| Michael Landon | ... | Charles Ingalls | |
| Karen Grassle | ... | Caroline Ingalls | |
| Melissa Gilbert | ... | Laura Ingalls | |
| Melissa Sue Anderson | ... | Mary Ingalls (credit only) | |
| Lindsay Greenbush | ... | Carrie Ingalls (as Lindsay Sidney Greenbush) | |
| Sidney Greenbush | ... | Carrie Ingalls (as Lindsay Sidney Greenbush) | |
| Richard Bull | ... | Nels Oleson | |
| Kevin Hagen | ... | Dr. Hiram Baker | |
| Alison Arngrim | ... | Nellie Oleson | |
| Scottie MacGregor | ... | Harriet Oleson (as Katherine MacGregor) | |
| Jonathan Gilbert | ... | Willie Oleson | |
| Merlin Olsen | ... | Jonathan Garvey | |
| Matthew Labyorteaux | ... | Albert Quinn Ingalls | |
| rest of cast listed alphabetically: | |||
| Don 'Red' Barry | ... | Jud Larrabee | |
| Tony Becker | ... | Zeke | |
| Christian Berrigan | ... | Lem | |
| John Bleifer | ... | Isaac Singerman | |
| Frank DeKova | ... | Brower | |
| Alvin Kupperman | ... | Aaron Singerman | |
| Brenda Turnbaugh | ... | Grace Ingalls (uncredited) | |
| Wendi Turnbaugh | ... | Grace Ingalls (uncredited) | |
| Episode Crew |
Directed by | |||
| Michael Landon | |||
Writing credits | ||
| Laura Ingalls Wilder | (based upon the series of books "Little House" by) | |
| Paul Wolff | writer | |
Produced by | |||
| Michael Landon | .... | executive producer | |
| Kent McCray | .... | producer | |
Original Music by | |||
| David Rose | |||
Cinematography by | |||
| Ted Voigtlander | (director of photography) (as Ted Voigtländer) | ||
Film Editing by | |||
| Jerry Taylor | |||
Casting by | |||
| Susan McCray | (as Susan Sukman) | ||
Art Direction by | |||
| Walter M. Jefferies | |||
Set Decoration by | |||
| Donald E. Webb | (as Don Webb) | ||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Allan Snyder | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Miles Middough | .... | assistant director (as Miles S. Middough) | |
| Reid Rummage | .... | second assistant director | |
Sound Department | |||
| David Dockendorf | .... | sound recordist (as Dave Dockendorf) | |
| Vince Gutierrez | .... | sound effects editor | |
| Frank Meadow | .... | sound recordist (as Frank Meadows) | |
Casting Department | |||
| Frank Kennedy | .... | extras casting: locations (uncredited) | |
Costume and Wardrobe Department | |||
| Richalene Kelsay | .... | costumer: women | |
| Mike Termini | .... | costumer: men | |
Editorial Department | |||
| Edward P. Ancona Jr. | .... | color consultant (as Edward P. Ancona) | |
| Marvin Coil | .... | supervising editor | |
Music Department | |||
| Robert Gutknecht | .... | music editor | |
Other crew | |||
| John T. Dugan | .... | executive story consultant | |
| Blanche Hanalis | .... | developed for television by | |
| Gary L. Wohlleben | .... | production controller (as Gary Wohlleben) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Ande Lamb | ||
Produced by | |||
| Winston Miller | .... | producer (7 episodes 1974) | |
Makeup Department | |||
| Lynn F. Reynolds | .... | makeup artist (7 episodes 1982) (as Lynn Reynolds) | |
| Gladys Witten | .... | hair stylist (8 episodes 1977 and 4 episodes 1981) | |
Second Unit Director or Assistant Director | |||
| Buck Edwards | .... | second assistant director (episode "Chicago (1981)" and multiple episodes 1982-1983) | |
| Robert Enrietto | .... | assistant director (7 episodes 1982-1983) | |
| James B. Greer | .... | second assistant director (6 episodes 1979-1980) | |
| Ronald Martinez | .... | assistant director (11 episodes 1982-1983) (as Ron Martinez) | |
| Reid Rummage | .... | assistant director (21 episodes in seasons 6, 8 and 9) | |
Sound Department | |||
| Donna Anderson | .... | utility sound | |
| Marty Church | .... | foley mixer | |
| Barry Thomas | .... | sound recordist (13 episodes 1977) (as Barry D. Thomas) | |
Stunts | |||
| Bob Herron | .... | stunts | |
| Chuck Hicks | .... | stunts | |
| Whitey Hughes | .... | stunts | |
| Loren Janes | .... | stunts | |
| Gene LeBell | .... | stunts | |
| Jack Lilley | .... | stunt coordinator | |
| George Orrison | .... | stunts | |
| Neil Summers | .... | stunts | |
Camera and Electrical Department | |||
| Ron Cardarelli | .... | key grip (1979-1980) | |
| Ron Housiaux | .... | key grip (1979-1983) | |
| Kenji Takama | .... | camera intern | |
Casting Department | |||
| Dottie O'Brien | .... | extras casting | |
| John O'Brien | .... | extras casting | |
Costume and Wardrobe Department | |||
| Dallas D. Dornan | .... | costumer: men (17 episodes 1982-1983) (as Dallas Dornan) | |
Music Department | |||
| John Massari | .... | orchestrator (1980-1983) | |
Other crew | |||
| John T. Dugan | .... | story consultant (9 episodes 1978) | |
| Bill McCamey | .... | on-set nurse | |
| Michael Thomas Slifkin | .... | kid's talent coach (1979-1981) | |
| Shirley Ulmer | .... | script supervisor | |
| Erika Wernher | .... | script supervisor (4 episodes 1983) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
*** This review may contain spoilers ***
Kindly old Isaac Singerman stopped off at Oleson's Mercantile to acquire some wood, as he is the best wood worker in hero township, but naturally the local bigots, Harriet and Larrabee, have a problem with him because he is Jewish. He didn't care about them, because he had some big news for his son, Aaron. They'd found him his future wife. He wanted to go to her immediately, but Isaac refused to come along. His wife was buried here, and so here is where he wants to stay. So with Aaron gone, it got a little lonely around the shop, but not for long. Albert stopped by to deliver a payment from his pa for a chair he'd made, the two get to talking and Albert mentions his own experiences in wood work, or rather widdling. His wooden whistle impressed Isaac who asked him if he'd like to be his apprentice. With Charles' permission, Albert took the job. This of course brought on criticism from some of the kids at school, calling Albert a "Jew-lover" and the like. Oh, and guess what? Laura is apparently prejudiced against Jewish people. Mary was prejudiced towards Indians, and Laura is towards Jews. I blame the schools. Also, Nellie and Willie believe that Jewish people have horns on their head, which Albert tells them is true in a clever ruse to get back at those two idiots. So after school, he and the two Oleson brats sneak up to Isaac's shop, and thanks Laura and some deer antlers, they ran off screaming. So Albert and Isaac continued to bond, as he furnished a coffin for the mercantile...I didn't know they sold coffins, but with the death rate being what it is around these parts, you can't be too careful. One afternoon, Isaac began experiencing chest pains and requested to be left alone, so Albert went home.
En route, two little bastards named Lem and Zeke chased down Albert and beat him up because of his new friend. As for Isaac, it seems his health has been getting weaker recently, and according to Doc Baker, his ticker was in worse shape than he thought. After sitting on it for a few days, Isaac requested Albert's help in crafting another coffin. No other details than Doc Baker was losing one of his patients, and that he was a good man, and when he picked up lumber from Charles, he told him that he was taking a trip to see his relatives, and his son eventually. I think we all know who this coffin is for. As they set to work making it, Isaac suddenly collapsed and Albert ran for the doctor. It seems he was not long for this world. He leaves Albert with some words of wisdom, and requested that he finish their project, as a true craftsman never leaves a job unfinished. And so, Albert finished the coffin on his own, and just as promised, Isaac Singerman was buried in it, right beside his wife's grave. He may have gone home, but he'll never be forgotten. Albert planted a tree by the grave site, knowing that even after he was gone, the tree would still be there watching over his friend.
Well done episode, but very sad. The tones of racism were present, but thankfully they were a bit more downplayed than in, say the Indian episodes. It's ironic that Nellie is shown to be prejudiced against Jews, when next season she'll fall in love with and marry a Jewish man. But that also causes her transformation into The New Nellie, as opposed to Nellie Classic, who'd just about worn out her welcome. John Bleifer was really good as Isaac, he was such a positive character and I'm glad he didn't let bigots like Larrabee get to him. In fact, I'm glad they didn't include a scene of Larrabee confronting him. I guess those two bullies who picked on Albert were enough to drive the point home. I do recommend this episode, but it's very tragic, as I said. Isaac Singerman's are words to live by and everybody should take his advice to heart. So if you like stories of this caliber, check out The Craftsman, but as I said, prepare for a sad ending.