Deadwood: Season 1, Episode 1

Deadwood (21 Mar. 2004)

TV Episode  -   -  Crime | Drama | History
8.4
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Ratings: 8.4/10 from 834 users  
Reviews: 4 user | 2 critic

After executing his last act of justice as a Montana Marshall, Seth Bullock relocates to a gold-mining camp known as Deadwood, where he and partner Sol Star look to start a hardware ... See full summary »

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Title: Deadwood (21 Mar 2004)

Deadwood (21 Mar 2004) on IMDb 8.4/10

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Storyline

After executing his last act of justice as a Montana Marshall, Seth Bullock relocates to a gold-mining camp known as Deadwood, where he and partner Sol Star look to start a hardware business. Bullock soon crosses paths with another new arrival - legendary gunfighter Wild Bill Hickok - and clashes with the formidable boss of the Gem Saloon and occasional deal broker, Al Swearengen. Written by WyattJones

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TV-MA

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21 March 2004 (USA)  »

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1.78 : 1
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Trivia

In this hour long pilot episode the word "fuck" is heard 51 times. See more »

Goofs

In the overhead shot of the street, just before Bullock and Hickcock's shootout with the guy on the horse, the section of street where the stunt man and horse are going to fall is visibly different from the street surface around it, apparently torn up by one or more previous takes. See more »

Quotes

Ellsworth: I may have fucked up my life flatter'n hammered shit, but I stand here before you today beholden to no human cocksucker, and holdin' a workin' fuckin' gold claim, and not the U.S. government tellin' me I'm trespassin', or the savage fuckin' red man or any of these other limber-dick cocksuckers passin' themselves off as prospectors had better try and stop me.
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Arriving In Deadwood
(uncredited)
Written by Michael Brooken
Performed by Michael Brook
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User Reviews

 
A brilliant introduction
6 February 2012 | by (United States) – See all my reviews

A tour de force for Ian McShane, who brings to life one of the great characters of television ever conceived from his first appearance, setting the tone for the show itself. A true three dimensional figure of Al Swearengen, written and acted to brilliance. Lays most of its chips on set pieces and snippets that generally take place in saloons and hotels and make use of natural light and wonderful set making to give it a gritty and primal feel. Keith Carradine does a magnificent job of recreating Wild Bill Hickock thanks to a fantastically researched costume and research team that has truly created an artistic work of serious significance. Beyond the gritty vocabulary and dirty sets is a load of substance and historical accuracy that gives full range to the genre and goes beyond almost anything this side of Sergio Leone. Smart, witty, involving and complex. Takes a few viewings to really digest and pick up all the wonderful attention to detail, the brilliant background action (i.e. 19th century dentistry). A lot of foreshadowing and use of close-ups to insinuate meanings and imply past tensions between characters. Very well written and smartly cast and executed.


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