Goff in him being too square to be fit in a round world! The only way his murdered explained to Perry how he could be able to fit in is by being whacked and then reborn gain. It took some time with Perry later explaining what all this hipster talk was all about for anyone to figure out just what Goff's killer in plain English meant!
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