| Alyssa Milano | ... | Phoebe Halliwell | |
| Rose McGowan | ... | Paige Matthews | |
| Holly Marie Combs | ... | Piper Halliwell | |
| Brian Krause | ... | Leo Wyatt | |
| Balthazar Getty | ... | Richard Montana | |
| Mark Aiken | ... | Dark Knight | |
| Danny Woodburn | ... | Head Dwarf | |
| Brian Leckner | ... | Head Executioner Demon | |
| Edward Atterton | ... | Mordaunt | |
| Danielle Bisutti | ... | The Lady of the Lake | |
| Lamont Johnson | ... | Soul Blaster Demon | |
| Bjorn Johnson | ... | Cranky Satyr | |
| Matthew McGrory | ... | Ogre | |
| Amanda Sickler | ... | Sophie | |
| Scout Taylor-Compton | ... | Fairy | |
| Simon Brooke | ... | Grimlock | |
| rest of cast listed alphabetically: | |||
| Thomas DuPont | ... | Demon | |
| Jessica Custodio | ... | Nymph #1 (uncredited) | |
| Jason Simmons | ... | Wyatt Halliwell (uncredited) | |
| Kristopher Simmons | ... | Wyatt Halliwell (uncredited) | |
| Todd Tucker | ... | Creeper Demon (uncredited) | |
| Episode Crew |
Directed by | |||
| Derek E. Johansen | (as Derek Johansen) | ||
Writing credits | ||
| Constance M. Burge | (creator) | |
| David Simkins | writer | |
Produced by | |||
| Daniel Cerone | .... | co-executive producer | |
| Peter Chomsky | .... | co-producer | |
| Holly Marie Combs | .... | producer | |
| James L. Conway | .... | co-executive producer | |
| Brad Kern | .... | executive producer | |
| Curtis Kheel | .... | co-producer | |
| Jonathan Levin | .... | consulting producer | |
| Alyssa Milano | .... | producer | |
| Jon Paré | .... | producer | |
| David Simkins | .... | consulting producer | |
| Aaron Spelling | .... | executive producer | |
| E. Duke Vincent | .... | executive producer | |
Original Music by | |||
| Jay Gruska | |||
Cinematography by | |||
| Jonathan West | |||
Film Editing by | |||
| Paul Fontaine | |||
Casting by | |||
| Leslee Dennis | |||
| Vicki Huff | (as Victoria Huff) | ||
Production Design by | |||
| Paul Staheli | |||
Set Decoration by | |||
| Robin Royce | (as Robinson Royce) | ||
Costume Design by | |||
| Eilish Zebrasky | (as Eilish) | ||
Makeup Department | |||
| Audrey Futterman-Stern | .... | department head key hair stylist | |
| Lana Heying | .... | key hair stylist | |
| Bret Mardock | .... | key makeup artist | |
| Nanette Moore | .... | key makeup artist (as Nanette New) | |
| Ani Plotkin-Maloney | .... | key makeup artist (as Ani Maloney) | |
Production Management | |||
| Jon Paré | .... | unit production manager | |
| Gail M. Patterson | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Vincent G. Gonzales | .... | first assistant director | |
| Eric Oliver | .... | second second assistant director | |
Art Department | |||
| Gene Bowen | .... | construction foreman | |
| Scott Cockerell | .... | assistant property master | |
| Star Fields | .... | construction coordinator | |
| Roland E. Hill Jr. | .... | set designer (as Roland Hill) | |
| Michael V. Maurice | .... | set dresser | |
| Roger Montesano | .... | property master | |
| Danny Ronay | .... | second foreman | |
| Michael J. Zufelt | .... | leadperson (as Michael Zufelt) | |
| Shelley Adajian | .... | set painter (uncredited) | |
| Jeff Angelo | .... | assistant property master (uncredited) | |
| Mary Kay Campbell | .... | lead scenic (uncredited) | |
| Dan Haberkorn | .... | props (uncredited) | |
| Jon Klein | .... | propmaker (uncredited) | |
Sound Department | |||
| Gary Boatner | .... | utility sound | |
| Jeff Clark | .... | supervising sound editor | |
| Ken Dufva | .... | foley artist | |
| Brett Grant-Grierson | .... | sound mixer | |
| Andrew Logan | .... | assistant sound editor | |
| Bruce P. Michaels | .... | sound re-recording mixer (as Bruce Michaels) | |
| Chris Navarro | .... | adr mixer | |
| Joshua E. Schneider | .... | sound re-recording mixer (as Josh Schneider) | |
| Lee Tinkham | .... | foley mixer | |
| Kevin Valentine | .... | sound re-recording mixer | |
Special Effects by | |||
| Randy Cabral | .... | special effects coordinator | |
| Michele Mulkey | .... | special effects (uncredited) | |
Visual Effects by | |||
| Tim Jacobsen | .... | visual effects producer | |
| Stephen Lebed | .... | visual effects supervisor | |
Stunts | |||
| Thomas DuPont | .... | stunt fighter | |
| Jace Jeanes | .... | stunt double: Eric Winzenried | |
| Dan Lemieux | .... | stunts | |
| Noon Orsatti | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Bryan Fletchall | .... | technocrane operator | |
| Steve Gausche | .... | first company grip | |
| Thomas B. Ham | .... | second company grip (as Tom Ham) | |
| Kurt Johnson | .... | chief lighting technician | |
| Kris Krosskove | .... | Steadicam operator | |
| Kris Krosskove | .... | camera operator | |
| Don Lehman | .... | assistant chief lighting technician | |
| Ted Lewis | .... | company grip | |
| Lon Magdich | .... | camera operator | |
| Richard Sobin | .... | first assistant camera | |
| Paul Szopa | .... | lighting technician | |
Casting Department | |||
| Megan Entriken | .... | casting associate | |
| Douglas Maida | .... | lead extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Daniella Gschwendtner | .... | costume supervisor (as Daniela Gschwendtner) | |
| Charlotte Iwata | .... | key costumer (uncredited) | |
| Kate Wood-Baldas | .... | set costumer (uncredited) | |
Editorial Department | |||
| Larry Goldstein | .... | post-production coordinator | |
| Eric Lea | .... | assistant editor | |
| Kenneth Miller | .... | executive in charge of post-production | |
| Bill Missett | .... | on-line editor | |
Music Department | |||
| Nino Centurion | .... | music editor | |
| Celest Ray | .... | music coordinator | |
Transportation Department | |||
| Tim Abbatoye | .... | transportation coordinator | |
| David Bassett | .... | transportation coordinator (as Dave Bassett) | |
Other crew | |||
| Natalie Antoci | .... | assistant to writers | |
| Julie Auerbach | .... | story editor (as Julie Hess) | |
| Robert Boyle | .... | location manager (as Bob Boyle) | |
| Chrissy Coffman | .... | production accountant (as Chrissy Cornwall) | |
| Thomas DuPont | .... | sword master | |
| Doug E. Jones | .... | assistant: Brad Kern | |
| Parker McGrath | .... | production assistant | |
| Henry Alonso Myers | .... | executive story editor | |
| Rick Napoli | .... | production coordinator | |
| Jeannine Renshaw | .... | executive story editor | |
| Pamela Shae | .... | executive in charge of talent | |
| Nancy Solomon | .... | script supervisor | |
| Susan Suite | .... | post production co-ordinator | |
| Julie Swartsley | .... | assistant: Jon Paré | |
| Jack E. Herman | .... | extras set coordinator (uncredited) | |
| Christopher Xavier Lozano | .... | stills photography (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Constance M. Burge | creator | |
Produced by | |||
| Tony Blake | .... | consulting producer (13 episodes in 1999) | |
| Peter Hume | .... | supervising producer: 14 episodes 2000-2001 | |
| Paul Jackson | .... | consulting producer (13 episodes in 1999) | |
| Chris Levinson | .... | co-producer (9 episodes 2000) | |
| Valerie Mayhew | .... | co-producer (12 episodes 1999-2000) | |
| Vivian Mayhew | .... | co-producer (12 episodes 1999-2000) | |
| William Schmidt | .... | co-executive producer (14 episodes 2000-2001) | |
Original Music by | |||
| Johnny Dowers | (as Jake Alston) | ||
Makeup Department | |||
| Cleve Gunderman | .... | special makeup effects artist | |
| Cynthia Hernandez | .... | makeup artist | |
| Matthew Jorgensen | .... | special makeup effects artist | |
| Michael Key | .... | special makeup effects artist | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Margie Latinopoulos | .... | special makeup effects artist | |
| Michael Peterson | .... | lab makeup effects: Captive Audience Productions | |
| Mark Shostrom | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Tom Blank | .... | first assistant director (1998) | |
| Vincent G. Gonzales | .... | first assistant director (multiple episodes) | |
| Eric Oliver | .... | first assistant director (multiple episodes) | |
Sound Department | |||
| Gary Boatner | .... | boom operator: second unit (2001) | |
| Scott Brewster | .... | adr recordist | |
| David Diamond | .... | sound mixer: second unit (2005) | |
| Michael Florimbi | .... | sound mixer | |
| Frank D. Menges | .... | sound mixer: second unit | |
Special Effects by | |||
| Michael Broussard | .... | mermaid effects supervisor (episode "A Witch's Tail") | |
| Steve Fink | .... | prosthetics technician | |
| Damian Fisher | .... | technician: Steve Johnson's XFX | |
| Thomas Floutz | .... | artist: Steve Johnson's XFX (season 2) | |
| Joe Gomez | .... | technician: Steve Johnson's XFX | |
| Matthew Jorgensen | .... | special effects makeup | |
| Steve Newburn | .... | technician: Steve Johnson's XFX | |
| Thomas Ovenshire | .... | technician: Steve Johnson's XFX | |
| Dan Rebert | .... | artist: Steve Johnson's XFX (season 2) | |
Visual Effects by | |||
| Chris Aronoff | .... | visual effects | |
| Christy Beckert | .... | digital effects artist | |
| Jonathan Block | .... | animator | |
| Christian Boudman | .... | digital compositor | |
| Everett Burrell | .... | visual effects supervisor | |
| Nick Damico | .... | visual effects | |
| Changsoo Eun | .... | visual effects artist | |
| Jason Fotter | .... | digital compositor: Encore Visual Effects | |
| George Freeman | .... | digital compositor | |
| Trey Freeman | .... | digital compositor: Encore Visual Effects | |
| Eric Grenaudier | .... | digital compositor: Encore Visual Effects | |
| Alisa Loren Klein | .... | digital artist | |
| Craig Kuehne | .... | visual effects designer | |
| Dan Lopez | .... | visual effects | |
| Kurt McKeever | .... | digital effects artist: Encore Visual Effects | |
| Brad Moylan | .... | digital compositor: Encore Visual Effects | |
| Sean Mullen | .... | digital compositor: Encore Visual Effects | |
| Eric Reinhard | .... | digital compositor | |
| Rod Ripley | .... | data management: Flat Earth Productions | |
| Rick Shick | .... | digital compositor: compositing and rotoscoping | |
| John Shirley | .... | digital compositor | |
| Kevin Struckman | .... | data management: Flat Earth Productions | |
| Greg Tsadilas | .... | digital artist | |
| Wade Van Petten | .... | visual effects | |
| Todd Vaziri | .... | digital artist: Flat Earth Productions | |
| Matt von Brock | .... | digital artist: Encore Visual Effects | |
| Jeff West | .... | digital compositor | |
| Chris Y. Yang | .... | 3D animator | |
| Owen Hammer | .... | digital compositor (uncredited) | |
| Darin Hilton | .... | digital effects artist (uncredited) | |
Camera and Electrical Department | |||
| Peter Albert | .... | additional digital video assist operator (2003) | |
| Brad Heiner | .... | rigging grip (2000) | |
| Justin M. Lubin | .... | still photographer (2005) | |
| Vojislav Mikulic | .... | chief lighting technician (8 episodes in 1999) (as Voya Mikulic) | |
| Guy Skinner | .... | camera operator (10 episodes in 1999) | |
| Michael Wahl | .... | grip (1999-2002) | |
Casting Department | |||
| Dana Olson | .... | extras casting | |
| Pamela Shae | .... | talent and casting executive (1998-) | |
Costume and Wardrobe Department | |||
| Lorraine Alexis Mahru Toomey | .... | set costumer (as Lorraine Alexis Mahru) | |
| Cindy Napoli | .... | costumer | |
| Cindy Napoli | .... | set costumer | |
Editorial Department | |||
| Fred Fouquet | .... | editor: main title sequence | |
Music Department | |||
| Scott Cochran | .... | music recordist | |
Transportation Department | |||
| Charlie Ping | .... | driver | |
| Brenda Ryan | .... | transportation captain | |
Other crew | |||
| Bonnie Belknap | .... | food stylist | |
| Amy Carroll | .... | production assistant | |
| Joel Champagne | .... | production assistant (2005) | |
| Craig Conover | .... | craft service | |
| Charles Cornwell | .... | production assistant | |
| Jaroslava Fernandez | .... | special effects contact lens technician | |
| Wade Hagen | .... | first assistant accountant | |
| Peter Hume | .... | executive consultant (8 episodes 2001) | |
| Mary Kara | .... | technical consultant (2001-2002) | |
| Margery Kimbrough | .... | script supervisor: second unit (2002-2004) | |
| Ruth LaBarge | .... | bear trainer | |
| Lance W. Lanfear | .... | extras background coordinator (season 5) (as Lance Lanfear) | |
| Chris Levinson | .... | executive story editor (12 episodes 1999-2000) | |
| Peter Madamba | .... | script researcher | |
| John Phillip Nybe | .... | executive assistant | |
| Gregory Charles Schaefer | .... | production assistant (1999) | |
| Laura Starks | .... | assistant production coordinator | |
| Deidre Strohm | .... | script coordinator | |
| Nan Sumski | .... | publicist (2003) | |
| Hector Tinoco | .... | key assistant location manager | |
| Anderson Vilien | .... | production assistant (2005-) | |
| Jill Warner | .... | stand-in | |
| Chris Watkins | .... | technical consultant (2001-2002) | |
| Frank H. Woodward | .... | location manager (as Frank Woodward) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
| IMDb USA section |
*** This review may contain spoilers ***
The opportunity was probably too good to pass. Personally, I don't mind seeing the story of Excalibur rewritten, and the fact that the thing is basically orbed around for 45 minutes only adds to the fun. Besides, the crowd of magical pretenders will come back now and again for the next episodes (sometimes even the next seasons), which is just brilliant. I also appreciate that the manor sorely lacks a handyman now that Leo isn't around anymore. Ha!
But on the downside, WHY is it always Piper who gets turned into a murderous leather-clad warrior? At least, Holly Marie Comb seems to be having a lot of fun waving that sword around, but it is a bit hard to believe that in barely 10mn Piper would go from "This is just a big scam!" to "Let's recreate the Round Table with Harpies and Grimlocks!" I understand that it is meant to illustrate the old say that power corrupts, but the result is that the plot focuses on action and completely sacrifices character development.
Finally, it is very logical that Excalibur should prove to be Wyatt's heirloom, as the boy seems to be a sort of magical beacon. The only trouble is that the fabled sword won't do much in the future (I think it reappears once), so this is a lot of setup for nothing; and the fact that Chris isn't even here doesn't help connect it to the plot or the characters' evolution. Put the episode anywhere else in season 5, 6 or 7 and you won't see much difference.