After Woody's Uncle Fergie has a mugging filled trip to Boston. Woody's father thinks that Boston is too dangerous a place for his son. And he wants him to return back home to Indiana. The gang at the bar thinks that introducing Woody's friends through the making of a home movie, would settle Woody's father's concerns. The first attempt has Diane as writer, director and cinematographer. Her "cast" rebels at the unnatural, for them dialog in Diane's script. They fire her, and she then separates herself from the project. The final product of the second attempt has Woody shown individually with each of his friends. Each, against their own natural settings: Sam in his office. Carla at a backyard BBQ, with her rambunctious kids. Cliff on his postal route. Norm at the Hungry Heifer, and Frasier at his psychiatry practice's office. After watching it. They each agrees that they all come off as boobs. Except for Diane. She sees this version as the start of something great. To her, all it needs... Written by
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This episode features the first external view of the stairs leading down to the front door of the bar during Sam's film for Woody's parents. See more
[Diane has just shown her edited version of Sam's home movie. It's awful
[about why she gave herself the only end credit in the movie
It's just that I felt I transformed your film into a personal statement that was pure Diane Chambers.
It was pure something.
References Jean-Luc Godard