IMDb > "Law & Order" Manhood (1993)

"Law & Order" Manhood (1993)

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Overview

User Rating:
8.1/10   90 votes »
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Director:
Writers:
Dick Wolf (created by)
Robert Nathan (teleplay by)
(more)
Contact:
View company contact information for Manhood on IMDbPro.
Original Air Date:
12 May 1993 (Season 3, Episode 21)
Genre:
Plot:
After a cop is killed while trying to make a drug arrest the investigation reveals that some of his fellow officers may have stood by and let him die for reasons of their own. Full summary » | Add synopsis »
User Reviews:
Hate Crime. See more (1 total) »

Cast

 (Episode Cast) (in credits order)

Jerry Orbach ... Detective Lennie Briscoe

Chris Noth ... Detective Mike Logan

Dann Florek ... Captain Donald Cragen

Michael Moriarty ... Executive A.D.A. Ben Stone

Richard Brooks ... A.D.A. Paul Robinette

Steven Hill ... D.A. Adam Schiff

Carolyn McCormick ... Dr. Elizabeth Olivet (credit only)
Charles Hallahan ... Captain Tom O'Hara

Adam Trese ... Craig McGraw

Sam Rockwell ... Weddeker

Philip Bosco ... Gordon Schell

Robert Moresco ... Sergeant Henry Rhodes
Ron Ryan ... Sergeant Jack Harley
Lázaro Pérez ... Nazarrio (as Lazaro Perez)
Dan Grimaldi ... Jerry Kerwin
Rochelle Oliver ... Judge Grace Larkin
Michael Egan ... Judge Leonard Fein

Michael Hirsch ... Dr. Ross

Rene Rivera ... Lucio Martinez

Ralph Byers ... Neil Belden

Donald Corren ... Medill
Tino Juarez ... Sanchez
Steven Rodriguez ... Tirado
Spartan McClure ... James Davis
Ken Larsen ... Neeley
Kevin Hagan ... Captain
Mark Sarro ... Officer John Cooper
Philip Levy ... Novogrod
Gia Galeano ... Dispatcher
Sandye Wilson ... Operator #1
Lil Henderson ... Operator #4
John McLoughlin ... Jury Foreperson
rest of cast listed alphabetically:
Lee Ryan ... Gay Cop (uncredited)

Steven Zirnkilton ... Narrator (voice) (archive footage) (uncredited)

Episode Crew
Directed by
Edwin Sherin  (as Ed Sherin)
 
Writing credits
Dick Wolf (created by)

Robert Nathan (teleplay by)

Walon Green (story by) &
Robert Nathan (story by)

Produced by
Jim Ellis .... executive producer
Walon Green .... co-executive producer
Joseph Stern .... executive producer
Dick Wolf .... executive producer
 
Cinematography by
Constantine Makris 
 
Casting by
Suzanne Ryan 
 
Art Department
Jacqueline Arnot .... set dresser
Christine Donohue-Pace .... set dresser
Tom Conway .... set dresser (uncredited)
 
Sound Department
Richard Thomas .... sound effects editor
 
Editorial Department
Ron Nichols .... colorist: digital remastering
 
Other crew
Trish Adlesic .... location coordinator
Eric DelaBarre .... executive assistant
Sam Rohn .... location scout
Anthony Azzara .... assistant location coordinator (uncredited)
 

Series Crew
These people are regular crew members. Were they in this episode?
Writing credits
(in alphabetical order)
Dick Wolf  created by

Production CompaniesDistributorsOther Companies

Additional Details

Runtime:
60 min
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Company:

Did You Know?

Trivia:
Notable for a standout guest performance by a young Sam Rockwell.See more »
Quotes:
Detective Lennie Briscoe:Next time you wanna get some bones broken, try falling down a flight of stairs.
Detective Mike Logan:Next time I want advice, I'll write Dear Abby.
See more »
Movie Connections:

FAQ

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6 out of 9 people found the following review useful.
Hate Crime., 29 December 2010
Author: Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico, USA

*** This review may contain spoilers ***

A cop is alone on foot patrol, his partner on leave attending some family function in Brooklyn. The cop happens upon a drug deal. A shoot out ensues with the cop calling for back up. Two squad cars respond to the call but take an inordinate amount of time to reach the scene, and they find the cop shot to death by one of the drug dealers, also dead.

It's the kind of tragedy that activates all police officers. One of their own has been killed on duty. Yet evidence accumulates that the two back up cars didn't exactly speed their way to the rescue. A witness claims he saw one of the car parked around the corner during the fire fight.

Brisco and Logan look into the dead officer's apartment and discover that he was gay. Further, they turn up indications that a good deal of hatred towards him existed in the precinct. A flyer, for instance, was circulating in the locker room quoting the Bible: "No man shall lie down with another man." It becomes apparent that the officer was deliberately left to die by his colleagues, who knew he was gay. The precinct captain, who has an impeccable record, denies any wrong doing on his own part and has suspended the officers who deliberately kept away from the scene.

The victim's partner, who was not on duty at the time, also turns out to be gay, one of the reasons the two men were made partners. ("Now there are two of you," said the captain.) The partner turns on his guilty fellows, Stone prosecutes, and the jury's verdict is "Not Guilty," so the anti-gay cops go free.

This episode has the advantage of not trying to sidestep the very real issues it raises. Police officers have well-defined social borders around their subculture. You're either one of us or you're not. It's like the Great Wall of China. Similar borders are found among doctors, airline pilots, stunt men, and some other occupational communities.

In this case, the question is whether a police officer owes his allegiance to everyone else inside those same borders, or whether a select few may be excluded for some characterological flaw, even if it doesn't affect their performance on the job. We can call it "the Serpico conundrum." The question has a good deal of resonance as I write this, since the "Don't Ask, Don't Tell" policy governing the status of gays in the military has just been repealed. Gay men and lesbians can now serve openly. Polls show that this is good enough for a large majority of Americans, both in and out of the military, but it has left a number of us extremely unhappy. Legislators are now proposing separate showers for gays and straights. Some politicians are intent on bringing back the old arrangement, in which an admission of homosexuality in the military was a ticket to a court martial and then to civilian status. The jury in this episode, in excusing the officers responsible for the shooting death of the gay cop, represent that minority of Americans who believe homosexuality is a matter of free will, a choice of evil over good, and deserving of punishment, no matter how extreme.

I'm not so sure they'd get off so easily today, almost twenty years later. In diverse but limited ways, the public has become a little more sophisticated and tolerant.

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