After responding to an item in the local newspaper, Paladine takes the Overland stage to Bracketville to see DeWitt about his unruly son. For his fee, he is to kidnap the boy, take him to ... See full summary »

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Cast

Episode cast overview:
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Marshal Elmo Crane
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Sam DeWitt
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Frank DeWitt
Mary Munday ...
Lena
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Judge Robbins
Wayne Tucker ...
Croupier
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Storyline

After responding to an item in the local newspaper, Paladine takes the Overland stage to Bracketville to see DeWitt about his unruly son. For his fee, he is to kidnap the boy, take him to another town where some friends will sit on him until he cools down. Then he finds the son just rode in on the stage with him and is the new attorney. When he is killed, Paladin must shoot it out with the marshal or himself be killed. Written by DrDOS

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Western

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Release Date:

15 April 1961 (USA)  »

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(Westrex Recording System)

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1.33 : 1
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Trivia

In the final shootout scene when both actors are seen together, they are on an inside stage. Each time Palladin speaks alone he is outside in Alabama Hills, Lone Pine, California. See more »

Quotes

Paladin: On the contrary, I have the highest regard for the statutes. Including some you won't find in that book there. One of them, survival. When you lose on that count friend, there's no appeal.
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User Reviews

 
Anybody Got a Bandage?
22 May 2010 | by (Claremont,USA) – See all my reviews

Has Paladin met his match? Marshal Elmo (Ebsen) is one nasty, arrogant tough guy who runs the town and, worse, has cracked open Paladin's noggin. Now our bloodied "knight without armor" staggers around, looking for the first stage out of town. Young DeWitt (Slate) is a good lawyer and wants to clean up the town, but can't handle a gun, so he's no help. And as Paladin observes on the stage —survival comes before the law because without survival, there are no legal options.

Fine unpredictable script from Star Trek's Gene Roddenberry, showing the kind of promise that would later become legendary. Ebsen's also excellent, a long way from the likable rube he specialized in. I also like Mary Munday as the plain-faced saloon girl who would like to help. But, in my book, Slate's the real standout, bringing unusual spark and intelligence to the role of an earnest young lawyer. I'm just sorry he didn't have the career I think his talent merited, (what a great Jack London he would have made). Anyway, it's an above average entry with a few surprises.

(In passing—the last sequence looks like an oddity of staging to me. Ebsen appears framed against a sound stage "exterior" while Boone who's supposed to be facing him appears framed against the real outdoors. Were they filmed at different times, is that why?)


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