| Ron Howard | ... | Richie Cunningham | |
| Marion Ross | ... | Marion Cunningham | |
| Anson Williams | ... | Potsie Weber | |
| Tom Bosley | ... | Howard Cunningham | |
| Henry Winkler | ... | Arthur 'Fonzie' Fonzarelli | |
| Don Most | ... | Ralph Malph (as Donny Most) | |
| Herb Voland | ... | Police Sergeant | |
| Alan Abelew | ... | Skizzy | |
| Gavan O'Herlihy | ... | Chuck Cunningham | |
| Erin Moran | ... | Joanie Cunningham | |
| Laura Michaels | ... | Jean | |
| Beatrice Colen | ... | Marsha Simms | |
| Julie Graham | ... | Cheerleader | |
| Barry Greenberg | ... | Moose | |
| Carey Williams | ... | Girl |
| Episode Crew |
Directed by | |||
| Jerry Paris | |||
Writing credits(in alphabetical order) | ||
| Lowell Ganz | written by | |
| Garry Marshall | creator | |
| Mark Rothman | written by | |
Produced by | |||
| William Bickley | .... | producer (as William S. Bickley) | |
| Claude Binyon Jr. | .... | associate producer | |
| Garry Marshall | .... | executive producer | |
| Edward K. Milkis | .... | executive producer | |
| Thomas L. Miller | .... | executive producer | |
Original Music by | |||
| Pete King | (music scored by) | ||
Cinematography by | |||
| Richard A. Kelley | (director of photography) | ||
Film Editing by | |||
| Jerry Dronsky | |||
Casting by | |||
| Pat Harris | |||
Art Direction by | |||
| Serge Krizman | |||
Set Decoration by | |||
| Ira Bates | |||
Production Management | |||
| William Cairncross | .... | post-production supervisor | |
| Jack Lannan | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Bill Lukather | .... | assistant director | |
Art Department | |||
| Eugene S. Kelley | .... | construction coordinator | |
Camera and Electrical Department | |||
| Richard Debolt | .... | camera & mechanical design | |
| Sam Rosen | .... | camera operator | |
Casting Department | |||
| Millie Gusse | .... | casting supervisor (as Mildred Gusse) | |
Editorial Department | |||
| Hal White | .... | post-production coordinator | |
Music Department | |||
| Bob Bain | .... | musician: guitar (uncredited) | |
Other crew | |||
| Nick Abdo | .... | assistant to producer | |
| Patti Bereyso | .... | assistant to executive producer | |
| Bruce Lansbury | .... | vice president: creative affairs | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Garry Marshall | creator | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Comedy section |
*** This review may contain spoilers ***
Fortunately, the first season DVD set has not had its music tampered with like the second season DVD. So Season One is worth getting. And no spoiler can spoil this episode. I could watch this one over and over again and still crack up laughing!
Fonzie has just been challenged to a drag race. But it is decided that the race be moved late at night. The only problem is that Richie and the gang now have to sneak out late at night to see the Fonze in his glory. And this is where the trouble starts.
Howard gets word (Joanie squealed on Richie) so he shows up at the scene and grabs the starting flag just as the police arrive. So he, too gets arrested and must face a sarcastic chief of police.
The final moments of the episode features the whole gang hanging out at AL's. Suddenly, one of the guys yells "It's 5 O'clock!" and everybody vacates the place (as everybody is obviously grounded), except for a fat boy with glasses and a not-so-attractive girl, also with glasses. Both gaze into each other's eyes, both get up and the two tenderly dance alone to Johnny Ray's "Little White Cloud that Cried" (as Marsha mutters that she doesn't like drag races because they are bad for business).
And countless viewers got hooked on Johnny Ray that night, like me, for example...