"McMillan & Wife" The Fine Art of Staying Alive (TV Episode 1973) Poster

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6/10
Sometimes it's hard to remember how much things have changed in 40 years...
AlsExGal10 October 2015
...until you sit down and watch something made in 1973. The set-up of the plot is rather simple. San Francisco police commissioner Stewart McMillan (Rock Hudson) is in charge of the security for a Rembrandt that is on loan from Spain to a museum in San Francisco. The security for the Rembrandt seems rather fool-proof - but there is one soft spot. Criminals who want the Rembrandt decide to kidnap McMillan's wife Sally (Susan Saint James) and offer her life in return for the Rembrandt.

McMillan goes to the Spanish consul and asks him to give the thieves the painting in return for his wife, and the consul says what you would expect - what actually is a good general philosophy when it comes to exchanging valuables for people. He says that if they gave in and allowed such an exchange, it would cause a rash of copycats throughout the world, endangering both objects of value and human beings in kidnappings for ransom. McMillan objects, as you would expect, since he is so personally involved. And then comes the line that I have remembered for 42 years, and what made me seek out this episode just to make sure I hadn't remembered incorrectly. Art connoisseur Matthew Pennington (Henry Jones) who accompanied McMillan to the consulate helps McMillan's plea along a little by making the statement - "If anybody knows the value of a work of art I do. I also know that there is no greater work of art than a beautiful woman".

Even in 1973 at age 15 my jaw hit the floor. Is this guy saying if Sally was over 40 or overweight or just plain unattractive, that her life would not be worth the trade??? It appeared to me to be so. Maybe I remember this so well because I was the ugly duckling that grew up to be a great big duck, but wow, just wow. What a sexist and frankly shallow evaluation of a human (or should I say female?) life.

This episode is on DVD and on youtube, so I'll let you watch and find out what happens and how all of this plays out. I'd recommend it just to see how the times can sometimes change without you even realizing it UNTIL you go back in time and reevaluate matters.
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7/10
Sally Gets Kidnapped!
Sylviastel4 February 2019
Susan Saint James' character, Sally MacMillan, gets kidnapped and held captive for an expensive Rembrandt. Of course, MacMillan leads his team in finding her location and rescuing her. After a while, the cases are predictable when Sally is involved so it can get boring after awhile.
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5/10
A love of art
bkoganbing25 May 2015
The Prado Museum in Madrid has entrusted one of its Rembrandts to the San Francisco Museum and as you can imagine Commissioner McMillan is personally supervising the security. But some enterprising thieves have a way around that. They kidnap Susan Saint James and hold her for ransom in exchange for the Rembrandt.

A whole lot of red tape has to get cut through if Rock Hudson is to get his wife back. The Spanish counsel in San Francisco Cesare Danova has some big objections to one of his country's treasures being given away. Not to mention Henry Jones who has brought the Rembrandt to the Bay Area for exhibition. Still Hudson gets it done and gets his wife back after a high speed boat chase in San Francisco Bay with the help of the Coast Guard Commander, the skipper Alan Hale, Jr.

This wasn't terribly hard to figure out who was responsible for the kidnapping and the ransom. In fact if you don't know right after the first 15 minutes you're not watching too many of these shows.

Excitement yes, suspense definitely not for this story.
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1/10
It's so bad that it's, well, really bad
dlxmarks2 April 2017
Warning: Spoilers
Spoiler alert for a TV episode over 45 years old!

Even for 1973 this had to be pretty lame writing. What's the most ridiculous aspect of the plot? That a police commissioner is allowed to head an investigation with which he has a huge conflict of interest? That a police commissioner is allowed to head any investigation at all? (TV writers have never been able to grasp what a commissioner's role actually is) That he engages with foreign diplomats without State Department authorization? That he steals a priceless painting with the most laughable security protection of all time? No, I think the end takes the cake when McMillan barges into the mastermind's mansion without a warrant and still ends up the hero instead of being fired and facing multiple charges. The only saving grace was an appearance by Alan Hale Jr. in a straight role post Gilligan.
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