| Emily Anne Graham | ... | Young Peggy (as Emily Graham) | |
| Genevieve Buechner | ... | Young Anna | |
| Margot Berner | ... | Marie | |
| Marilyn Norry | ... | Kate | |
| Sharon Heath | ... | Gerri | |
| Jessica Lowndes | ... | Peggy | |
| Robert Englund | ... | The MC | |
| Ryan McDonald | ... | Boxx | |
| Jonathan Tucker | ... | Jak | |
| Don MacKay | ... | Steven | |
| Karen Austin | ... | Quinn | |
| Lucie Guest | ... | Celia | |
| Erica Carroll | ... | Mia | |
| Fraser Aitcheson | ... | Giant Door Guy (as Darren Aitcheson) | |
| Julia Barrick Taffe | ... | Loopy Girl #1 (as Julia Taffe) | |
| Leah Wagner | ... | Loopy Girl #2 | |
| Kylie Furneaux | ... | Loopy Girl #3 | |
| Melena Rounis | ... | Anna (as Melena Ronnis) | |
| Virginia Dee Mayne | ... | Woman #1 | |
| Darren Moore | ... | Creep in Muskeet | |
| Misty Dawn Meeler | ... | Woman #2 | |
| Brock Johnson | ... | Pomade Creep | |
| Clay Virtue | ... | Creep in Doom Room | |
| Decree | ... | Doom Room Band |
| Episode Crew |
Directed by | |||
| Tobe Hooper | |||
Writing credits | ||
| Mick Garris | (creator) | |
| Richard Christian Matheson | (teleplay) | |
| Richard Matheson | (short story) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Bo Altherr | .... | producer: special features | |
| Morris Berger | .... | executive producer | |
| Stephen R. Brown | .... | executive producer (as Steve Brown) | |
| Ben Browning | .... | co-producer | |
| Andrew Deane | .... | executive producer | |
| Mick Garris | .... | executive producer | |
| Adam Goldworm | .... | co-producer | |
| John W. Hyde | .... | executive producer | |
| Lisa Richardson | .... | producer | |
| Grant Rosenberg | .... | consulting producer | |
| Tom Rowe | .... | producer | |
| Pascal Verschooris | .... | co-producer | |
Original Music by | |||
| Billy Corgan | |||
Cinematography by | |||
| Jon Joffin | (director of photography) | ||
Film Editing by | |||
| Andrew Cohen | |||
Casting by | |||
| Nancy Nayor | (as Nancy Nayor Battino) | ||
| Kelly Wagner | (as Kelly Martin Wagner) | ||
Production Design by | |||
| David Fischer | |||
Art Direction by | |||
| Don Macaulay | |||
Set Decoration by | |||
| Ide Foyle | |||
Costume Design by | |||
| Lyn Kelly | |||
Makeup Department | |||
| Mike Fields | .... | on-set key makeup artist: KNB EFX Group, Inc. (as Michael Fields) | |
| Cleo Gagner | .... | first assistant hair stylist | |
| Sarah Graham | .... | on-set key makeup artist: KNB EFX Group, Inc. | |
| Dana Hamel | .... | key makeup artist | |
| Amanda McGowan | .... | first assistant makeup artist | |
| Adina Shore | .... | key hair stylist | |
| Paula Demille | .... | assistant hair stylist (uncredited) | |
| Marcie Hodel | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Margo Coughlin Zimmerman | .... | production manager: IDT Entertainment | |
| Sally Dixon | .... | post-production supervisor | |
| Marie Norton | .... | administrative manager: IDT Entertainment | |
| Zaida Rodriguez | .... | assistant manager: IDT Entertainment | |
| Stacey Jade Smart | .... | executive in charge of production: IDT Entertainment | |
| Pascal Verschooris | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Karin Behrenz | .... | third assistant director (as Karen Behrenz) | |
| Mick MacKay | .... | first assistant director | |
| Ian Samoil | .... | second assistant director | |
| Jim Dunn | .... | second unit director (uncredited) | |
| Yannick Leray | .... | trainee assistant director (uncredited) | |
| Trevor Ralph | .... | assistant director (uncredited) | |
Art Department | |||
| Andrei Andrianko | .... | assistant art director | |
| Nick Dibley | .... | property master (as Nicholas Dibley) | |
| Jim Geddes | .... | construction coordinator | |
| Leesa Hanna | .... | assistant set decorator (as Leesa McNalley) | |
| John McIntosh | .... | greens | |
| Jake Miller | .... | assistant property master | |
| Zbibgniew Scheller | .... | construction foreman (as Zbish Scheller) | |
| John Wilcox | .... | paint coordinator | |
| Dylan Dowd | .... | lead greens person (uncredited) | |
| Les Ford | .... | computer graphics designer (uncredited) | |
| Sean McGee | .... | on-set props assistant (uncredited) | |
| Regan Steele | .... | set dresser (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Kevin Belen | .... | sound re-recording mixer | |
| Jay Cheetham | .... | background sound editor | |
| Jacqueline Cristianini | .... | sound supervisor | |
| Kris Fenske | .... | sound designer | |
| Kevin Konarzewski | .... | adr mixer | |
| Jason Mauza | .... | foley editor | |
| Laurie Melhus | .... | audio post coordinator | |
| Iain Pattison | .... | sound re-recording mixer | |
| Jean Raymond | .... | foley mixer | |
| Sebastian Salm | .... | sound mixer | |
| Paul A. Sharpe | .... | sound re-recording mixer (as Paul Sharpe) | |
| Colin Smith | .... | boom operator | |
| Matthew Wilson | .... | sound effects editor (as Matt Wilson) | |
| Kevin Konarzewski | .... | walla recordist (uncredited) | |
| Devan Kraushar | .... | co-sound designer (uncredited) | |
| Todd R. Mason | .... | sound effects recordist (uncredited) | |
| Joshua Stevenson | .... | assistant dialogue editor (uncredited) | |
| James Wallace | .... | sound effects editor (additional sound designer) (uncredited) | |
Special Effects by | |||
| Howard Berger | .... | special effects makeup | |
| Mark Boley | .... | special effects makeup crew: KNB EFX Group, Inc. (as Mark Bolie) | |
| Michael Deak | .... | special effects makeup crew: KNB EFX Group, Inc. (as Mike Deak) | |
| Robert Freitas | .... | special effects makeup crew: KNB EFX Group, Inc. (as Rob Freitas) | |
| Derek Heselton | .... | special effects best boy (as Derek Heselston) | |
| Grady Holder | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Jim Leonard | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Gregory Nicotero | .... | special effects makeup (as Greg Nicotero) | |
| Ron Pipes | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Frank Rydberg | .... | special effects makeup crew: KNB EFX Group, Inc. (as Frank Ryberg) | |
| Shannon Shea | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Wayne Szybunka | .... | special effects coordinator | |
| Veronica Torres | .... | special effects makeup crew: KNB EFX Group, Inc. | |
| Lindsay Vivian | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Corey Bastiaans | .... | cg artist: Anthem Visual Effects | |
| Matt Belbin | .... | visual effects editor | |
| Sébastien Bergeron | .... | digital effects supervisor: Anthem Visual Effects | |
| Paul Chapman | .... | digital compositor: Anthem Visual Effects | |
| Craig Clarke | .... | senior compositor: Anthem Visual Effects | |
| Muzaffer Korkut | .... | cg artist: Anthem Visual Effects | |
| Darren MacKay | .... | digital compositor: Anthem Visual Effects | |
| Stu McRae | .... | digital compositor: Anthem Visual Effects (as Stu MacRae) | |
| Alessandro Nardini | .... | cg artist: Anthem Visual Effects | |
| Lisa K. Sepp | .... | visual effects coordinator (as Lisa Sepp-Wilson) | |
| Lisa K. Sepp | .... | visual effects producer: Anthem Visual Effects (as Lisa Sepp-Wilson) | |
| Lee Wilson | .... | visual effects supervisor: Anthem Visual Effects | |
| Mladen Miholjcic | .... | senior cgi artist: Anthem Visual Effects (uncredited) | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
| Jim Dunn | .... | stunt performer | |
| Dustin Brooks | .... | fire stunt coordinator (uncredited) | |
| Colin Decker | .... | stunt fire safety (uncredited) | |
| Christopher C. Fisher | .... | stunt double: motorcycle rider (uncredited) | |
| Rikki Gagne | .... | stunt performer (uncredited) | |
| Rick Morwick | .... | stunt safety (uncredited) | |
Camera and Electrical Department | |||
| Bradley S. Creasser | .... | camera operator: "a" camera (as Brad Creasser) | |
| Stewart Henshaw | .... | best boy lighting | |
| Kieran Humphries | .... | first assistant camera: "b" camera | |
| Tom Kaczmarski | .... | key grip | |
| Christina Kasperczyk | .... | first assistant camera: "a" camera | |
| Mike Kolafa | .... | gaffer (as Michael Kolafa) | |
| Dean Schwingboth | .... | best boy grip | |
| Peter Wilke | .... | camera operator: "b" camera (as Peter Wilkie) | |
| Rob Cantin | .... | lighting technician (uncredited) | |
| Chris Cove | .... | second assistant camera (uncredited) | |
| Jeff Grimshire | .... | dolly grip (uncredited) | |
| Seth Hettrick | .... | key rigging grip (uncredited) | |
| Jos Oman | .... | second assistant camera (uncredited) | |
| Pascal Jean Provost | .... | cinematographer: second unit (uncredited) | |
Casting Department | |||
| Sandra-Ken Freeman | .... | extras casting (as Sandra Ken-Freeman) | |
| Paul Becker | .... | dance casting (uncredited) | |
Costume and Wardrobe Department | |||
| Linda Leduc | .... | assistant costume designer | |
Editorial Department | |||
| Richard Cordes | .... | color timer | |
| Andrea Dixon | .... | color timer | |
| Marc Pollon | .... | assistant editor | |
| Matt Venables | .... | post-production coordinator | |
| Mike Williamson | .... | apprentice editor | |
Music Department | |||
| Mike Beckett | .... | music editor | |
| Lisa Brown | .... | music supervisor | |
| Nicholas Pike | .... | composer: additional music | |
| Jennifer Ross | .... | music supervisor | |
| Ed Shearmur | .... | composer: theme music (as Edward Shearmur) | |
| Happy Walters | .... | music supervisor | |
| James Fogel | .... | assistant score engineer (uncredited) | |
Transportation Department | |||
| Fraser Sutherland | .... | transportation coordinator | |
| John Swetlikoe | .... | transportation captain | |
| Duane Shearer | .... | office driver (uncredited) | |
Other crew | |||
| Steve Best | .... | assistant to director | |
| Kristi Blicharski | .... | unit publicist | |
| Sheri Buckham | .... | assistant accountant | |
| Genessa Davis | .... | assistant production coordinator | |
| Andrzej Dec-Williams | .... | assistant location manager (as Andrzej Dec) | |
| Kathryn Drew | .... | production accountant (as Kath Drew) | |
| Shalia Edl | .... | production coordinator | |
| Gary Garfinkel | .... | network executive | |
| Louisa Gradnitzer | .... | location manager | |
| Kristin Harris | .... | production coordinator: IDT Entertainment | |
| Dave Harvey | .... | assistant accountant | |
| Alison Hunter | .... | script supervisor | |
| Katy Lew | .... | assistant to producers | |
| Ross Redhead | .... | assistant to producers | |
| Louis Schwartzberg | .... | stock footage | |
| Alison Stephen | .... | assistant to producers | |
| Alison Stephen | .... | script coordinator | |
| Bonnie Sutherland | .... | set supervisor | |
| Stephen Tibbetts | .... | stand-in (as Stephen Tibbets) | |
| Raj Uppal | .... | assistant to producers (as Rajvinder Uppal) | |
| Steven Vlasak | .... | operations manager | |
| Desiree Zurowski | .... | stand-in | |
| Paul Becker | .... | choreographer (uncredited) | |
| Krista Johnston | .... | clearances (uncredited) | |
| Vicky Lambert | .... | co-choreographer (uncredited) | |
| Andrej Marko | .... | production assistant (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb USA section |
Tobe Hooper's Dance of the Dead is never going to win over the usual horror crowd. Why's that? Well because it focuses on meaning, message and character as opposed to jumps, gore and kills. For those who watch a horror film just for the kills and gore, give up and go back to The Horror Channel.
"Dance of the Dead". Tells a story of a angst ridden youth of America, brought on by a total disregard for human safety by those in power. A theme that's becoming more popular in the horror genre with Alexandre Aja's "The Hills Have Eyes" remake. There are no monsters here, save for the corrupted and corroded humanity of the characters.
A true Masters of Horror episode in that it's directed by Hooper (Whose "Poltergeist" would go on to inspire "Ringu") and based on the short story by Richard Matheson ("I am Legend" and "The Incredible Shrinking Man" are widely considered some of the best sci-fi, and in the case of the former, sci-fi/horror novels around). Hooper captured some of that foreboding, and pessimistic view of that master write Matheson, although hardly to the standard that the novel "I am Legend" did.