| James Arness | ... | Matt Dillon | |
| Dennis Weaver | ... | Chester | |
| Milburn Stone | ... | Doc | |
| Amanda Blake | ... | Kitty | |
| Don Dubbins | ... | Orkey | |
| Warren Oates | ... | Sweet Billy | |
| Cactus Mack | ... | Pa (as Taylor McPeters) | |
| Glenn Strange | ... | Sam | |
| rest of cast listed alphabetically: | |||
| John Breen | ... | Townsman (uncredited) | |
| Jimmy Noel | ... | Man Leaving Saloon (uncredited) | |
| Chick Sheridan | ... | Storekeeper (uncredited) | |
| Lucian Tiger | ... | Passerby (uncredited) | |
| Episode Crew |
Directed by | |||
| Dennis Weaver | |||
Writing credits(in alphabetical order) | ||
| Kathleen Hite | writer | |
Produced by | |||
| Norman MacDonnell | .... | producer | |
| Frank Paris | .... | associate producer | |
Cinematography by | |||
| Fleet Southcott | (director of photography) | ||
Film Editing by | |||
| Albrecht Joseph | (as Al Joseph) | ||
Casting by | |||
| James Lister | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| Albert Heschong | |||
Set Decoration by | |||
| Herman N. Schoenbrun | |||
Makeup Department | |||
| Glen Alden | .... | makeup artist | |
| Pat Whiffing | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Wesley J. McAfee | .... | assistant director (as Wes McAfee) | |
Art Department | |||
| Clem Widrig | .... | property master | |
Sound Department | |||
| Gene Eliot | .... | sound effects editor | |
| Vernon W. Kramer | .... | sound mixer | |
| Joel Moss | .... | sound re-recording mixer | |
Costume and Wardrobe Department | |||
| Thelma Milborn | .... | costumer (as Thelma Hilborn) | |
| Alexander Velcoff | .... | costumer | |
Music Department | |||
| Gene Feldman | .... | music editor | |
Other crew | |||
| Edle Bakke | .... | script supervisor | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
Yet another variant on the yokel-kidnaps-himself-a-bride plot, this one is typical, trying to be funny but not succeeding; there just isn't much that's funny about being kidnapped. The little lady's oh-so-feminine shrieks of dismay, the kidnapper-swain's indulgent certainty that she's just playing hard to get--it's all standard and all unfunny. A sentimental turn at the lame climax of the story, done to soften up the viewer so that he won't want to see the kidnappers punished, seems forced and is unconvincing. A couple of errors against continuity also bothered me. Kitty is kidnapped wearing the sort of evening garb, complete with dangling earrings and pinned-up hair, that she would have worn in the saloon; after a day or two she is seen in the kidnappers' cabin wearing a pretty but modest daytime dress of the sort a prosperous settler's wife would have worn. Did the kidnappers wait while she packed? It didn't appear so at the time. Also, Doc is shown burning the personal effects of a cholera victim to thwart the spread of the disease; he takes no such precautions when someone else later succumbs to cholera in his presence. Seems like sloppy storytelling in a series I don't associate with sloppiness.