| Larry David | ... | Larry David | |
| Jeff Garlin | ... | Jeff Greene | |
| Cheryl Hines | ... | Cheryl David | |
| Richard Lewis | ... | Richard Lewis | |
| Bob Einstein | ... | Marty Funkhouser | |
| Susie Essman | ... | Susie Greene | |
| Mekhi Phifer | ... | Omar Jones | |
| Frank Whaley | ... | Peter Hagen | |
| Timothy Brennen | ... | Police Detective | |
| Claudia Cohen | ... | Woman in Line | |
| Nicole Randall Johnson | ... | Omar's Receptionist | |
| Mindy Kaling | ... | Richard Lewis's Assistant | |
| Suzanne Kent | ... | Nurse | |
| Kelvin Han Yee | ... | Newscaster | |
| rest of cast listed alphabetically: | |||
| Ian Michaels | ... | Stoner #1 (uncredited) | |
| Al Whiting | ... | Orderly (uncredited) | |
| Episode Crew |
Directed by | |||
| Robert B. Weide | |||
Writing credits | ||
| Larry David | (story) | |
Produced by | |||
| Alec Berg | .... | consulting producer | |
| Larry Charles | .... | executive producer | |
| Larry David | .... | executive producer | |
| Jeff Garlin | .... | executive producer | |
| Tim Gibbons | .... | co-executive producer | |
| David Mandel | .... | consulting producer | |
| Megan Murphy | .... | co-producer | |
| Erin O'Malley | .... | producer | |
| Gavin Polone | .... | executive producer | |
| Jeff Schaffer | .... | consulting producer | |
| Robert B. Weide | .... | executive producer | |
Cinematography by | |||
| Bill Sheehy | (director of photography) | ||
Film Editing by | |||
| Jon Corn | (as Jonathan Corn) | ||
| Steven Rasch | (supervising editor) (as Steve Rasch) | ||
Casting by | |||
| Allison Jones | |||
Art Direction by | |||
| Michael DiMeo | |||
Set Decoration by | |||
| Lisa Thompson | |||
Costume Design by | |||
| Christina Mongini | |||
Makeup Department | |||
| Barbara Dally | .... | key hair stylist | |
| Saundra Jordan | .... | key makeup artist | |
| Thomas Kolarek | .... | makeup artist | |
Production Management | |||
| Linda Balaban | .... | production supervisor | |
| Dimitri Lacey | .... | assistant production supervisor | |
Second Unit Director or Assistant Director | |||
| Dale Stern | .... | associate director | |
Art Department | |||
| Dort Clark | .... | prop master | |
| Anne Marie Hamill | .... | art swing | |
| Peter Kang | .... | art swing (as Pete Kang) | |
| David Maturana | .... | on-set dresser | |
| Jefferson Murff | .... | leadman | |
Sound Department | |||
| William F. MacPherson | .... | audio mixer (as Bill MacPherson) | |
| Earl Martin | .... | re-recording sound mixer | |
| Karl Ritter | .... | boom operator | |
| Edward M. Steidele | .... | foley artist (as Ed Steidele) | |
| Chris Trent | .... | foley mixer (uncredited) | |
Visual Effects by | |||
| Daniel DeFabio | .... | digital effects | |
| Randy Lowder | .... | digital effects | |
| Kenneth R. Shapiro | .... | film effects | |
Camera and Electrical Department | |||
| Thomas Bango | .... | assistant camera (as Tom Bango) | |
| Hugh Casey | .... | electrician | |
| Derek K. Cunningham | .... | grip (as Derek Cunningham) | |
| Allen De Silva | .... | grip (as Alan DeSilva) | |
| Pete Galullo | .... | camera operator | |
| Sean Haeseler | .... | electric | |
| Vesa Holle | .... | electric | |
| Joseph Keppler | .... | camera utility (as Joe Keppler) | |
| Dana Kilgore | .... | best boy electric | |
| Jonas Lagunoff | .... | key grip | |
| Todd Liggitt | .... | grip | |
| Meggins Moore | .... | camera utility (as Meggins Spek) | |
| Jack Nagle | .... | best boy grip | |
| Caleb H. Poynter | .... | electric | |
| Richard Tibbetts | .... | gaffer | |
| Rob Vuona | .... | camera operator | |
| Mark Wright | .... | grip | |
| Warren Yeager | .... | camera operator | |
Casting Department | |||
| Marla Garlin | .... | original casting | |
| Phyllis Smith | .... | casting associate | |
| Michelle Rejwan | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Jennifer Steele | .... | wardrobe supervisor | |
Editorial Department | |||
| Todd Dusenberry | .... | colorist | |
| Kip Gibson | .... | on-line editor | |
| Amanda Mace | .... | post-production coordinator (as Amanda Howell) | |
| Chris Mohr | .... | assistant editor | |
Music Department | |||
| Steven Rasch | .... | music supervisor (as Steve Rasch) | |
Transportation Department | |||
| James C. Alford | .... | driver (as James Alford) | |
| Tennie E. Barnes | .... | driver (as Tennie Barnes) | |
| John Cherry | .... | transportation coordinator | |
| Dennis 'Tony' Compton | .... | driver (as Tony Compton) | |
| Charles Conley | .... | driver (as Bud Conley) | |
| Jerry Glassman | .... | driver | |
| Michael Hindman | .... | driver (as Mike Hindman) | |
| Dennis Lally | .... | transportation captain | |
| David Lovett | .... | driver | |
| Chris Mendoza | .... | driver | |
| Charles O'Malley | .... | driver | |
| Eugene Rangel | .... | driver | |
| Benjamin Rivera | .... | driver (as Bennie Riveria) | |
| Anne Valentine | .... | driver | |
| Carlos Williams | .... | driver | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Comedy section |
| IMDb USA section |
*** This review may contain spoilers ***
This installment of the 2005 season finds Larry with a dilemma. Richard Lewis, one of his best friends, needs to have a kidney transplant. A haggard looking Lewis tells Larry about his luck running out because the need of a donor. Larry suggests to try searching within his own family as he feels there will be someone compatible. Larry never ventures to offer to help.
Larry, who finds himself locked out of his car, calls Jeff to come help him. He is near a fast food place; feeling hungry he decides to order something to wait for his ride. The dining area is closed, but the drive-through window is open. He decides to stand behind the last car, but when his turn comes, he is refused service. In order to be able to place an order, he must be in a car; he will not be served otherwise. As he asks drivers waiting their turns, everyone turns him down except Pete, a young guy who is happy to help out.
When Larry contacts Omar's office, the receptionist asks him to elaborate what is the nature of his call, he tells her is personal, something that is questioned. The two end up shouting to each other. His call to Richard's office goes badly as well. He tells Lewis' assistant he is calling regarding the kidney donation. The secretary, not having a clue her boss needs the operation break up, inconsolably.
Larry convinces Jeff to take the test to see if anyone of them could help their friend. They are told both have their friend's blood type and are candidates. Larry starts doubts about donating his kidney. Marty Funkhouser intervenes by offering to do an 'eenie meenie miny moe' riddle with them. Larry, who is the last to be named, believes Jeff is the one that has been selected to donate his kidney, but both Marty and his manager tell him he really lost.
This episode rises the moral question about what would one do to help a friend. In theory it is a noble cause, but the mere idea of losing an organ to give it to a friend takes its toll on anyone facing that situation. Larry also offers a take on the receptionists that are so annoying by insisting they are to be told personal things the callers don't want to share with them.
Director Robert B. Weide's timing is perfect as usual. Frank Whaley, an actor that deserves to be seen more often shows up as Pete, the man that hides a criminal secret, but who comes to help a stranger in need. The regulars do their usual best to make this an episode that both, makes us think, and laugh.