IMDb > "Perry Mason" The Case of the Deadly Double (1958)
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"Perry Mason" The Case of the Deadly Double (1958)


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"Perry Mason" (1957): Season 1: Episode 24 -- After her brother is accused of murder, a schizophrenic woman is put on the witness stand.  So Perry cross-examines both sides of her split personality.

Overview

User Rating:
7.2/10   28 votes
Director:
Writer:
Samuel Newman (writer)
Contact:
View company contact information for The Case of the Deadly Double on IMDbPro.
Original Air Date:
1 March 1958 (Season 1, Episode 24)
Genre:
Plot:
To protect his sister, Helen Reed, Robert Crane threatens his brother-in-law, David Reed, with bodily harm... more | add synopsis
User Comments:
An Unusual Episode more (2 total)

Cast

  (Episode Cast overview, first billed only)
Raymond Burr ... Perry Mason
Barbara Hale ... Della Street
William Hopper ... Paul Drake
William Talman ... Hamilton Burger
Ray Collins ... Lt. Tragg
Constance Ford ... Helen Reed / Joyce Martel
Denver Pyle ... Robert Crane
Carole Mathews ... Cora Dunbar
Paul Langton ... Harry Vance
Murray Hamilton ... John 'Johnny' Davis Hale
Abraham Sofaer ... Dr. Maitland
Louise Truax ... Sarah
Carleton G. Young ... David Reed
Pierre Watkin ... Judge
Frank Jenks ... Cab Driver
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Additional Details

Runtime:
60 min
Country:
Language:
Aspect Ratio:
1.33 : 1 more
Sound Mix:

Fun Stuff

Trivia:
This episode introduced the term "schizophrenia" to the audience in place of "dual personality." Today this condition is known as "dissociative identity disorder." more

FAQ

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1 out of 1 people found the following comment useful.
An Unusual Episode, 16 October 2008
6/10
Author: dougdoepke from Claremont, USA

Most Mason episodes revolve around ensemble acting and a whodunit plot. This is one, if not the only one, that revolves around a single central performance-- Constance Ford in a dual role. In 1958, multiple personality disorders were only beginning to be known to the American public thanks to the popular film Three Faces of Eve, which treated the problem in a clinical manner unlike Dr. Jekyll and Mr. Hyde which remains a popular literary stereotype.

Ford's role is more like Jekyll and Hyde. As Helen Reed, she's timid, demure, and plain-faced; as Joyce Martel, she's boisterous, beautiful and aggressive. Of course, this is a demanding part that few actresses of the day could manage. It's to Ford's great credit that she brings off the two persona's as well as she does. The transition on the witness stand is almost hair-raising. The whodunit is routine but supplements nicely Ford's outstanding performance, the entry's unusual centerpiece.

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