Law & Order: Season 3, Episode 13

Night & Fog (3 Feb. 1993)

TV Episode  |  TV-14  |   |  Crime, Drama, Mystery
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Ratings: 7.6/10 from 90 users  
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Prosecution of an elderly man accused of killing his wife, a Holocaust survivor, becomes complicated when it is learned that he may have been a Jew who worked with the Nazis in Poland during World War II.


(as Ed Sherin)


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Title: Night & Fog (03 Feb 1993)

Night & Fog (03 Feb 1993) on IMDb 7.6/10

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Episode cast overview, first billed only:
Dr. Elizabeth Olivet (credit only)
David Steinmetz
Reizl Bozyk ...
Mrs. Liebmann
Mr. Green
Mara Feder
Danny Maseng ...
Rabbi Dworkin


Briscoe and Logan investigate the death of an elderly holocaust survivor who apparently took her own life using her husband's prescription medication. The woman was ill and dying and it seems legit. Until they hear that she had recently become very concerned about news reports of a Nazi enforcer who was convicted in Europe of war crimes in absentia. The police quickly learn that she had become convinced that her husband is that man. ADA Stone charges the husband, David Steinmetz, with her murder but realizes that proving him to be the man convicted of war crimes will be a major challenge. Written by garykmcd

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Release Date:

3 February 1993 (USA)  »

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Aspect Ratio:

1.33 : 1
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Did You Know?


D.A. Adam Schiff: This office doesn't care about Poles or Nazis any more than it does about Serbs or Croats. We're not in the evil business, we're in the crime business.
Executive A.D.A. Ben Stone: Adam, I may be wrong but I thought that, of all people, you would want...
D.A. Adam Schiff: The man killed his wife. Try him, convict him. That's all I want.
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Featured in Law & Order: The First 3 Years (2004) See more »

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User Reviews

Polka around the point.
29 December 2010 | by (Deming, New Mexico, USA) – See all my reviews

This is as good as any of the early episodes. It follows the template faithfully: the detectives pin down the perp, then legal complications arise, and the prosecution usually wins, but not always. But I'm beginning to notice, running these episodes seriatim, that while the stories may be "ripped from the headlines" and may raise questions of current concern, they rather easily slide into the usual Manichean image of just plain good versus an only slightly mitigated evil.

In this case, Brisco and Logan find an old lady dead on the floor of her apartment. She'd been suffering from MS and evidently had overdosed on CNS depressants. In the middle of their nosing around the flat, her elderly husband, Nehemiah Persoff, stumbles in and confesses to aiding in her suicide by helping her take the pills. Then, unable to watch her die, he went out and walked around the neighborhood.

So far, so clear. Loving husband helps dying wife end her misery. Both are holocaust survivors. Ben Stone is sympathetic but decides reluctantly to prosecute because, after all, you can't have people assisting the suicide of others. But the detectives find the body has a recently broken nose and, in the closet, there's a pillow with a corresponding blotch of the old lady's blood. It becomes clear that Persoff "helped" his wife die in a more active fashion than he has revealed.

And here's where it turns formulaic. Persoff may be a holocaust survivor, but he was a Jew who worked more than enthusiastically for the Nazis. He was given to sadism, beating others to death in the camps, whether needed or not. He and his wife had been arguing fiercely lately, the neighbors testify, and she had been threatening to expose his identity as a camp guard.

A couple of implausibilities here. Knowing who and what Persoff was, his wife had still lived with him for more than forty years? But the main point is that there is no longer a moral conundrum about assisted suicide in a case of terminal illness. It's a case of good versus evil, just as in any muscle man action movie, only without the wisecracks. Any ambiguity is eliminated. Persoff deserves what he gets. He's a mass murderer who killed his wife to shut her up. And what began as an adult treatment of a modern social concern has devolved into a familiar pattern.

This happens frequently in "Law and Order." There are simulations of all sorts of controversial cases from history, but in the end they're often simplified into the kind of contest we see here.

Not to denigrate the series. Sometimes the moral equipoise isn't so easily resolved, and sometimes the prosecution loses -- and in any case the story is always believably done.

3 of 6 people found this review helpful.  Was this review helpful to you?

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