Buffy the Vampire Slayer: Season 4, Episode 22

Restless (23 May 2000)

TV Episode  -   -  Action | Drama | Fantasy
8.7
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Ratings: 8.7/10 from 1,313 users  
Reviews: 8 user

Buffy, Willow, Xander, and Giles experience dreams in which they are pursued by a mysterious figure.

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Title: Restless (23 May 2000)

Restless (23 May 2000) on IMDb 8.7/10

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Episode cast overview, first billed only:
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Rupert Giles (as Anthony Stewart Head)
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Xander's Father
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Oz
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Storyline

In the fourth season finale, Buffy, Xander, Giles, and Willow decide to stay up late watching movies after their victory against Adam, only all four of them immediately fall asleep. One by one, each of their dreams take a dark and twisted turn as a sinister force stalks each of them through the dream world and inside their own heads. Written by Alex

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Action | Drama | Fantasy

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TV-PG | See all certifications »
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23 May 2000 (USA)  »

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1.33 : 1
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Trivia

There's another subtle plot clue to the arrival of Dawn in Season 5. In the Buffy dream sequence, Tara and Buffy are talking about the bed that Buffy and Faith made. As Buffy leaves, Tara says, "Be back before dawn." And then, at the end, Buffy stops to look in to Dawn's room at the now unmade bed. See more »

Goofs

As Xander crawls from his ice cream truck into his room, the the blue screen outside the truck's side window partially leaves the visible area of the window, revealing the studio. Then, the chroma key effect is turned off too early, showing the blue screen in its true color. See more »

Quotes

Riley Finn: We're drawing up a plan for world domination. The key element? Coffee makers that think.
Buffy: World domination? Is that a good...
Riley Finn: Baby, we're the government. It's what we do.
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Connections

References Apocalypse Now (1979) See more »

Soundtracks

Buffy the Vampire Slayer Theme
Written by Nerf Herder
Performed by Brandon K. Verrett
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User Reviews

 
Whedon Attack
21 September 2007 | by (Australia) – See all my reviews

I'm amazed that "Buffy" fanatics don't like this episode. I honestly had more faith in them than that. I assumed that because this series was a remarkably innovative and intelligent production which recognized the boundless potential of the television medium that its followers would largely share similar traits. The feedback I've heard on this Season Four closer is that it's dull, confusing and pointless. I sorely beg to differ.

What I understood of "Restless" the first time I saw it (and have been consolidated by every further viewing) is that it is an unadulterated Freudian character study, realized with lite David Lynch methodology. It's true that there is SFA of the formulaic Big Bad plotting that "Buffy" episodes usually revolve around, but I was actually somewhat thankful for this. "Restless" is a denouement - a reflection and a meditation, and although there is an obligatory evil at work, the villain here is vague and besides the point. "It's all about the journey," says Giles and despite the obviousness, he's right.

I don't know about everyone else, but I love these characters. In that cathartic, fanboy, TV-show way, I care about them. And by God, I'm excited when I get the chance to learn something about them - I loved the in depth character studies of other such low-key episodes as Season Three's "Amends" and "The Zeppo", Season Five's "The Body" or Season Six's "Hell's Bells". And I'm not saying all this to alienate non "Buffy" nerds or prove myself "Buffy" nerd supreme, just to illustrate that the episodes that have enough impact on me to make me remember their names are the ones where I feel like we've gotten somewhere with the people we watch, and we understand them just a little bit better. To me, no episode ever did this better than "Restless".

So have your way and think your thoughts, but I like to have a little shared humanity with the objects of my fandom now and again, and "telling statement" dreams of hidden fears and desires just does more for me than fist fights with interchangeable Evil Dead. As far as I'm concerned, this mid-series nap by our drama-heavy protagonists gives more multi-viewing rewards than most feature length films. Not only this, but it is essential viewing in any attempt to understand how Joss Whedon's cheesy-by-premise, Supernatural soap opera became and holds a place as one of the most compelling television experiences of all time.


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