Mission: Impossible: Season 5, Episode 7

Butterfly (31 Oct. 1970)

TV Episode  -   -  Action | Adventure | Crime
6.9
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Ratings: 6.9/10 from 33 users  
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The MI team must exonerate an American businessman framed for the murder of his wife and marked for death in Japan. Undercover in the guise of various masters of Japanese art forms they dupe the true killer into confessing.

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Title: Butterfly (31 Oct 1970)

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Cast

Episode cast overview:
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Dana Lambert (as Lesley Warren)
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Khigh Dhiegh ...
Toshio Masaki
Benson Fong ...
Inspector Akita
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Mioshi Kellem
...
Shiki
Helen Funai ...
Nobu Kellem
Russ Conway ...
Harry Kellem
Dale Ishimoto ...
Saburi
Fuji ...
Osaki
Leonard Pronko ...
Specialty Dancer
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The MI team must exonerate an American businessman framed for the murder of his wife and marked for death in Japan. Undercover in the guise of various masters of Japanese art forms they dupe the true killer into confessing.

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31 October 1970 (USA)  »

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1.33 : 1
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Trivia

At the 1970 exchange rate, the prize of 3,600,000 yen for Willie's bout against Masaki's champion was $10,000 dollars. Adjusted for inflation, that represents $58322.88 in 2013 dollars. See more »

Goofs

In Japan, motor vehicles drive on the left side of the road; thus, most Japanese vehicles are right-hand drive. But all of the vehicles shown are left-hand drive. See more »

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User Reviews

 
Real-Life Setting Enhances one of the Few Superior Fifth Season Episodes
18 October 2008 | by (Ukiah, California) – See all my reviews

There was much that was wrong with the fifth season of "Mission: Impossible," but "Butterfly" nevertheless managed to rise above those frequent problems. The title is an apparent reference to a symbol on the robe worn by anti-American industrialist Masaki (Khigh Dhiegh) when he kills his sister, which he does in order to frame her American husband (Russ Conway). Exonerating someone accused of murder was actually one of the lesser tasks the IMF took on over the years (and this was hardly the first time they did so), but here they pursued their goal with style and patience, and a minimum of their usual trickery.

The Japanese setting marks one of the few times that the series was set in a real-life location (only the previous season's "Lover's Knot," set in England, had a similarly genuine locale), and as Patrick White points out in "The Mission: Impossible Dossier," the result was perhaps the series' most visually charming segment. Unfortunately, most of the "Japanese" exteriors of Masaki's estate were all-too-painfully indoor sets (although some sequences were shot in an outdoor Japanese village in Buena Park, near Los Angeles). The episode also provided Lesley Ann Warren, who usually looked completely out of place, with a rare realistic function, as a youthful photographer-turned-blackmailer who may have captured the murder on film.

Less successful is Leonard Nimoy's portrayal of a Kabuki performer — Nimoy is a fine actor, but the large planes and pronounced physiognomy of his face made his occasional forays into Oriental makeup utterly unrealistic. This would have been a good episode for the team (for once in these later seasons) to have added a guest star who could have authentically passed as a Japanese character instead. It's also a shame that the always-excellent James Shigeta has only a minor role as one of Masaki's henchmen, with little to do except stand around looking nasty.

Still, "Butterfly" remains a successful episode. Benson Fong does a steady job as an incorruptible police officer, and Khigh Dheigh projects a quiet menace as Masaki, taking on a role quite similar to his frequent guest shots during these years as arch villain Wo Fat on "Hawaii: Five-O." Helen Funai handles her role as the murdered woman's (and accused murderer's) daughter with touching vulnerability. But perhaps most notably, Willy (Peter Lupus) finally is given a central role in an episode, taking on Masaki's jujitsu champion as a distraction while Barney and the other members of the team make use of a different part of Masaki's estate. Willy isn't allowed to win the match, of course, but — this being 1970s American television — he's given his revenge later on.


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