Homicide: Life on the Street: Season 4, Episode 12

For God and Country (9 Feb. 1996)

TV Episode  -   -  Crime | Drama | Mystery
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Ratings: 6.7/10 from 61 users  
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In the second part of a story started on Law & Order: Charm City (1996), Bayliss and Pembleton work with Lennie Briscoe and Rey Curtis to find the people involved in the NYC subway ... See full summary »


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Title: For God and Country (09 Feb 1996)

For God and Country (09 Feb 1996) on IMDb 6.7/10

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Episode cast overview, first billed only:
Mike Kellerman (credit only)
Sagan Lewis ...
Colonel Alexander Rausch
Kevin Geer ...


In the second part of a story started on Law & Order: Charm City (1996), Bayliss and Pembleton work with Lennie Briscoe and Rey Curtis to find the people involved in the NYC subway bombing and the Baltimore church bombing five years earlier. Written by dav3id-2

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Release Date:

9 February 1996 (USA)  »

Filming Locations:

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Sound Mix:


Aspect Ratio:

1.33 : 1
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Did You Know?


This episode is included as a bonus feature on the Law & Order (1990) sixth season DVD set. See more »


John Munch: [to Briscoe] You're either divorced or you hate who you're married to.
See more »


Featured in Homicide: Life on the Street: The Documentary (1997) See more »

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User Reviews

You will be MY murder... for the truth
28 October 2008 | by See all my reviews

In this solid cross-over Pembleton (Andre Braugher) and Bayliss (Kyle Secor) cooperate with NY detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) on the terroristic attacks which killed several people in a church and in a underground station.

As someone who has never followed Law & Order, Bratt's character and performance left me unimpressed, but Orbach's Briscoe holds his own very well, utters trademark "Homicide" dialogues with glee and shares a couple of very funny scenes with Munch (Richard Belzer).

Both humorous sequences - like a Tarantino-like discussion in a diner with the camera circling around the group of Balto/NY detectives- and darker moments are handled deftly. The ending is bleak in a typical Homicide fashion, and it's all the more memorable as it shows the usually self-confident Pembleton at his most vulnerable.

Stealing the show, however, is J.K. Simmons as the nazi-like, racist terrorist - it's the kind of performance which makes the skin crawl. Simmons never strikes a false note and is marvellously understated. I was familiar only with his comedic works, and his turn here impressed me.


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