| Episode Crew |
Directed by | |||
| Russ Mayberry | |||
Writing credits(in alphabetical order) | ||
| William T. Conway | teleplay (as William Conway) | |
| Frank Holman | story | |
| Scott Shepherd | story | |
| Ken Solarz | story | |
| Ken Solarz | teleplay | |
| Anthony Yerkovich | creator | |
Produced by | |||
| Michael Attanasio | .... | co-producer (as Michael J. Attanasio) | |
| Richard Brams | .... | co-executive producer | |
| Richard Brams | .... | producer | |
| Thomas Cajka | .... | associate producer | |
| Donald L. Gold | .... | co-producer | |
| Michael B. Hoggan | .... | associate producer | |
| Diane Isaacs | .... | associate producer (as Diane Sillan) | |
| Michael Mann | .... | executive producer | |
| Kathleen M. Shea | .... | associate producer (as Kathleen Shea) | |
| Scott Shepherd | .... | supervising producer | |
| Robert Ward | .... | co-executive producer | |
Original Music by | |||
| Tim Truman | |||
Cinematography by | |||
| Oliver Wood | |||
Film Editing by | |||
| Michael B. Hoggan | |||
| Robert L. Sinise | |||
| Dick Williams | |||
Casting by | |||
| Bonnie Timmermann | |||
Art Direction by | |||
| Joel Lang | (as Joel L.A. Lang) | ||
Set Decoration by | |||
| Robert Lacey Jr. | (as Robert J. Lacey Jr.) | ||
Costume Design by | |||
| Bobbie Read | |||
Makeup Department | |||
| Jay Cannistraci | .... | key makeup artist | |
| Nick Troiano | .... | hair stylist | |
Production Management | |||
| Lou Fusaro | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Chip Chalmers | .... | first assistant director | |
| Bruce Solow | .... | second assistant director (as Bruce Alan Solow) | |
Art Department | |||
| Maria Chavez | .... | artistic consultant | |
| Charles Guanci Jr. | .... | assistant property master | |
| Charles Guanci Jr. | .... | props | |
| Michael Metzel | .... | construction foreman | |
Sound Department | |||
| Ed Callahan | .... | sound editor | |
| Joe Foglia | .... | sound | |
| Mark P. Stoeckinger | .... | supervising sound effects editor | |
Stunts | |||
| Bobby J. Foxworth | .... | stunt coordinator | |
Casting Department | |||
| Cheryl Louden-Kubin | .... | casting: Miami (as Cheryl A. Louden) | |
| Marjorie W. Morhaim | .... | casting assistant | |
| Lori Wyman | .... | casting: Miami (as Lori S. Wyman) | |
Costume and Wardrobe Department | |||
| Kristy Aitken Hernandez | .... | costume supervisor (as Kristy Aitken) | |
Music Department | |||
| Jan Hammer | .... | composer: title theme | |
| Dino A. Moriana | .... | music editor | |
| Michael Thompson | .... | musician: electric guitars | |
Transportation Department | |||
| Richard P. Pecora | .... | driver | |
Other crew | |||
| Marcia Dripchak | .... | assistant to producer | |
| Raymond Hartung | .... | story editor | |
| Mark Lafata | .... | production coordinator | |
| Peter McCabe | .... | executive story editor | |
| Ken Solarz | .... | executive story consultant | |
| Suzanne Waite | .... | script supervisor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Jeremy Lew | teleplay | |
| Daniel Pyne | five episodes including "Yankee Dollar" (also as A.J. Edison) | |
| Gustave Reininger | various episodes | |
| Jack Thibeau | ||
| Anthony Yerkovich | creator | |
Produced by | |||
| Michael Duggan | .... | producer (1986-1989) | |
| Dick Wolf | .... | executive producer (1989) | |
Cinematography by | |||
| Dave Gist | (hand camera) | ||
| Bill Hinckley | (hand camera) | ||
Film Editing by | |||
| C. Cory M. McCrum-Abdo | |||
| Alfonse Ruggiero | |||
Makeup Department | |||
| Allan A. Apone | .... | key makeup artist (1985-1988) | |
Second Unit Director or Assistant Director | |||
| Michael Attanasio | .... | second unit director (1984-1989) | |
| Tommy Burns | .... | second second assistant director | |
| Michelle Marx | .... | assistant director: second unit | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Simon Coke | .... | sound editor | |
| Craig Harris | .... | special surround sound design: sweeps week show | |
| Harry B. Miller III | .... | sound editor | |
| Glenn T. Morgan | .... | sound effects editor | |
| Bob Newlan | .... | sound editor | |
| Norto Sepulveda | .... | sound editor | |
| Gary Vaughan | .... | sound editor | |
| Mark Weber | .... | boom operator | |
| Jay Wilkinson | .... | sound editor | |
Special Effects by | |||
| John Patteson | .... | special effects assistant | |
Stunts | |||
| Andrew Castillo | .... | stunt performer | |
| Dave Gist | .... | stunts | |
| Luke Halpin | .... | stunts | |
| Robert Paisley | .... | stunts | |
Costume and Wardrobe Department | |||
| Gregory B. Peña | .... | key costumer (1985-1989) | |
Editorial Department | |||
| Richard Brassaw | .... | assistant film editor | |
| Scott Klein | .... | master colorist | |
| C. Cory M. McCrum-Abdo | .... | post-production coordinator | |
Music Department | |||
| Bradley Carow | .... | assistant music editor | |
| Jerry Sanford Cohen | .... | music editor | |
Other crew | |||
| Fabio M. Arber | .... | key production assistant (1984-1985) | |
| Fabio M. Arber | .... | location manager (1985-1989) | |
| Betty Bennett | .... | script supervisor | |
| Tom Brocato | .... | publicist | |
| Tim Dinan | .... | assistant production office coordinator | |
| Daniel Kellison | .... | production assistant | |
| Peter Lance | .... | story editor (1988-1989) | |
| Mayo Sanchez | .... | location manager (1988-1989) | |
| Nick Sloan | .... | stand-in (1 episode) | |
| Dean Taucher | .... | visual consultant (1986-1987) | |
| Sam Tedesco | .... | location manager | |
| Sherry Thorup | .... | location manager (22 episodes) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Action section |
By season five, Miami Vice had radically changed. Jan Hammer had left, the budget was very tight, the style had got much darker and violent, the ratings were not good at all and Don Johnson wasn't in very many episodes (due to working big time in Hollywood on major motion pictures). The season finale "Freefall" is a perfect finale to the series because it shows the political problems which were going on in Latin America during the 80's and completely different compared to 2 part episodes like "Calderone's Return", "The Prodigal Son" & "Down For The Count". The action's good and so's the setting, etc... The scene with the Ferrari testarossa speeding down the streets of Miami with the song "Bad Attitude" by Honeymoon Suite works because it's re-showing the defining image from the pilot episode with the Daytona driving through the night down down the streets with the song "In the air tonight" by Phil Collins playing that introduced us to Miami Vice in the first place. It was the right time to end the show because if it had carried on into the nineties, it wouldn't have been the same. Miami Vice was only for the 80's and that's where it belonged. Rating 10/10, "Freefall" is one of the greatest finales to a series that I've seen and it showed that Miami Vice could wrap it up with a bang.