Before sitting down to watch the first-season "Outer Limits" episode "Specimen: Unknown" the other night, for the first time in many years, it suddenly struck me that I remembered virtually nothing from this particular outing. And that was very strange, as I HAD seen the episode several times before, on television, on VHS and on DVD. And yet, all I could recall was that "this is the one with the spore plants," and just about nothing else; surely, NOT a good sign going in. And now that I have refreshed my memory of this episode, it seems clear to me just why my memory had been so hazy regarding this one: There really is nothing much to remember about it, as very little in the way of story or action is provided to the viewer to begin with! "Specimen: Unknown," which debuted on ABC on 2/24/64, was the 22nd offering from the landmark sci-fi anthology show. For me, it was the second episode of a group that seemed to indicate that the program was entering a midseason slump of sort. Whereas episodes #17 - 20--"Don't Open Till Doomsday," "ZZZZZ," "The Invisibles" and "The Bellero Shield"--proved to be some of the most fondly remembered episodes that the program ever gave us, beginning with episode #21, "The Children of Spider County," the show entered into a run of around five episodes that were of a slightly lesser, decidedly middling quality, only to rebound in a very big way with episode #26, "The Guests." And of that lesser bunch, "Specimen: Unknown" just might be the weakest of the lot. (This, by the way, is all subjective and comparative, of course, and episodes such as # 25, "The Mutant," must remain very fine sci-fi in anybody's book.) Still, I was happy to rediscover that even though this particular hour of "The Outer Limits" surely does suffer in comparison to most of the other 32 (!) first-season offerings, it still does offer some fine points to commend itself to the viewer's attention.
In this episode, we encounter some of the crew of Project Adonis, an orbiting space wheel floating 1,000 miles above the Earth. When some mushroomlike growths are discovered clinging to the outside hatch and brought inside, one of the crewmen, Lt. Howard (Dabney Coleman, unrecognizable here sans moustache), experiments on it, placing it in an agar bath and then an incubation chamber, where it sprouts and becomes a pretty-looking, lilylike plant. But upon removing the alien growth from the chamber, Howard is suddenly sprayed by a cloud of spores and what looks to be a mist of sorts from the plant, killing him fairly instantly. Later, it is seen that an artificial tanning lamp also causes the mushroomlike thingies to sprout. But real trouble only comes later, when a group of the Adonis crewmen, returning to Earth after their tour of duty, are struck down by the plant spores and sickened unto death. Back on Earth, the project commander, Col. MacWilliams (Stephen McNally), faces the very tough decision of whether to allow these men to land on Earth and risk contaminating the planet, OR to instruct them to self-destruct while still in space. Ultimately, the returning Adonis crewmen ARE permitted to touch down at a Florida spaceport, but crash-land in a wooded area nearby. And unfortunately, those alien plants very quickly take over the entire area, spewing spores of death all the while. Can anything eradicate this new and frightful menace?
As revealed in David Schow's indispensable reference guide, "The Outer Limits: The Official Companion," it was discovered only after this episode finished shooting that the running time was a scant 45 minutes, thus necessitating padding and numerous insert shots to fill it out to a proper length. And the episode does indeed feel padded, with an extra-long (and surprisingly dull) precredits sequence, endless shots of those darn plants, and an extended interlude during which a crewman takes a space walk to effect repairs. The episode is sloooow moving, to put it mildly, and the so-called "bear" of the hour, those plants, is hardly an intimidating one. The resolution of the crisis at the episode's finale is something of a deus ex machina that comes out of, uh, thin air; credible though it might be, anyone who has seen "The War of the Worlds" might have an inkling as to the nature of the denouement here. The spores that these alien growths emit look just like cereal, and thus I was not at all surprised when Schow revealed that they were indeed Puffed Wheats. Actually, the spores here are pretty darn reminiscent of the ones that would be featured in the Season 1 episode of "Star Trek" entitled "This Side of Paradise." But those plants, to be found on the planet Omicron Ceti III, only caused lethargy and contentment, whereas these attacked the body's hemoglobin and caused death. Visually, however, the spores are pretty much identical. In all honesty, what this episode of "The Outer Limits" brought most forcefully to this viewer's mind was an Italian sci-fi film of the sort helmed by director Antonio Margheriti in the mid-'60s; films such as "Battle of the Worlds" (1961) and "War of the Planets" (1966). In other words, a Grade B sci-fi film, here featuring a lackluster script from Stephen Lord, but fortunately given that wonderful first-season "OL" feel.
And as I mentioned up top, there ARE some saving graces to be had here. As a first-season outing, "Specimen: Unknown" fortunately highlights the talents of director Gerd Oswald (who had previously brought in such fan favorites as "O.B.I.T.," "Corpus Earthling," "It Crawled From the Woodwork," "Don't Open Till Doomsday" and "The Invisibles", and who would go on to direct no fewer than eight more, including the truly remarkable episode "The Forms of Things Unknown"); some more impressive lensing by DOP Conrad Hall, working here in one of his seven "OL" episodes with Oswald (Hall's woodland work here is especially fine); and of course, those telltale musical cues from the late great Dominic Frontiere. The episode also benefits from a group of wonderful acting pros: McNally, an actor who had already appeared in any number of quality '40s and '50s films, including the ubertough film noir "Criss Cross" and the legendary Western "Winchester '73"; Richard Jaeckel, who, four years later, would again face off against an alien menace in an orbiting space station, in the Italian classic "The Green Slime"; Russell Johnson, everybody's favorite egghead castaway; and Arthur Batanides, a familiar TV face of the '60s who will always be the doomed Lt. D'Amato--from the "Star Trek" episode "That Which Survives"--to me. Not to mention Gail Kobe, an actress with whom I was not familiar, playing the worried wife of the Jaeckel character, and who makes the most of her underwritten part. (But then again, ALL the parts here are fairly underwritten.) The episode does boast a few well-done scenes, including the outer space "burial" of Lt. Howard; the shadow of one of those darn flowers that suddenly appears on the helmeted, desiccated face of one of the spacemen once back on Earth; the revelation of a gaggle of the plants growing beneath the hood of the colonel's car; and that final deus ex machina scene, a lovely scene, really, capped by some of the sweetest parting words by the Control Voice. And the episode's central crisis--whether it is wiser to allow the Adonis ship to land or to have it blown up summarily--is fairly well carried off, and the painful decision that MacWilliams is forced to make is an affecting one. Unfortunately, all these combined elements cannot save the episode from the curse of mediocrity, and "Specimen: Unknown," despite being the highest-rated episode that the series would enjoy (!), must yet go down as one of the weakest from an otherwise legendary season....
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