Deadwood (2004–2006)
9.2/10
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5 user 2 critic

Sold Under Sin 

General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy ... See full summary »

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Whitney Ellsworth (credit only)
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Calamity Jane (credit only)
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Reverend H.W. Smith (as Raymond McKinnon)
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Storyline

General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. Al Swearengen delivers a tortured soul from suffering, and Bullock reacts decisively to Russell's intentions regarding Alma. Stapleton's new commission as sheriff proves short-lived, and Bullock and Alma have a late-night meeting. Written by WyattJones

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19th century | See All (1) »


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TV-MA

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13 June 2004 (USA)  »

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1.78 : 1
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Did You Know?

Goofs

When General Crook is telling E.B. that he should work with Captain Bubb for the troops "logistical needs", he points at the Captain with his left hand across his body. When the camera angle changes to behind the General, he is pointing at Captain Bubb with his right arm extended straight out. See more »

Quotes

[Seth storms into the Gem and confronts Dan at the bar]
Seth Bullock: I don't care if the whole U.S. cavalry walks in here, you don't wanna pour another drink. You just wanna listen to me, 'cause if the man doesn't die whose face I just broke, he's gonna go to New York City and tell Brom Garret's people it breaks his heart to say so, but his daughter had their son murdered. He'll tell 'em. Knowin' how he does they won't want their son's rightful property in the hands of the woman who killed him, he'll swear ...
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Soundtracks

Farther Along
(uncredited)
Written by Rev. W. A. Fletcher
Performed by Mississippi John Hurt
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User Reviews

 
"What kind of man have I become, Saul?" (dialog) (Seth Bullock)
31 December 2014 | by (North America) – See all my reviews

... and Saul replies, "I don't know. The day ain't $#%^$# over..." Film historians of the future will not only sing the praises of Tim Olyphant's work in film and TV, but, I assure you, they will not fail to mention how audiences of the era (that would be ... us) failed to fully appreciate him.

The same cannot be said of David Milch who produced and wrote this excellent series. I am in awe of the way Milch introduced Olyphant off the top of the series and then kept him in reserve until the 12th episode -- the same way you keep your rook back in a chess game -- until here, in this instalment, he is literally unleashed.

Let me be clear. The writing is excellent. The acting is excellent. The direction and staging excellent. But even against such strong odds, Olyphant at the top of his craft can steal the entire episode to the point that it just seems to be all about him.

And you know what? It is.


4 of 4 people found this review helpful.  Was this review helpful to you?

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