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Storyline
Late one night, a man (seen only from the shoulders down or in silhouette) enters the Dodge House Hotel, swipes a room key, lets himself into the room and goes back to return the key. A few minutes later, the room's occupant comes in. As he shuts the door, he looks up and sees the silhouette -- pointing a rifle at him. The slug drills him through the heart, but there is no sound of the shot and he's not discovered until the next morning. Newly thinks that someone could fashion a device to silence muzzle blasts. Matt sends word throughout Dodge and the nearby communities to form a street police force. But the killer strikes again the next night, and the next. Matt's now convinced that the serial killer is choosing his victims for a specific purpose -- most likely because they served on a jury. Matt questions Doc, who's lived in Dodge the longest, about the juries he remembers serving on and whether he remembered the men who served with them and who they judged. From Doc's information, ... Written by
Peter Harris
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Did You Know?
Trivia
Ben Bates, who doubles for Matt in the last scene, was
James Arness's double on the show in real life (Arness had trouble walking due to taking bullets in a knee on Anzio Beach)
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Goofs
The killer goes into a barn to set up the third sniper attempt, stopping long enough to knock another visitor to the barn unconscious. When the killer walks from there to a ladder, he passes through a shaft of light and we see his face for about a quarter second.
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During the twentieth and final season of the long-running western, the writers of "Gunsmoke" came up with an ingenious installment about a sniper terrorizing Dodge City. The victims, it is discovered, served on a jury that resulted in the conviction of the accused; thus, revenge is the motive for the attacks. After three fall to the sniper's bullet, Marshall Dillon (James Arness) must use all his law and order savvy to prevent killing of the fourth victim: Doc Adams (Milburn Stone).
Adams becomes a target in a trap set by the marshall, adding greatly to the tenseness of the installment.
This thrilling episode benefits tremendously from the score provided by Martin Field and Bruce Boughton, the latter who would go on to win numerous composition nominations for his work on "Dallas" and other television shows.