Deadwood: Season 1, Episode 7

Bullock Returns to the Camp (2 May 2004)

TV Episode  -   -  Crime | Drama | History
7.5
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After tracking down a murderer, Bullock returns to Deadwood a changed man as well as a marked one. Dan and Joanie both take a special interest when teenagers Miles and Flora Anderson arrive... See full summary »

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Title: Bullock Returns to the Camp (02 May 2004)

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Cast

Episode cast overview, first billed only:
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Whitney Ellsworth (credit only)
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Reverend H.W. Smith (as Raymond McKinnon)
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Storyline

After tracking down a murderer, Bullock returns to Deadwood a changed man as well as a marked one. Dan and Joanie both take a special interest when teenagers Miles and Flora Anderson arrive in camp in search of their father. Calamity Jane earns her moniker in the Pest Tent, while Swearengen sees through Trixie's subterfuge. Alma remains cold to Farnum's inappropriately advanced bid on her claim. Written by WyattJones

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19th century | See All (1) »


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2 May 2004 (USA)  »

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1.78 : 1
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Did You Know?

Goofs

When Bullock is discussing who should look into the Garrett claim; Al mentions E.B. Farnum and Bullock calls Farnum his "water boy". Water boy is a term from sports that has been used to refer to someone who is closely allied with another and does their bidding. But this usage has been from the middle 20th century; and wouldn't likely have been used this way in Deadwood in the the late 19th century. See more »

Quotes

Seth Bullock: You and I know how it is, Mr. Swearingen.
Al Swearengen: How what is?
Seth Bullock: [stands] She gets a square shake... or I come for you.
Al Swearengen: [stands] What if I come for you? You ready for that?
Seth Bullock: I guess I'd better be.
Al Swearengen: Then close your fuckin' store, 'cause being ready for me'll take care of your wakin' hours, and you'd better have someone to hand the task off to when you close your fuckin' eyes.
[they silently take each other's measure]
Seth Bullock: We understand each other.
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Theme From Deadwood
(uncredited)
Written by David Schwartz
Performed by James Parks
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