| Ian Redford | ... | Sir Reginald Walker | |
| Tim Preece | ... | Philby | |
| Caroline Faber | ... | Agnes Browne | |
| Laurence Fox | ... | Simon Walker | |
| Michael Kitchen | ... | Christopher Foyle | |
| Anthony Howell | ... | Paul Milner | |
| Alan Howard | ... | Stephen Beck | |
| Will Knightley | ... | Arthur Browne | |
| Charlie G. Hawkins | ... | Brian (as Charlie Hawkins) | |
| Honeysuckle Weeks | ... | Samantha Stewart | |
| Barney Clark | ... | Tim (as Barney Clarke) | |
| Geoffrey Freshwater | ... | Sergeant Rivers | |
| Emily Blunt | ... | Lucy Markham | |
| Luke de Woolfson | ... | Harry Markham (as Luke De Woolfson) | |
| Christopher Benjamin | ... | Brigadier Harcourt | |
| Richard Wills-Cotton | ... | Captain Devlin | |
| Sarah Winman | ... | Lady Alice Walker | |
| Darren Tighe | ... | Clarke | |
| Tom Fisher | ... | Connor | |
| Ian Barritt | ... | Vicar | |
| Ellie Haddington | ... | Hilda Pearce |
| Episode Crew |
Directed by | |||
| Giles Foster | |||
Writing credits | ||
| Anthony Horowitz | (created by) | |
| Michael Russell | (written by) & | |
| Anthony Horowitz | (written by) | |
Produced by | |||
| Jill Green | .... | producer | |
| Michael Kitchen | .... | consultant producer | |
| Simon Passmore | .... | producer | |
| Jim Reeve | .... | executive producer | |
| Claudine Sturdy | .... | line producer | |
Original Music by | |||
| Jim Parker | |||
Cinematography by | |||
| Alan Almond | (director of photography) | ||
Film Editing by | |||
| Roy Sharman | |||
Casting by | |||
| Joyce Nettles | |||
Production Design by | |||
| Martyn John | |||
Art Direction by | |||
| Nick Blanche | |||
Set Decoration by | |||
| Robert Wischhusen-Hayes | |||
Costume Design by | |||
| Maria Price | |||
Makeup Department | |||
| Marc Pilcher | .... | makeup artist | |
| Marella Shearer | .... | makeup designer | |
| Nicky South | .... | makeup artist | |
Production Management | |||
| Heidi Mount | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Alison Banks | .... | second assistant director | |
| Ben Stenning | .... | third assistant director | |
| Peter Stenning | .... | first assistant director | |
Art Department | |||
| Ben Ansell | .... | stand-by art director | |
| Peter Burden | .... | dressing props | |
| Kevin Fleet | .... | dressing props | |
| Clare Holton | .... | art department coordinator | |
| Rob MacPherson | .... | stand-by props (as Rob Macpherson) | |
| Campbell Mitchell | .... | stand-by props | |
| Claire Pidgeon | .... | graphic designer | |
| Tom Pleydell-Pearce | .... | property master | |
| Steve Rogers | .... | stand-by carpenter | |
Sound Department | |||
| James Bain | .... | sound maintenance | |
| Terry Brown | .... | effects editor | |
| Rudi Buckle | .... | sound recordist | |
| Paul Harris | .... | dubbing mixer | |
| Michele Woods | .... | dialogue editor | |
Stunts | |||
| Glenn Marks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jess Foster | .... | stand-by rigger | |
| Stuart Godfrey | .... | grip | |
| Sam Hodgson | .... | clapper loader | |
| Andrew Speller | .... | additional photography | |
| Steven Swannell | .... | gaffer (as Steve Swannell) | |
| Berndt Wiese | .... | focus puller | |
| Daniel Edwards | .... | clapper loader (uncredited) | |
| Daniel Edwards | .... | focus puller: second unit (uncredited) | |
| Ian Smith | .... | electrician (uncredited) | |
Casting Department | |||
| Louise Cross | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Heather Howell | .... | costume supervisor | |
| Pookie Russell | .... | costume assistant | |
| Samantha Cousins | .... | daily costume assistant (uncredited) | |
Editorial Department | |||
| Chris Beeton | .... | telecine colourist | |
| Claire Dodgson | .... | editing assistant | |
| Justin Eely | .... | on-line editor | |
Other crew | |||
| Nada Backo | .... | production secretary | |
| Donald Cameron | .... | supervising location manager | |
| Terry Charman | .... | advisor: Imperial War Museum | |
| Linda Hirst | .... | production accountant | |
| Samantha Knox-Johnston | .... | production coordinator (as Sam Knox-Johnston) | |
| Tim Maw | .... | location manager | |
| Sian Prosser | .... | script supervisor | |
| Tina Shadick | .... | assistant accountant | |
| Rachel Snell | .... | script editor | |
| Mal Tobias | .... | stand-in | |
| Jon Baker | .... | armourer (uncredited) | |
| Sarah Lindfield | .... | production runner (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Anthony Horowitz | creator | |
Art Direction by | |||
| Karl Probert | |||
Second Unit Director or Assistant Director | |||
| Will Cummins | .... | third assistant director (2005) | |
| Rachel Stone | .... | second assistant director (2005) | |
Sound Department | |||
| Gareth Llewellyn | .... | assistant dubbing mixer (series 2 and 3) | |
Stunts | |||
| Ben Dimmock | .... | stunts | |
Camera and Electrical Department | |||
| Dan Fontaine | .... | best boy | |
Other crew | |||
| Charles Bodycomb | .... | armorer | |
| Anna Lee | .... | location assistant (2004) | |
| Harriet Worth | .... | floor runner | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Crime section |
| IMDb UK section |
Every episode of Foyle's War shows some novel aspect of Britain between the onset of the war in 1939 and the entry of America in 1941. The atmosphere is one of imminent invasion from Germany with a Nazi victory likely.
This episode touches on corporate collaborators - companies who struck deals with the Nazis in anticipation of a German victory. It also shows the raw material resource shortages and the salvage drives that results.
Hardly the stuff of history books.
Another first-rate episode.