Henry Fallon, who is wheelchair bound and is suffering from a neurological disorder, apparently commits suicide and Morse has mixed feelings working on this case as he was once engaged to the dead man's wife, Susan Fallon. The body was found by his son-in-law Peter Rhodes, a local antiques dealer and the victim's wife was in London. When Fallon's doctor advises Morse that Henry didn't have the physical capability to hold a gun to his head, the police realize they may have a murder on their hands. When the police are told that the business arrangement between Fallon and Rhodes had fallen apart, they also have a suspect. Lewis is concerned that Morse is too close to Mrs. Fallon to be objective but in the end, the perpetrators are identified. Written by
Best episode in regard to insight into Morse's character (development)
I watched this episode yesterday and was so deeply impressed I decided to register just for delivering a review.
I've watched a good half of all episodes and will recommend this one URGENTLY to you but ONLY if you have watched at least 5 others previously !
The episodes' s plot is Shakespearean fiendish (though not entirely selfish). It reeks of revenge, love, hatred, lost possibilities and much more. Including even a "Deus ex machina" ...
It is most revealing of Morse's character - who is drawn very personally into this murder case. So far indeed as to loose his grip on evidence, motives etc. Which gives Lewis a chance to rise above his usual role - indicating the attitude he will come to be loved for in his much later role as detective in his own right
At first it seems soooo simple - but then "fate" starts to entangle all players into her fangs. Yet things eventually turn out quite differently! You'll only get an insight into what's occurred when Morse's finally "left"
OH - and a goodie at the end: The title has a threefold meaning, an a) literal b) metaphorical and c) technical one ;-)
9 of 12 people found this review helpful.
Was this review helpful to you?
| Report this