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"Deadwood" Leviathan Smiles (2006)
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Overview
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Director:
Writers:
TV Series:
Original Air Date:
30 July 2006
(Season 3, Episode 8)
Plot:
The letter is published, Wyatt Earp hits town, delays continue with the theater, and Hearst makes a move. Full summary » | Add synopsis »
Plot Keywords:
Cast
(Episode Cast) (in credits order) (complete, awaiting verification)
| Episode Crew |
Directed by | |||
| Ed Bianchi | |||
Writing credits | ||
| David Milch | (creator) | |
| Kem Nunn | (written by) | |
Produced by | |||
| Gregg Fienberg | .... | executive producer | |
| Elizabeth Kling | .... | associate producer | |
| Kathryn Lekan | .... | associate producer | |
| A.C. Lyles | .... | consulting producer | |
| Ted Mann | .... | producer | |
| David Milch | .... | executive producer | |
| Hilton Smith | .... | co-producer (as Hilton H. Smith) | |
| Scott Stephens | .... | supervising producer | |
| Mark Tinker | .... | executive producer | |
| Steve Turner | .... | co-producer | |
Original Music by | |||
| Reinhold Heil | |||
| Johnny Klimek | |||
Cinematography by | |||
| James Glennon | (director of photography) | ||
Film Editing by | |||
| Martin Nicholson | |||
Casting by | |||
| Libby Goldstein | |||
| Junie Lowry-Johnson | (as Junie Lowry Johnson) | ||
Production Design by | |||
| Maria Caso | |||
Art Direction by | |||
| David Potts | |||
Set Decoration by | |||
| Ernie Bishop | |||
Costume Design by | |||
| Katherine Jane Bryant | (as Janie Bryant) | ||
Makeup Department | |||
| Howard Berger | .... | prosthetic effects supervisor | |
| Gregory Nicotero | .... | prosthetic effects supervisor (as Greg Nicotero) | |
| Carol Pershing | .... | assistant hair department head | |
| De'Ann Power | .... | key hair stylist | |
| Elizabeth Rabe | .... | hair stylist | |
| John Rizzo | .... | makeup department head | |
| Barry Rosenberg | .... | additional hair stylist | |
| Bob Scribner | .... | key makeup artist | |
| James R. Scribner | .... | additional makeup artist (as Jim Scribner) | |
| Peter Serraino | .... | additional makeup artist | |
| Ron Snyder | .... | assistant makeup department head | |
| Marie Elena Storace | .... | additional hair stylist (as Marie Elena) | |
| Peter Tothpal | .... | hair department head | |
| Richard Wetzel | .... | additional makeup artist (as Rick Wetzel) | |
Production Management | |||
| Michael Horowitz | .... | post-production supervisor | |
| Hilton Smith | .... | unit production manager (as Hilton H. Smith) | |
Second Unit Director or Assistant Director | |||
| Libby Minarik | .... | second assistant director (as Libby G. Minarik) | |
| Kenneth Roth | .... | first assistant director (as Kenneth B. Roth) | |
| Alan Steinman | .... | second second assistant director | |
| Maileen Williams | .... | dga trainee | |
Art Department | |||
| Steve Altuna | .... | set dresser (as Stephen Altuna) | |
| Manuel Baca | .... | assistant property master | |
| Isaac Badillo | .... | tool foreman | |
| Steve Badillo | .... | labor foreman | |
| Steve Blakney | .... | second assistant property master | |
| Grant Bushman | .... | set dresser | |
| Matt Center | .... | leadman | |
| Frank Escobedo | .... | property master | |
| Matthew Gilbert | .... | on-set dresser | |
| Kenny Hayes | .... | general foreman | |
| Karen Lee Holley | .... | additional props (as Karen Holley) | |
| Michael J. Kelley | .... | assistant art director | |
| Brent David Mannon | .... | on-set dresser (as Brent Mannon) | |
| W. Scott Mason | .... | stand-by carpenter | |
| Michael Mikita | .... | paint foreman (as Mike Mikita Sr.) | |
| Linda L. Rebman | .... | art department coordinator (as Linda Rebman) | |
| Ingrid Rofkar | .... | stand-by painter | |
| John J. Rutchland III | .... | construction coordinator (as John Rutchland) | |
| Tom Sharp | .... | draper (as Thomas Sharp) | |
| Pilo Silva | .... | greensman | |
| Christopher Taylor | .... | set dresser (as Chris Taylor) | |
| Bryan Gettman | .... | set dresser (uncredited) | |
| Ronnie Lombard | .... | set dresser (uncredited) | |
| Jessica McDonald | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Caleb Bacon | .... | sound trainee (as Caleb M. Bacon) | |
| Anita Cannella | .... | foley artist | |
| Brion Condon | .... | boom operator | |
| Benjamin L. Cook | .... | sound effects editor (as Benjamin Cook) | |
| Chris Cooper | .... | utility cable | |
| Stephen Hunter Flick | .... | sound consultant | |
| William Freesh | .... | sound re-recording mixer | |
| Devin Joseph | .... | dialogue editor (as Devon Joseph) | |
| Amy Kane | .... | foley artist | |
| Larry Mann | .... | sound supervisor (as Lawrence H. Mann) | |
| Erin Oakley | .... | dialogue editor | |
| Geoffrey Patterson | .... | sound mixer | |
| Carmine Rubino | .... | foley mixer | |
| R. Russell Smith | .... | sound re-recording mixer | |
| Mark Steinbeck | .... | boom operator | |
| Kevin Wahrman | .... | foley editor | |
| Samuel C. Crutcher | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Roger Lifsey | .... | special effects technician | |
| Caius Man | .... | special effects technician | |
| Jerry Miscevich | .... | special effects technician | |
| M.A. Thompson | .... | special effects foreman | |
Visual Effects by | |||
| David Altenau | .... | visual effects supervisor (as David T. Altenau) | |
| Randy Lowder | .... | smoke artist | |
Stunts | |||
| Dale Gibson | .... | stunts | |
| Mike Watson | .... | stunt coordinator | |
| Mike Watson | .... | stunts | |
Casting Department | |||
| Terrence Harris | .... | extras casting: Bill Dance Casting (as Terence Harris) | |
| Joyce Kurtz | .... | voice casting: Joyce's Voices | |
| Lisa Soltau | .... | casting associate | |
| Sheri Tucker | .... | extras casting: Bill Dance Casting | |
Costume and Wardrobe Department | |||
| Joanne Bradley | .... | costume draper | |
| Toby Bronson | .... | costumer | |
| Bud Clark | .... | additional costumer | |
| Le Dawson | .... | costume supervisor | |
| Kathy Hendricks | .... | costumer | |
| Andrea Sweet | .... | assistant costume designer | |
Editorial Department | |||
| Sam Claypool | .... | post-production coordinator | |
| Brent Greer | .... | dailies colorist | |
| Scott Klein | .... | final colorist | |
| Shaheed Qaasim | .... | assistant editor | |
| Keith Ponschock | .... | telecine assistant (uncredited) | |
Music Department | |||
| Micha Liberman | .... | music editor | |
| David Schwartz | .... | composer: main title theme | |
| Jane Wallace | .... | music supervisor | |
Transportation Department | |||
| Steve Cole | .... | driver | |
| Shawn Coulter | .... | driver | |
| Gary Ferraro | .... | driver | |
| Jacob Hardman | .... | driver | |
| Larry Hardman | .... | transportation co-captain | |
| Hector Mendoza | .... | driver | |
| David Oppenheim | .... | transportation captain (as Dave Oppenheim) | |
| Lenny Rogel | .... | driver | |
| Andy Straub | .... | transportation coordinator (as Andy R. Straub) | |
| Andre Veluzat | .... | driver | |
| Paul Veluzat | .... | driver | |
Production CompaniesDistributors
- Home Box Office (HBO) (2006) (USA) (TV)
- Home Box Office Home Video (HBO) (2007) (USA) (DVD)
- K.N.B. Effects Group (prosthetic effects) (as KNB EFX Group)
- Ultimate Effects
- Encore (visual effects)
- A52 (main titles)
- Bruce's Catering catering
- Forsburg Ranch & Company livestock (as Forsberg Ranch & Co.)
- Bill Dance Casting extras casting
- Joyce's Voices voice casting
- Evan M. Greenspan music clearance
- Sony Pictures Studios sound post-production
- Riot high-definition post-production
- Eastman Kodak film provided by
- Adams Museum & House, The historical research assistance provided by
Additional Details
Parents Guide:
Runtime:
53 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 See more »
Sound Mix:
Certification:
Filming Locations:
Company:
Did You Know?
Goofs:
Anachronisms: In a conversation between Cy Toliver and George Hurst he mentions the term gunsel. This term was used in hobo slang around 1915 to refer to a young male companion of an older tramp. It wasn't until the 1929 novel "The Maltese Falcon" by Dashiell Hammett when the term came to be used to refer to man who was good with a gun. So it's unlikely that it would have been used in Deadwood in the 1870's.See more »
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