"Murder, She Wrote" Powder Keg (TV Episode 1986) Poster

(TV Series)

(1986)

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7/10
Adding Sparks to an Explosive Situation
WeatherViolet24 November 2009
This episode marks one of the last appearances by, and final television episode role for Craig Stevens, who has been acting in films and on television since 1939. John Alvin, who has been acting in films and on television since 1943, and Pat Corley, who has been appearing regularly since 1974, have also since passed.

The "Widowed Parent" theme runs frequently throughout the course of the "MSW" series, this often involving a poverty-stricken widowed mother of a teenage boy, who must quickly grow to take on the responsibility of "the Man of the House," or the crusty widowed father of a young adult daughter, who doesn't approve of her eligible suitor for fear that she would elope with him, or the usually wealthy widowed parent whose children and grandchildren stand at odds over the will and mostly end up as murder suspect in the process, once Jessica comes to town to stumble across the body next to the fireplace poker.

This time around, we see a combination of the widowed mother, Cassie Latham Burns (Mariclare Costello), with the responsible young adult son, Matthew Burns (Brian Lane Green), and the widowed father, Mr. Bonner (Stuart Whitman), with the loving daughter, Linda Bonner (Cindy Fisher), and her rebellious brother, Ed Bonner (Jeff Osterhage), who also doesn't approve of Linda's planning a future with Matthew, who aspires to become a Country music entertainer, should Linda manage to accompany him to Nashville one day.

Cassie Latham Burns operates an inn with Matthew at her side, in Hoopville, Alabama, near Kelso's Bar, operated by the gruff Frank Kelso (Pat Corley), who employs Linda to serve tables, and offers Matthew a chance to perform with his band.

Rowdy brother Ed Bonner and his gang of friends, Andy Crane (Larry Wilcox), Billy Willetts (Jackie Earle Haley), Demsey (Bill McKinney) and Peter Fargo (John Dennis Johnston), know how to cause a ruckus to interrupt what little peace can be found around Kelso's Bar, they ordering customers from tables, threatening Matthew's stage show, and standing up to Frank Kelso at every turn.

With his office in the heart of downtown Hoopville, Sheriff Claudell Cox (Dorian Harewood) serves as the county law enforcement officer, an African-American not accepted by townsfolk as having authority over the populace, even with blond Sheriff Claudell Cox (Dorian Harewood) Deputy Morgan (W.K. Stratton) at his side. They do not readily lean toward heeding the law regardless of the race of their capable Sheriff.

It is into this climate of "Powder Keg on the Verge of Exploding" tension that Professor Ames Caulfield (Craig Stevens) travels with fellow author Jessica Fletcher (Angela Lansbury) through Alabama, to stop over for the evening in Hoopville.

But when they request rooms at the desk of the inn, owner Cassie Latham Burns appears from the back room, when she and Professor Ames Caulfield recognize each other, she a student of his before she left school to start her family. When Ames and Jessica meet Matthew in the lobby, Matthew is on his way to sing at Kelso's. Jessica slips to her room to read, but hears Ames' returning into his room at a very late hour, around 2:30 AM.

The next day, when Matthew is arrested for murder, Cassie pleads with Ames and Jessica to defend his innocence, but Hoopville is only beginning to spark with controversy and belligerence, as Jessica fears the worst for Matthew, Linda, Ames, Sheriff Cox, Doctor Frazier (John Alvin) and anyone standing in the way of a potential lynch mob as the "Powder Keg" environment expands toward an explosive climax of after a double homicide.

The cast is rounded out by Debra Dusay as Desk Clerk, and customers at Kelso's Bar: Muriel Minot as Woman, Hartley Silver as Man, Dave Adams as Barfly, and Helen Kelly in an uncredited role.
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6/10
Less than explosive
TheLittleSongbird25 July 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

After the outstanding previous two episodes "Trial By Error" and "Keep the Home Fries Burning", both season and show highlights, "Powder Keg" was a major disappointment. Not a bad episode, but a long way from great, for early 'Murder She Wrote' it's somewhat mediocre and one of the season's weakest along with (as far as previous episodes go) "Joshua Peabody Died Here...Possibly" and "Dead Heat".

Too much of the story is riddled with clichés and descends too far into ridiculousness and with a few odd turns. This is including, and actually especially, a badly out of place plot point involving Caulfield and Matthew. Other than a decent final solution, some suspenseful tension between the characters, and how the crime is investigated and solved a lot of it doesn't engage enough, and some of the dialogue is uncharacteristically (for the early seasons that is) overripe.

Some of the guest turns are seriously amateur hour too, usually the acting on 'Murder She Wrote' wasn't this amateurish early on (with a few exceptions like with Lauren Tewes, Priscilla Barnes and Michael Horton), especially Brian Lane Green and the almost the whole lynch mob (with the one exception being Jackie Earle Haley, and even he has been better since).

However, despite how all this sounds, "Powder Keg" does have a lot of merits. Production values are high in quality as to be expected, with slick photography and attractive scenery. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

Enough of the dialogue has some thought-provoking and amiable moments like the interplay between Jessica and the sheriff.

Angela Lansbury is terrific as always, and there are some good guest star performances. Dorian Harewood and Stuart Whitman do rise above the material and Cindy Fisher is appealing enough, but the best performance comes from Pat Corley who is magnificently gruff and the role is crucial enough for it to elevate the episode significantly even when so problematic in other areas.

In conclusion, some good elements, some bad. 6/10 Bethany Cox
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7/10
Spaghetti Westerns and American Shakespeare
richard.fuller129 August 2008
Warning: Spoilers
There's always been a notion that American actors are limited in what they have to offer, in general, in regards to Shakespeare.

The assumption seems to be that any Brit can pick up the bard's text and begin reading and master the effect with no effort.

This is no slight on the American, as the appeal of the western is known worldwide and European attempts at westerns are likewise frowned upon and observed with utter peculiarity.

This then brings us to this episode of Murder She Wrote. A truly odd confection seeking to cast Jessica Fletcher in the deep sayuth where bigotry and colored restrooms and mob mentality still run rampant.

All that was really missing was cotton fields and the KKK on horseback (perhaps there was a sense of redemption with a later Murder She Wrote movie, starring Phyllicia Rashad, as the bulk of the mystery involved 19th century flashbacks with runaway slaves and Lansbury as a different character, definitely a much better watch).

Yet oddly enough, this episode isn't without its merits.

We get former child actor Jackie Earle Haley, twenty years before his Oscar nomination, and we get Pat Corley, who never failed.

And we get Dorian Harewood as the sheriff, and likewise Stuart Whitman, who doesn't really rise above the subject matter, but makes good with it.

Many of the actors do seem to outdo the plot, as ridiculous and clichéd as it is. I guess it would have been no different than if Jessica had driven into Roman emperor days.

And there is even Larry Wilcox of CHiPs fame, definitely leaving his good guy role behind and a little too easily stepping into the bigot role (Wilcox played second fiddle to a scene stealing latino on CHiPs, so clearly he was showing acting ability here).

The most out-of-place aspect must definitely be Craig Stevens and his love child, Brian L. Green. Why was this in this episode? To flesh it out? Worth noting, Green also appeared on the soap Another World.

Stevens appeared on Love Boat with Cyd Charisse, where Stephen Schnetzer was her son and Stevens love child there as well. Schnetzer would go on to appear on Another World as well.

This episode will definitely stand as one of the odd confections of what the south was about (in 1986, no less).
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7/10
Watchable, if jarring at times
shakspryn3 February 2020
MSW episodes usually had some elements that the audience came to expect: distinguished guest stars of past times (check, here we have Craig Stevens and Stuart Whitman); varied settings (check--a small Southern town); a romantic subplot involving attractive young people (check); humorous, witty byplay between Jessica and one or more characters (none of that here!); a funny, eccentric character (no), and--quite often--a high-end type atmosphere, and one or more wealthy characters--a big mansion, New York penthouse, business empire, etc. We get a little of that: Craig Stevens is evidently important and drives a Rolls Royce. But the little town comes across as nasty and full of mean, violent people. That gives the story a grim tone. Also, there is nothing lighthearted at any point here. The complete absence of any humor makes the story feel long, to me; I wanted it to be over and get the heck out of that awful town! So, not a typical MSW episode that I think fans like. Still worth watching, just not as fun as usual. Some good guest casting with Whitman and Stevens, rarely seen at this period.
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7/10
Good small town mystery
coltras3521 May 2022
The justice system is tested when a group of angry rednecks form a lynch party and plan to hang a murder suspect. It might not be as lighthearted as usual, but Powder Keg is a decent entry, touching upon racism. The villains - here the rednecks - are vile. The set-up to the mystery is good, the detecting by Jessica is good. Stuart Whitman as the father of the dead bully is really good. Then again, he's always been an underrated actor.
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7/10
JB is Alabamy Bound
bkoganbing5 September 2019
Coming back from a writer's conference Angela Lansbury and Craig Stevens go to his small home town in Alabama for some R and R. But of course there's murder that happens and the expertise of JB Fletcher is needed.

Brian L. Green is singing at Pat Corley's bar when he gets heckled by Jeff Osterhage a local tough and son of the local bigwig Stuart Whitman. Then Osterhage is murdered Green is the circumstantial suspect.

Osterhage made a few enemies in his life and friends who try to break him out of Sheriff Dorian Harewood's jail. So there's a few around who could have done the deed.

Research into weaponry by Angela Lansbury is the key to solving this case. Also the fact that the deceased had two cigarette lighters on him.

The ensemble cast does well here.
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6/10
This guy needed killing.
planktonrules31 October 2022
The setting for this episode is very strange....a town full of redneck scum...and yet they have a black sheriff! While this is hard to believe, it's not a problem with the show.

In this horrible town, there are three bullies who pretty much do as they like. So, it's not surprising when the leader of this gang is found dead. A man the victim had attacked and beaten earlier that evening is arrested...not just because he's the most likely culprit but because the scum in town are looking for a lynching! Can Jessica unravel this mystery before the town blows sky high?

This is only a fair episode. One problem is that the guy who actually did the killing not only admits to it (something he easily could have claimed was in self defense considering how violent the victim had been), but he admits to another murder as well..one for which there was no evidence he'd committed.

One thing worse seeing is Larry Wilcox. While known for his famous role on "CHiPS" back in the 1970-early 80s as a nice-guy cop here he's a trashy, evil man...and quite the departure for his nice-guy image.
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6/10
Just o.k.
wkozak2219 October 2021
Warning: Spoilers
This is just an o.k. Episode. The cast is a C. That is it. Why? IMO, several reasons. Craig Stevens is o.k. But not that impressive. Here is my gripe. Larry Wilcox thinks he is better than he is, also he can't do a Southern accent. Jackie Earl Haley is good but his accent stinks.
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5/10
Jessica faces up to an angry mob......exactly, I thought the same.
Sleepin_Dragon5 November 2017
Jessica accompanies her friend Professor Ames Caulfield on a trip after a busy conference. The pair break down and end up having to spend the night in Roper Country. Local man Ed is found dead, number one suspect is young Matthew, a talented young musician, that Ed had issue with. Matthew is placed in jail for his own safety as an angry mob assembles, demanding Sheriff Cox release him into their custody.

I don't care a great deal for this episode if I'm honest, I don't like the storyline a great deal and I don't particularly like the flavour of it. Racism is vile subject, and it's very prominent here. The mob are a little to obvious, a bunch of rednecks yee haa-ing all over the place. It's a story I don't really buy into.

I suppose a fairly good attempt at creating tension, and through Jessica you feel a sense of danger. The only real saving grace is the performance of Dorian Harewood, as Sheriff Cox, I thought he was excellent.

The show is at its best when its light and intriguing, this one is sadly neither. 5/10
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2/10
Town full of stereotypes, killer too easy to spot
FlushingCaps21 December 2022
Warning: Spoilers
Jessica and a friend, a fellow author and college professor named Ames Caulfield, are traveling through the South when the man's car breaks down. Towed to a garage, they are told they can't get a replacement part until tomorrow. So they check into a hotel where, despite the desk clerk telling them their rooms are adjoining, they are across the hall from each other.

We learn right away that Ames and the clerk, Cassie, knew each other. She seems stunned to see him, after all these years. She has a son, Matt, who is a singer with a band that is playing at a local saloon, so that evening Ames goes to see the show while Jessica stays in her room to read.

At the saloon, three young punks cause trouble. Their leader, Ed Bonner, interrupts the show and publicly insults, then beats up Matt, thoroughly humiliating him. The trio leave. Back at the Inn, Jessica notices that her friend does not return to his room until about 2:30 in the morning.

We soon learn that Ed has been killed, stabbed many times and found in town, not near his house, the saloon, or anyplace that has a bearing on the matter. Because of the barfight, Matt is instantly accused and sure enough, the bloody knife is found buried in his yard across town from where the body was found.

The sheriff is a black man, so we know immediately that he won't be a bumbling, incompetent like so many lawmen Jessica encounters in her travels. Since he was the only black person depicted on the episode, we also know there is no way he would wind up being the killer. I am simply stating that the way TV shows are/were made, they make certain to do these two things I've mentioned with the characters.

Even though they didn't care for the bullying Ed, many of the townspeople are so up in arms about the killing that before the sheriff even has had a chance to gather evidence to file charges, they want to lynch the young man. We do wind up with the confrontation with the sheriff, where he handles things in the spirit of a Randolph Scott or Henry Fonda-type character, but the good-ol-boys only cancel their neckie party when Ed's father pulls up and tells them they need to let the law handle things.

I cannot say the entire plot was poorly done, but there were some big mistakes made. Early on, for one example, a character showed knowledge of where someone lived even though from what we knew, there was no way that person could have known.

What I most object to is the rampant stereotyping of these Southern characters and the town in general. Jessica even talks about the town being a "scary place." Not exactly what most people feel about small towns in general, but that is the way they made it out to be.

We had the big businessman threaten the sheriff, many speak against him because he was black, and just the fact that all of these young men have nothing better to do with their lives than hang around downtown all day, sort-of, getting ready to forming a lynch party.

As the script played out, the murderer seemed rather obvious-the only person who seemed to not have a gripe against the victim-but who was somehow featured more than others on the show.

A clue that helped Jessica was something the victim said before leaving his friends. The pal who told it to Jessica had no idea what it meant; which is why it makes no sense that Ed would have used that phrase with his buddy. Why use a colorful phrase that you know means absolutely nothing to the only person listening? It dealt with a secret and if he had simply said his intention clearly, we would have known who the killer was much, much earlier.

No ethnic group would have been portrayed with all the stereotype behavior displayed here in this show about white Southern males. I am not a Southerner, but the script here seemed to be repeatedly offensive to those who are. Thus I give this episode a 2.
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