Arsenic & Old Lace (TV Movie 1962) Poster

(1962 TV Movie)

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7/10
Vintage television at its best, and oh, those classic commercials!
mark.waltz23 March 2015
Warning: Spoilers
When Warner Brothers made the movie version of "Arsenic and Old Lace" in the early 1940's (not releasing it until several years later), they didn't include original Broadway cast member Boris Karloff, still in the cast on stage, uttering that immortal line which described his reason to kill. "He said I looked like Boris Karloff!", which while amusing as said by the very harshly made up Raymond Massey in the film version didn't have the same impact as Karloff saying it. For the Hallmark Hall of Fame TV version (much edited from the play to fit into a 90 minute time slot), Tony Randall took over the role of Mortimer Brewster, the stage critic whose personal life is more dramatic (in a humorous way) than anything he comments on in his newspaper. His sweet aunts (Dorothy Stickney and Mildred Natwick) are secret murderous, poisoning the old and lonely men who show up to rent a room, and hiding their bodies in the basement. Randall discovers a body in the base of the window seat, and realizes that in addition to arranging for the commitment of his older brother Teddy Brewster (a very funny Tom Bosley), his aunts need to be committed too. Just as things seem like they can't get any crazier, psychotic oldest brother Karloff shows up, and then the fun really begins to build!

Compact and tight, this streamlined version of the classic farce might not appeal to those who love the movie or the many revivals, but it is certainly a memory of how classic a medium television used to be. Stickney stands out among the two sisters, with Natwick having little to do. Every time Bosley screams "charge!" (thinking he's Teddy Roosevelt), the laughs appear, and Karloff is certainly dark and dangerous (while mixing in some laughs as well) as the often altered face of Jonathan, his insinuations of Karloff being his ugliest face quite amusing indeed. George Schaffer, who directed many classic TV programs, keeps the action moving. The DVD contains the original Hallmark commercials, reminding the viewer of a simpler time where life had much more innocence even with a dark world swirling around the audience.
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10/10
Classic line!
Dagurasu26 July 2008
Warning: Spoilers
I remember seeing this as a child on TV. I wonder if there is a kine scope or video of this Hallmark Hall of Fame show somewhere? It's truly a delightful play that was once performed at my high school back in the 1960's. As I remember the show generally had a non-film look. So probably a copy on film of this play is nonexistent. As I understand it, Karloff had originally played Jonathan Brewster in the initial run of the play. I would definitely be interested in buying this version if it were available. Raymond Massey does a creditable job as Jonathan in the filmed version but the impact of these lines are lessened somewhat. Those immortal lines spoken by Karloff as Jonathan Brewster: "He said I looked like Boris Karloff!"
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A nostalgic curio
Phil_Chester17 January 2021
The principal entertainment value of this old chestnut is as a nostalgic curio from a bygone age of live television plays. They definitely don't make them like this any more - probably for the best! It's mildly amusing, but the acting is so over-the-top and hammy that you can't even consider it as a proper farce. It's only slightly amusing on its own merits and most of the laughs come from viewing it through the telescope of time. For cinema and TV history enthusiasts only.
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9/10
Don't Call Me Boris Karloff
dmskd4 August 2020
Warning: Spoilers
Tony Randall played (Mortimer) is the nephew of two maiden aunts Abby (Dorothy Stickney) and Martha (Mildred Natwick). The two aunts look like your grandma sweet as can be. But Mortimer discovers have a bad side. They have been poisoning elderly gentlemen who stay at their boarding house. In their minds they are helping them. Insanity runs in their family. Mortimer's brother Jonathan (Boris Karloff) returns after being gone for years. Here he has been doing the same thing as his aunts. They both have murdered 12 people. During all this Teddy (Tom Bosley) does a wonderful comedic diversion in this movie. He was classified as insane. He buries the bodies the aunts have poisoned with their elderberry wine. In Panama! It was like a three ring circus. But all in all was funny. Mortimer is like a chicken with his head cut off. Ends up finding out he was not a Brewster. And the story ends with Mortimer happy.
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5/10
A middling adaptation
Leofwine_draca5 February 2021
Warning: Spoilers
The 1962 film version of the popular 1940s stage play ARSENIC & OLD LACE was made by Hallmark Cards for their popular 'Hallmark Hall of Fame' TV movie banner. Inevitably as a much lower-budgeted production it comes up short against the famous 1944 Hollywood adaptation with Cary Grant, but it does have one crucial ingredient that one doesn't: the presence of Boris Karloff as a sinister killer, a role he originated in the stage play. Karloff is on form here, delivering menace in a genial voice, crying "He said I looked liked Boris Karloff!" in one nice little in-joke.

The rest follows a familiar black comedy format, as Tony Randall's visiting nephew discovers that his likeable old aunts are in fact a pair of murderers with a penchant for poisoning. There are bodies stashed in trunks and buried in the basement, and the situation gets increasingly farcical. Some of the comedy is laboured - the guy who thinks he's Teddy Roosevelt is really tiresome - but at it's best this recalls the macabre highs of Hitchcock's ROPE in terms of its off-screen implications. I'm not a huge fan of stage adaptations and this rather ordinary by-the-numbers outing is a good example of why.
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Of historical interest only. Try the Cary Grant version!
El Cine2 February 2021
I've never seen Arsenic & Old Lace (A&OL) on stage where it originated, but as a big fan of the 1944 feature film, I feel you'd be best off watching that version before trying this 1962 TV movie.

(Note: The 1944 film is currently listed as 1942 on IMDb, because its release was complicated.)

I suppose if you haven't seen A&OL in any form, the '62 will make some impact because the plot will be entirely new. But if you're experiencing A&OL for the first time, why not do it with the best production values you can find? You'll get those from the '44, a true classic of black screwball comedy that comes with the quality of Hollywood A-list movies. Frank Capra directed, and legendary Cary Grant was the lead, in the tradition of his energetic comic performances in other screwball comedies like His Girl Friday and The Awful Truth. Rounding out the cast were some of the best supporting actors of that era, like Peter Lorre, Edward Everett Horton, and James Gleason.

In the early 60s, there were no streaming services, and people couldn't just go out and borrow or rent a 1944 film. Under those circumstances, people probably liked how NBC and Hallmark made a new A&OL for TV, but today it's not your best option, or even a very good one. This appears to have been a live broadcast, which is impressive except for how the technical standards of live early 60s TV were primitive. The inferior staging, sets, direction etc. dampen the comic energy. I even had to turn on closed captions to hear the dialogue.

At 90 minutes, this must've been cut considerably from the play. (The '44 Grant/Capra version was almost 2 hours, and was adapted by the talented Epstein twins.)

Historical value is the only thing going for the '62. It shows you what old live TV was like, but this is now hard to watch. Most significant is the chance to watch horror legend Boris Karloff reprise the villainous role he originated in the first stage production. (His popular Broadway performance kept him in New York, unable to join the Grant/Capra film.)

The cast is notable, too. No one can fill Cary Grant's shoes, but Tony Randall (The Odd Couple) was a catch. Mildred Natwick (The Trouble with Harry) plays one of the sweetly dangerous aunts, and a few classic TV/film buffs will recognize Dorothy Stickney as the other one. A younger Tom Bosley (Happy Days) is game to play Teddy, the deluded brother who thinks he's Theodore Roosevelt. As plastic surgeon Dr. Einstein, George Voskovec, with his big glasses and messy character, is unrecognizable compared to his appearance in 12 Angry Men, when he played the clean-cut watchmaker from Europe.
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5/10
Excellent rendition with the real Boris Karloff and Tony Randall
Bernie444410 October 2023
Mortimer Brewster (Tony Randall) is about to get married to Elaine Harper (Dody Heath.) he knew his family was a little eccentric; however, he had no idea how eccentric they could be. If the cute little Brewster sisters offer you their homemade elderberry wine, I suggest you decline or at least watch this movie first.

I have seen the movie with Cary Grant and Raymond Massey a gazillion times and can quote from most of the characters.

I have always wanted to see the play. The original stage production ran on Broadway for 1444 performances, from January 10, 1941, to June 17, 1944. As with many of the movies that are based on plays you can never tell whether the play will exceed the movie and it's just a reflection or the rebalance produced as a movie adds a dimension that the play cannot.

This is as close as I can come to the play as it has not been rendered in the area that I know of.

There've been several recorded versions; none of them are commercially available on media except for this 1962 made-for-the-television.

Director: George Schaefer Writers: Robert Hartung (adaptation), Joseph Kesselring (play)

As a recorded version from the time, one will have to overlook the graininess and the audio distortions from the recording. However, once you get into the play all of this seems to mysteriously disappear.

My only personal problem was getting used to Tom Bosley (Happy Days) as Teddy Brewster.
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