A charming cowboy apparently is guilty only of breaking hearts until he gets to Dodge, where he finds two women who may make a killer of him.

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Cast

Episode cast overview:
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Doc
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Avis Fisher
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Kyle Kelly
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Ab Fisher
Carol Byron ...
Terry Lee
Richard Coogan ...
Luke Ryan
Allan Hunt ...
Boy
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Storyline

Ken Curtis, who will return later in the season as Festus, appears here as Kyle Kelly, a love-'em-and-leave-'em cowboy. As the episode opens, he leaves brokenhearted a girl who had expected a marriage proposal from him. He arrives in Dodge and soon takes up with the bored wife of a homesteader. Though there's no sign that Kelly has killed before, he and the wife make plans to get rid of her husband. Meanwhile, Kelly walks into the Long Branch and improbably encounters the girl he most recently left behind, now in Dodge and employed as a saloon gal. He gets into a fight over her and is humiliated. Next day he rides out to get his revenge on the man who bettered him; then he and the homesteader's wife hatch a plan to pin the killing on her husband. Written by Morganalee

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Western

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Release Date:

5 October 1963 (USA)  »

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1.33 : 1
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Trivia

Ken Curtis plays Kyle Kelly in this episode. He also played Festus (Matt Dillon's deputy) in later episodes. See more »

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User Reviews

 
A treat for fans of Ken Curtis
16 November 2010 | by (United States) – See all my reviews

As a fan of Ken Curtis, I liked this one (despite its largely formulaic plot) because we see him in what I think is his last appearance on the show--after his debut as Festus in "Us Haggens" the previous season--as someone other than Festus. Indeed, not only is he not the character who would become the marshal's deputy here, but he's the villain of the piece. He's a true lady's man, a suave cad, as at ease with the ladies as he is attractive to them. His Festus drawl is not heard (it was also considerably less evident in "Us Haggens" than it was to become in the established Festus character) and he even seems to stand taller and to be more good-looking. I liked the rascal so well that it was a pain to realize that he must be dealt with in the Old Testament style so favored by screenwriter John Meston (and no doubt dictated as well by the Hollywood code of the time).


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