Deadwood: Season 2, Episode 7

E.B. Was Left Out (17 Apr. 2005)

TV Episode  |  TV-MA  |   |  Crime, Drama, History
8.5
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Ratings: 8.5/10 from 393 users  
Reviews: 1 user | 1 critic

Joanie discovers what happened at the Chez Ami and confides in Charlie Utter. Swearengen meets with Alma regarding Miss Isringhausen's allegations...and her connection to the Pinkertons. ... See full summary »

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Title: E.B. Was Left Out (17 Apr 2005)

E.B. Was Left Out (17 Apr 2005) on IMDb 8.5/10

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Cast

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Whitney Ellsworth (credit only)
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Martha Bullock (credit only)
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Storyline

Joanie discovers what happened at the Chez Ami and confides in Charlie Utter. Swearengen meets with Alma regarding Miss Isringhausen's allegations...and her connection to the Pinkertons. The town leaders convene to discuss pressing issues, but neglect to invite E.B., the mayor. By way of a strange circumstance, Utter comes into possession of Wild Bill's final correspondence. Written by WyattJones

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19th century | See All (1) »


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17 April 2005 (USA)  »

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1.78 : 1
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Goofs

As the doc finishes with Wolcott he tells him his fee is three dollars. While the doc is packing up to leave we see Wolcott getting coins out of a coin purse. We even see coins in Wolcott's hand. But doc never gets close enough to have received the coins but the coins disappear from Wolcott's hand as he lays back to rest. See more »

Quotes

Al Swearengen: What do you know of the fisticuffs?
E.B. Farnum: Amongst who?
Johnny Burns: Utter and that fella you was sitting with downstairs the other day.
E.B. Farnum: Wolcott? Just now, when I was leaving the hotel, Wolcitt had accidentally stepped on Utter's foot.
Johnny Burns: If Utter's got corns, that might could have touched it off.
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A Prayer
(uncredited)
Written by Madeleine Peyroux
Performed by Madeleine Peyroux
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User Reviews

 
Take a bow, Jody Worth
15 February 2015 | by (North America) – See all my reviews

The writing in this specific episode, penned by Jody Worth, is so sharp you could cut yourself.

I do not say this lightly. I have seen my share of Broadway plays and for this episode in particular, scene after scene, discourse after discourse, aside after aside, I forgot I was watching a TV drama and felt I was watching a stage play, where every character's lines had both the obvious meaning and hidden nuance.

Even the throw-away jokes, including an off-color one having to do with the pre-requisites for having carnal knowledge of foreign strumpets, were brilliant.

As I understand it, Ms. Worth was nominated for an EMMY for this work, and deservedly so.

As for acting, every cast member was up to the usual standard (which is to say, great) but McShane again stole the episode in his astonishing ability to change personalities depending on whom he was in dialog with.

His tete a tete with Molly Parker, in particular, is the dramatic art at its highest level.


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