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"Murder, She Wrote" Murder in a Minor Key (1987)

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6 out of 6 people found the following review useful:

not an original story

Author: Hugh Mason ( from United States
3 October 2014

This story appeared in 1965 on the ninth season of Perry Mason as "The Case of the Cheating Chancellor." It is not a similar story. It is the SAME story. The best way for a person to see this is to watch both shows. The credits on the Perry Mason show say the story was written by Lawrence L. Goldman. The Murder, She Wrote writing credits went to Gerald K. Siegel and Peter S. Fischer. I have searched many internet sites and haven't seen any other comments about this. I checked Lawrence L. Goldman's writing credits on this site and it did not appear that he wrote using any other names. Watch both stories and decide for yourself.

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5 out of 6 people found the following review useful:

Out of Tune with Suspects, Forks and Pianos

Author: WeatherViolet from United States
18 January 2010

Thirteen of the foureen "Murder, She Wrote" episodes which Jessica Fletcher (Angela Lansbury) introduces and summarizes (commonly known as "Bookend Episodes"), but does not participate in the action, occur during Seasons Six and Seven, but now in Season Three, we're up to the first of these, as Jessica narrates this enactment of her latest J.B. Fletcher Mystery, "Murder in a Minor Key."

Set upon a southern California campus, this centers around three graduate students, Chad Singer (Shaun Cassidy), Jenny Coopersmith (Dinah Manoff) and Michael 'Mike' Prentice (Paul Clemens), who become entangled in a web of faculty corruption and adultery, as well as murder.

This begins in an off-campus piano lounge, as Pianist (Brenda Thompson) performs instrumental selections, including a composition which Mike Prentice immediately recognizes as his creation from a Music course assignment. Mike approaches the piano bench to prove by the Pianist's witness that he knows the score by heart. (This plot device is coincidently used in one of Jessica's "real life" future "MSW" episodes, without her reflecting upon having incorporated it into a storyline from one of her books.)

Mike subsequently grabs the sheet music and storms across campus to confront Music Professor Tyler Stoneham (George Grizzard) amid one of his instructional sessions, an intrusion to which the professor adamantly objects, thus demanding to reprimand Mike in his office after the class dismisses.

Afterwards, Mike charges Tyler with stealing his property, to publish for his own profit, without consent from its author, a charge which Tyler refuses to acknowledge. So, Mike plans to sneak into the office after hours, to obtain his rightful property.

While biding his time in a storage room, Mike awaits Tyler's exit, while Professor Harry Papasian (Rene Auberjonois) enters the office which they share, to confront Tyler amid a disagreement. Music Publisher Max Hellinger (Herb Edelman) also enters to search for a folder containing sheet music which he deems rightfully his.

Vice Chancellor Simon (Tom Hallick), meanwhile, walks through the quad with campus newspaper editor Danny Young (Scott Jacoby), amid a student protest, which can be heard from the floors of the Music Department.

After Mike believes that the way is clear for him to sneak into the faculty office, he carries a flashlight to search for his folder in a cabinet, when a Security Guard Hargrove (Alexander Folk) appears at the door to catch Mike with the goods, and right beside a body, which has been stabbed by a tuning fork.

And so, it is up to Chad Singer and Jenny Coopersmith prove Mike's innocence, by enlisting the assistance of Danny Young to investigate the murder.

Chad visits Christine Stoneham (Karen Grassle) under the suspicion that she has been carrying on with Vice Chancellor Simon, a notion which she denies to the point of aiming a pistol at Chad, while Jenny traces Reagan Miller (Jennifer Holmes) in San Diego, who is believed to have been involved with Tyler as he often disappeared on Christine and left town to publish students' compositions under his name.

As Lieutenant Perkins (William Hubbard Knight) investigates, Chad then manages to gather suspects, one and all, to orchestrate a re-enactment of the night of the "Murder in a Minor Key."

The cast is rounded out by Hope Haves as Young Woman, Paris Vaughan as Pauline, Alex Henteloff as Raymond Parnell, and Stephen Swofford as Templeton.

This episode marks the most recent television acting credit to date for Hope Haves, as well as the only acting credit to date for Producer and Production Manager Stephen Swofford This also represents the first of two "MSW" guest roles each for Karen Grassle, Jennifer Holmes, and Rene Auberjonois, the first of three for Tom Hallick, the second of three for George Grizzard, and the third of ten "MSW's" for Herb Edelman, including his upcoming seven episodes in the role of NYPD Lieutenant Artie Gelber.

George Grizzard, acting on television and in film since 1955, and Herb Edelman, acting since 1964, have unfortunately since passed.

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A "minor" episode

Author: TheLittleSongbird from United Kingdom
7 August 2017

Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

The first of fourteen bookend episodes (episodes where Jessica only introduces the story, or in one case didn't appear at all, and somebody else solves the crime), "Murder in a Minor Key" had an interesting premise (who doesn't love an episode centred around music) but to me has always one of the lesser episodes of Season 3, along with "Dead Man's Gold" and "Night of the Headless Horseman". Not awful but could have been great.

"Murder in a Minor Key's" biggest issue, and it is an element that very nearly kills the episode completely dead is the pacing, a lot of it drags especially in the middle that tended not to go anywhere. Considering the premise, the story could and should have been much more interesting.

Would have actually forgiven "Murder in a Minor Key's" lack of originality but not so that the mystery had relatively little to it with parts so padded out it feels like filler. Both the character of Mike and the dialogue are on the bland side, though Mike is not a complete dead-weight of a character and doesn't annoy you and the dialogue does have some thought-provoking and amiable moments.

Not having Jessica solving the crime and barely in it was unusual at this point in the show, and being an early bookend the episode suffers a little without Jessica and felt like it could have been an episode of any detective mystery show but in a way not 'Murder She Wrote'.

On the other hand, the production values are slick and stylish. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

"Murder in a Minor Key's" highlight is the denouement which is very clever and answers all the questions that needed answering.

Also keeping "Murder in a Minor Key" afloat is the strong cast, with standout performances from George Grizzard, Rene Auberjonois and Herb Edelmann.

In summary, watchable but very much a minor episode. 5/10 Bethany Cox

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