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Storyline
Morse and Lewis find themselves in Vicenza, Italy looking into the death of May Lawrence who was killed while attending a psychotherapy clinic there. The clinic is run by Russell Clark, a convicted fraudster who is well known to Morse and the British authorities. Morse is particularly enjoying the trip, all the more so when he learns that one of the patients at the clinic is Nicole Burgess, a well-known opera singer. What Morse learns suggests fraud in the selling of counterfeit rare manuscripts but the culprits are anything but obvious. As well, the link to May Lawrence's death remains elusive. Written by
garykmcd
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Did You Know?
Goofs
When attending the performance in Verona, Morse and Lewis are filmed siting amongst the live crowd. Behind them are seated three middle aged men; two of them with mustaches. Once Nicole begins her performance, the cut back to Lewis and Morse shows two younger, clean shaved extras.
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Quotes
[
showing Lewis the sights of Italy]
Chief Inspector Morse:
The arena, Lewis. Built by the Romans for their games. Carnage and brutality. Now it's an opera house. I could almost believe in progress.
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Soundtracks
"Caro nome"
(Gilda's aria from "Rigoletto")
Music by
Giuseppe Verdi
Sung by
Janis Kelly See more »
I do think Death of the Self is one of the weaker episodes of series 6, though my least favourite while very good, was Cherubim and Seraphim. The episode benefits from some superb camera-work, and gorgeous Italian settings, I do think it is one of the more visually beautiful Morse episodes. Death of the Self tells of a woman who dies suddenly, and the hunt for a ruthless art dealer in Italy, and I will say the reason why I didn't like the episode as much as the others was because of the rather confusing final solution; then again it is an episode that requires more than one viewing. John Thaw and Kevin Whately are excellent, and I did like the performances of Frances Barber(who looked gorgeous), Georges Connaface and Michael Kitchen. The script as always is intelligent, particularly Morse's outbursts about Clark, who as a character is certainly loathsome, and the music featuring excerpts from Rigoletto and Turandot was a delight. Overall, visually stunning, with fine performances, but the plot construction sometimes lets it down. 9/10 Bethany Cox.