| Christopher Eccleston | ... | Doctor Who | |
| Billie Piper | ... | Rose Tyler | |
| William Thomas | ... | Mr. Cleaver | |
| Annette Badland | ... | Margaret | |
| John Barrowman | ... | Captain Jack | |
| Noel Clarke | ... | Mickey Smith | |
| Mali Harries | ... | Cathy | |
| Aled Pedrick | ... | Idris Hopper | |
| Alan Ruscoe | ... | Slitheen |
| Episode Crew |
Directed by | |||
| Joe Ahearne | |||
Writing credits | ||
| Russell T. Davies | (written by) | |
Produced by | |||
| Phil Collinson | .... | producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
| Helen Vallis | .... | associate producer | |
| Mal Young | .... | executive producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Ernest Vincze | (director of photography) (as Ernie Vincze) | ||
Film Editing by | |||
| Graham Walker | |||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Art Direction by | |||
| Stephen Nicholas | (supervising art director) | ||
Set Decoration by | |||
| Catherine Samuel | |||
Costume Design by | |||
| Lucinda Wright | |||
Makeup Department | |||
| Linda Davie | .... | makeup supervisor | |
| Davy Jones | .... | makeup designer | |
| Claire Pritchard | .... | makeup artist | |
| Steve Williams | .... | makeup artist | |
Production Management | |||
| Marie Brown | .... | post-production supervisor | |
| Tracie Simpson | .... | production manager | |
| Lowri Thomas | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Howard Arundel | .... | first assistant director | |
| Steffan Morris | .... | second assistant director | |
| Dan Mumford | .... | third assistant director | |
Art Department | |||
| Adrian Anscombe | .... | property master | |
| Jenny Bowers | .... | graphic artist | |
| Bryan Hitch | .... | concept artist | |
| Trystan Howell | .... | stand-by props | |
| Gwenllian Llwyd | .... | art department coordinator | |
| David Morison | .... | stand-by art director | |
| Joelle Rumbelow | .... | production buyer | |
| Phil Shellard | .... | stand-by props (as Phill Shellard) | |
| Andrew Smith | .... | construction manager | |
| Matthew North | .... | forward dresser (uncredited) | |
| Dan Walker | .... | concept artist (uncredited) | |
Sound Department | |||
| Paul Jefferies | .... | sound effects editor | |
| Paul McFadden | .... | dialogue editor | |
| Damian Richardson | .... | boom operator | |
| Ian Richardson | .... | sound recordist | |
| Tim Ricketts | .... | dubbing mixer | |
| Julie Ankerson | .... | foley artist (uncredited) | |
| Mark Ayres | .... | sound remastering (uncredited) | |
| Brian Hodgson | .... | sound effects (uncredited) | |
| Dick Mills | .... | sound effects (uncredited) | |
Special Effects by | |||
| Charlie Bluett | .... | prosthetics technician (uncredited) | |
| Benjamin M. Esterson | .... | special effects coordinator (uncredited) | |
Visual Effects by | |||
| Astrid Busser-Casas | .... | 2D visual effects artist | |
| Will Cohen | .... | visual effects producer | |
| Jean-Claude Deguara | .... | 3D visual effects artist (as Jean-Claude Deguarra) | |
| Jennifer Herbert | .... | 2D visual effects artist | |
| Simon C. Holden | .... | 2D visual effects artist | |
| Dave Houghton | .... | visual effects supervisor | |
| Matthew McKinney | .... | 3D visual effects artist | |
| Joel Meire | .... | 3D visual effects artist | |
Stunts | |||
| George Cottle | .... | stunt performer | |
| Tina Maskell | .... | stunt performer | |
| Kim McGarrity | .... | stunt performer | |
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Chester | .... | best boy | |
| Mark Hutchings | .... | gaffer | |
| Mark Isaac | .... | focus puller | |
| John Robinson | .... | grip | |
| Martin Stephens | .... | camera operator | |
| Gareth Hughes | .... | camera operator: second unit (uncredited) | |
| Anna James | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Kirsty Robertson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Yolanda Peart-Smith | .... | wardrobe supervisor | |
| Joanne Hayes | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Matthew Clarke | .... | on-line editor | |
| Ceres Doyle | .... | assistant editor | |
| Paul Harrison | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: original theme music | |
Other crew | |||
| Kath Blackman | .... | assistant production accountant | |
| Dorothy Friend | .... | continuity | |
| Debi Griffiths | .... | assistant production accountant | |
| Gareth Lloyd | .... | location manager | |
| Richard Pugsley | .... | finance manager | |
| Elwen Rowlands | .... | script editor | |
| Jess Van Niekerk | .... | production coordinator (as Jess van Niekerk) | |
| Endaf Emyr Williams | .... | production accountant | |
| Faujja Singh | .... | armorer (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Adventure section | IMDb UK section |
I'll watch any old crap that's transmitted under the DOCTOR WHO banner but when The Sun newspaper revealed that The Slitheen would be making a return visit to the series I wasn't exactly ecstatic about watching Boom Town since the Siltheen are amongst the most silly aliens to have appeared in the show I mean farting aliens how stupid is that ? I'm also cynical enough to suggest that Russell T Davies introduced the aliens to start off a merchandising craze featuring these fat unlovable creatures . Terry Nation gave us The Daleks , RTD gave us The Slitheen . I'll leave you to decide who is the better writer
To be fair to Davies he knows he's writing for a family audience so he's brought back the Slitheen which he knows will appeal to kids while he's written a story with the death penalty at the heart of the subtext which will hold the interest of adult viewers . Unfortunately RTD has included camp elements of dialogue where Magaret Slitheen refers to people being bumped off who were going to stop the building of a nuclear station in Cardiff and Murray Gold's music in the chase sequence reminded me of the music in the show from the late 1980s and that's not a compliment . Thankfully director Joe Ahearne manages to stop everything falling into high camp unlike Keith Boak did with The Slitheen debut