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"The Outer Limits" Don't Open Till Doomsday (1964)


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"The Outer Limits" (1963): Season 1: Episode 17 -- An elderly woman waits for someone to look into a box and take the place of her spouse, trapped since 1929.

Overview

User Rating:
7.8/10   44 votes
Director:
Gerd Oswald
Writer:
Joseph Stefano (written by)
Contact:
View company contact information for Don't Open Till Doomsday on IMDbPro.
Original Air Date:
20 January 1964 (Season 1, Episode 17)
Plot:
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User Comments:
The acting makes up for the idiocy of the storyline more

Cast

  (Episode Complete credited cast)
Miriam Hopkins ... Mary Kry
John Hoyt ... Emmett Balfour
Russell Collins ... Justice of the Peace
Buck Taylor ... Gard Hayden
Nellie Burt ... Justice's Mother
Melinda Plowman ... Vivia Balfour Hayden
David Frankham ... Harvey Kry Jr.
Anthony Jochim ... Dr. Mordecai Spazman
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Additional Details

Runtime:
51 min
Country:
USA
Language:
English
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono

FAQ

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10 out of 13 people found the following comment useful:-
The acting makes up for the idiocy of the storyline, 16 February 2007
9/10
Author: Reginald D. Garrard from Camilla, GA

*** This comment may contain spoilers ***

Miriam Hopkins, whose ingénue days of the 20's had long gone, appropriately plays "Mrs. Fry," a batty bridesmaid whose intended had been abducted decades ago by an alien that came to Earth in a boxlike craft. The alien's intent was to rejoin his fellow beings and destroy the universe. Fortunately (for us), their plans were foiled and he became the wedding gift from a scientist that had revenge for Mr. Fry's (David Frankham) father.

Mrs. Fry wants to free her husband from the alien prison and the only way to do so is to find a substitute willing to find the information the alien needs. She thinks that she has found the perfect choice in a young couple (Buck Taylor and Belinda Plowman) fleeing from the girl's domineering father (John Hoyt in the second of three "Outer Limits" performances).

All of the plans go awry and the story ends with the alien "uncreating" itself, thus preventing the intended "doomsday." As far as the performances go, Hopkins, Hoyt, and Nellie Bly (as the wife of the justice of the peace) are standouts, matched only by Dominic Frontiere's masterful score.

Even though there are many questions concerning the logic of the "science" in this installment, one can look beyond that and relish in a trio of actors that really know how to tell a story.

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