Directed by
| Richard Kinon | ||
Writing Credits (in alphabetical order)
| Hal Ackerman | ... | (written by) (segment "My Mother, My Chaperone") |
| Howard Albrecht | ... | (written by) (segment "The Present") |
| Art Baer | ... | (written by) (segment "Welcome Aboard") |
| Wilford Lloyd Baumes | ... | (developed by) (as W.L. Baumes) |
| Ben Joelson | ... | (written by) (segment "Welcome Aboard") |
| Mike Marmer | ... | (story supervisor) |
| Lan O'Kun | ... | (written by) (segment "The Death and Life of Sir Alfred Demerest") |
| Jeraldine Saunders | ... | (suggested by) |
| Sol Weinstein | ... | (written by) (segment "The Present") |
Cast (in credits order)
Produced by
| Art Baer | ... | producer |
| Douglas S. Cramer | ... | executive producer |
| Dennis Hammer | ... | producer |
| Ben Joelson | ... | producer |
| Tim King | ... | associate producer |
| William A. Porter | ... | co-producer |
| Stephen K. Rose | ... | associate producer |
| Aaron Spelling | ... | executive producer |
Music by
| Walter Scharf | ||
Cinematography by
| Tony Askins | ||
Editing by
| Chuck McClelland | ||
Casting By
| Pam Polifroni | ||
Art Direction by
| Larry Warwick | ||
Set Decoration by
| James W. Payne | ... | (as James Payne) |
Costume Design by
| Nolan Miller | ||
Makeup Department
| Mary Hadley | ... | hair stylist |
| Robert Ostermann | ... | makeup artist (as Bob Ostermann) |
| Sylvia Surdu | ... | hair stylist |
| Jeremy Swan | ... | makeup artist |
Production Management
| Joseph Dervin Jr. | ... | executive in charge of post production |
| Norman Henry | ... | executive production manager |
| Ann Kindberg | ... | unit production manager |
| Al Kraus | ... | supervising production manager |
| William A. Porter | ... | production manager |
| Sheridan Dar Reid | ... | production manager: second unit (as Dar Reid) |
Second Unit Director or Assistant Director
| Charles H. Siegel | ... | second assistant director |
| Norman Wallerstein | ... | second units directed by |
| Richard A. Wells | ... | first assistant director |
Art Department
| Gordon Kirschbaum | ... | supervising construction co-ordinator |
| Roger Montesano | ... | property master |
Sound Department
| Andy Kopetzky | ... | sound effects editor |
| Paul Levine | ... | sound effects editor |
| Bruce Smith | ... | sound engineer |
Camera and Electrical Department
| Ronald W. Browne | ... | director of photography: second unit |
| Michael J. Schwartz | ... | electrician |
| Peter McEvoy | ... | camera department manager (uncredited) |
Casting Department
| Junie Lowry-Johnson | ... | casting associate (as Junie Lowry) |
Costume and Wardrobe Department
| Joie Hutchinson | ... | costumer: women |
| Larry Velasco | ... | costumer: men |
Editorial Department
| Norman Wallerstein | ... | supervising film editor |
| Sue Kesler | ... | apprentice film editor (uncredited) |
Location Management
| Bob Gray | ... | location manager |
| Victor T. Salant | ... | location auditor |
Music Department
| Charles Fox | ... | composer: theme music |
| Daniel J. Johnson | ... | music editor (as Dan Johnson) |
| Jack Jones | ... | singer: theme music |
| Rocky Moriana | ... | music supervisor |
| Paul Williams | ... | lyricist: theme music |
Script and Continuity Department
| Helen Parker | ... | script supervisor |
| Tony Webster | ... | executive script consultant |
Transportation Department
| Kenneth Newland | ... | driver |
Additional Crew
| Richard Albrecht | ... | story editor |
| Jill Baer | ... | story editor |
| Bret Garwood | ... | executive coordinator (as J. Bret Garwood) |
| Renate Kamer | ... | assistant to the executive producer |
| Casey Keller | ... | story editor |
| Daniel Margosis | ... | executive assistant: to Aaron Spelling |
| Mike Marmer | ... | story supervisor |
| Michael D. McGinley | ... | executive in charge for travel |
| Phill Norman | ... | title design |
| Christopher Vane | ... | story editor |
| Diana Weatherill | ... | assistant to the executive producer |
