"The Office" Hot Girl (2005)

Director:

Amy Heckerling

Writers:

Greg Daniels (developer)
Mindy Kaling (written by)
(more)

TV Series:

"The Office" (2005)

Original Air Date:

26 April 2005 (Season 1, Episode 6)

Genre:

Comedy | Drama | Romance

Plot:

Michael is just one of the many male staff who start vying for the attention of an attractive saleswoman in the office. |

Plot Keywords:

Office | Mockumentary | Pennsylvania | Based On British TV Series | Alcoholic

Cast

Steve Carell	...	Michael Scott
Rainn Wilson	...	Dwight Schrute
John Krasinski	...	Jim Halpert
Jenna Fischer	...	Pam Beesly
B.J. Novak	...	Ryan Howard
Amy Adams	...	Katy
Melora Hardin	...	Jan Levinson-Gould
David Denman	...	Roy Anderson
Leslie David Baker	...	Stanley Hudson
Brian Baumgartner	...	Kevin Malone
Kate Flannery	...	Meredith Palmer
Paul Lieberstein	...	Toby Flenderson
Angela Kinsey	...	Angela Martin
Oscar Nuñez	...	Oscar Martinez (as Oscar Nunez)
Phyllis Smith	...	Phyllis Lapin
rest of cast listed alphabetically:
Mindy Kaling	...	Kelly Kapoor (uncredited)

Directed by
Amy Heckerling

Writing credits
Greg Daniels		(developer)
Mindy Kaling		(written by)
Mindy Kaling		(staff writer)
Ricky Gervais		(creator: BBC series) &
Stephen Merchant		(creator: BBC series)

Produced by
Greg Daniels	....	executive producer
Ricky Gervais	....	executive producer
Angela Hamilton	....	associate producer (as Angie Hamilton)
Howard Klein	....	executive producer
Lester Lewis	....	consulting producer
Paul Lieberstein	....	consulting producer
Stephen Merchant	....	executive producer
Michael Schur	....	co-producer
Benjamin Silverman	....	executive producer (as Ben Silverman)
Larry Wilmore	....	consulting producer
Kent Zbornak	....	producer

Cinematography by
Randall Einhorn		(director of photography)

Film Editing by
David Rogers		(as Dave Rogers)

Casting by
Marla Garlin
Allison Jones

Production Design by
Donald Lee Harris

Set Decoration by
Steve Rostine

Costume Design by
Carey Bennett

Makeup Department
Cyndra Dunn	....	key hair stylist
Lisa Hans	....	key makeup artist

Production Management
Teri Weinberg	....	executive in charge of production: Reveille LLC
Kent Zbornak	....	unit production manager

Second Unit Director or Assistant Director
Richard J. Levin	....	key second assistant director (as Richard Levin)
Tena Psyche Yatroussis	....	first assistant director (as Tena Yatroussis)

Art Department
Philip D. Shea	....	property master (as Philip Shea)
Sean Farrell	....	on-set dresser (uncredited)

Sound Department
John Garret Gorman	....	mix stage engineer
Benjamin Patrick	....	production sound mixer (as Ben Patrick)

Camera and Electrical Department
Dale Alexander	....	key grip
Brian Crane	....	gaffer
Cory Gunter	....	assistant camera
Eamon McGillicuddy	....	dolly grip
Matt Sohn	....	camera operator (uncredited)

Casting Department
Michelle Rejwan	....	casting assistant (uncredited)

Costume and Wardrobe Department
Elinor Bardach	....	costume supervisor
Joe Diaz	....	key set costumer
Michelle Roth	....	key costumer

Editorial Department
Justin Krohn	....	assistant editor

Music Department
Bob Thiele Jr.	....	musician

Transportation Department
Billy G. Arter	....	transportation coordinator (as Billy Arter)

Other crew
Bobby Bednar	....	production staff
Alex Bohr	....	production staff
Todd Carr	....	production staff
Rami Cohen	....	production staff
Jacob Ford	....	production assistant
James O. Kerry	....	production staff (as James Kerry)
Jason Kessler	....	production staff
Bob Lezak	....	production staff
B.J. Novak	....	executive story editor
Victoria Rickham	....	production staff
Veda Semarne	....	script supervisor
Rebekah Sheldon	....	production staff
Mary Wall	....	production staff
Jiovanni Yacobellis	....	production assistant
Amy D'Alessandro	....	titles (uncredited)

Writing credits (in alphabetical order)
Greg Daniels		creator
Ricky Gervais		creator
Stephen Merchant		creator

Original Music by
Jay Ferguson

Makeup Department
Marc Boyle	....	key hair stylist (season 1)
Melanie Mills	....	key makeup artist (season 1)

Art Department
Jeffrey Beck	....	set designer
Bobby Bednar	....	construction coordinator
Steven P. Duchscherer	....	set dresser
Matt Flynn	....	assistant art director

Sound Department
Adam Blantz	....	boom operator
Colin Jones	....	boom operator
Daniel McIntosh	....	sound mixer: New York
Jacqueline Marie McLaughlin	....	utility sound
Matt Temple	....	sound effects editor

Camera and Electrical Department
Roger Chingirian	....	additional electrician
Jesse Crusing	....	additional electrician
Justin M. Lubin	....	still photographer
Andrew Turpin	....	additional rigging electrician
Jeffrey Wilkins	....	camera operator

Editorial Department
Maureen Sullivan	....	post-production assistant

Music Department
Scott Cochran	....	music engineering
Nicole de la Torriente	....	music consultant

Other crew
Amy Banks	....	payroll accountant
Patrice King	....	set medic
Errol Reichow	....	location manager
Kristin Schaack	....	second assistant accountant (as Kristin Drummond)

Production Companies

• Deedle-Dee Productions
• NBC Studios
• Reveille Productions

Distributors

• National Broadcasting Company (NBC) (2005) (USA) (TV)
• Super RTL (2008) (Germany) (TV)
• Viasat3 (2008) (Hungary) (TV)

Runtime:

23 min

Country:

USA

Language:

English

Color:

Color

Certification:

Australia:M

Company:

Deedle-Dee Productions

Trivia:

When Michael introduces Katie to Toby, they find they both went to Bishop O'Hara (High School). Bishop O'Hara is a Catholic high school on E. Drinker St. in neighboring Dunmore, PA. Though as of January 2007, it is now named Holy Cross High School.

Quotes:

Jim Halpert: I think I'm going to see Katy.
Pam Beesly: So what are you guys gonna do?
Jim Halpert: Oh man, I don't know. Dinner? Drinks, movie... matching tattoos?

Movie Connections:

References "Sesame Street" (1969)

Season 1: Struggles to find its own voice and comes over as a lesser copy of the original even if it is still pretty good

A small branch of a stationary company in Pennsylvania is facing possible closure and redundancies and the staff aren't given a great deal of hope by having a bluffing clown of a boss in Michael Scott – a man who wants to be popular more than a boss. As office politics play a part, the staff try to deal with this hanging over their heads as well as the usual ongoing petty nonsense that is part of any office life.

Adapting what is really a very British sitcom to be suitable for American tastes was never going to be easy and the first season of this show (which has grown in popularity) shows the problems right away. Season 1 is, for the most part, a straight reproduction of the original in terms of some of the stories but also very much the painful awkward feel of the whole thing. What this achieves is a quite funny sitcom because the material is pretty good but it falls down quite badly when it comes to the more painful part of the material – which in the UK original was essentially the show. We all remember the original as hilarious but the truth is that much of it was funny while being unbearably awkward. This worked so well because the characters so totally sold it as real and you felt them dying inside as well as seeing them act awkward at that moment.

Here we have the conflicting aims of comedy and pain and the two don't sit well together. I got the sense that the US makers felt they wanted to do the UK version but that at the same time had a different vision for the show based on the US audience and also the different structure of the show (after all, the UK one was about 12 episodes total – not quite what the US networks expect from their shows). Perhaps it is better if you have never seen the original but the conflict can be seen in many areas but most noticeably in two key characters - Brent/Scott and Jim/Tim. Scott is very much a comedian who tries too hard and frequently falls flat, looking trapped by his own attempts at being "cool. Brent was similar but his character was much more convincing and real – a tiny man who one feels terrible pity for. Likewise Tim's pain and sense of being overwhelmed by the pointlessness of it all was palatable whereas Jim is far too perky and seems to be wearing it reasonably well.

Again this may be part of the longer game-plan as the development of characters over longer US seasons would be difficult if they arrived fully formed but it does the actors a bit of a disservice in this first season. Don't get me wrong though, the first season is still funny – even when it comes over as a bit of a lesser copy, it does still generate laughs and awkwardness. However it is best when it is creating new material totally and worrying less about getting everything the same as the UK original. This is encouraging because, with 4 or 5 seasons now made, it is clear that it must have become its own master now given how little source material there is. Here though it must be said that it is impossible to avoid the US/UK comparison because it is writ large across almost all of the six episodes and, in attempting the same thing, the US version does fall short of the mark – this is not protectionist sentiment, just the way it is.

The cast struggle by comparison because of the similarity. I think everyone is good enough to be able to raise their game when the show settles in but in this first season it is hard to avoid the sense of the cast not "getting it" in the way the original did. Again, I add the caveat of the longer game plan and the "pilot" nature of the first season but I cannot help say that Carell (who I like) is just not as good as Gervias at the pained stuff. He is at his best as the foolish clown but he cannot nail the inner emptiness and pathos that is what we all remember Brent for. Sadly the material makes this weakness more apparent. Wilson is a solid turn but again doesn't compare with the original. Krasinski offers more of a US sitcom role and I think will be good at this but again he struggles with trying to fit into the reproduced material while also having a less developed character. The only person of the whole cast who really nails the pained thing is Fischer as I totally believed the small deaths she suffered with every day in the office – she is excellent here.

Season 1 is generally funny and, if I had not seen the original then I would probably have liked it more. However it stays too close to the original, suffering by comparison and also never finding its own voice or direction. I think the potential is there though and will follow this with season 2 to see where it goes and what it does when it has to start to find its own way.