In 1945, African American G.I. is saved from two racist cops by another black soldier. Some years later, the man asks him to return the favor by helping his vamp girlfriend free herself from the manager of the bar where she sings.



(story), (teleplay)

Comic-Con 2017: All Aboard the IMDboat


July 20 to 23, 2017

Get entertainment news, trailer drops, and photos with IMDb's coverage of 2017 San Diego Comic-Con featuring host and IMDboat captain Kevin Smith, including Saturday's live event.

Browse Our Guide to Comic-Con


Add Image Add an image

Do you have any images for this title?



Episode credited cast:
Short White Cop
Fearless Jones


In a tale that takes place in south-central Los Angeles, Fearless Jones and Paris Minton become involved with a femme fatale nightclub jazz singer. They try to help out Deletha by planning to steal her singing contract from the nightclub manager. Written by Anonymous

Plot Summary | Add Synopsis



Release Date:

12 November 1995 (USA)  »

Company Credits

Show detailed on  »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Devil in a red dress
10 May 2016 | by (The Netherlands) – See all my reviews

Giancarlo Esposito travels to LA after an invitation from his friend Bill Nunn. Arriving at Nunn's boarding house, Esposito spots a sultry dame, Cynda Williams, who seduces him and they have sex minutes after. Turns out Williams is Nunn's girl! Williams works as a nightclub singer but she wants out, to move on to bigger and better opportunities. Because Esposito is an unknown face in town, they want him to steal her contract from the nightclub. Esposito becomes a barman at the club but can't get the contract, so one night Williams and Nunn create a diversion so he has more time. Death and double-crosses ensue...

This episode's based on a short story by Walter Mosley ('Devil In A Blue Dress'), with a classic femme fatale and not one but two suckers (altho no doubt there have been many more before them). The story is not really surprising but it's executed well by director Jim McBride and the principal actors.

This one starts off in black & white, establishing the friendship between Esposito and Nunn while showing the rampant discrimination of the 40s, before moving on to a muted color scheme, which works well. It's not a stand-out episode in this series, but it is still a joy to watch. 7/10

1 of 1 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for: