Sunnydale is alive with the sound of music as a mysterious force causes everyone in town to burst into full musical numbers, revealing their innermost secrets as they do. But some townsfolk... See full summary »



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Episode cast overview, first billed only:
Rupert Giles (as Anthony Stewart Head)
Daniel Weaver ...
Handsome Young Man
Henchman / Tap Dancing Victim
Demon / Henchman
Timothy Anderson ...


Sunnydale is alive with the sound of music as a mysterious force causes everyone in town to burst into full musical numbers, revealing their innermost secrets as they do. But some townsfolk are dancing so much that they simply burst into flames, and it becomes clear that maybe living in a musical isn't so great after all. Written by Alex

Plot Summary | Plot Synopsis


TV-PG | See all certifications »

Parents Guide:





Release Date:

6 November 2001 (USA)  »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.78 : 1
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Did You Know?


Joss Whedon says his biggest surprise in terms of musical ability was Emma Caulfield, while he knew that James Marsters, Amber Benson and Anthony Head are very skilled singers by their former performances. See more »


Tara runs into a pole in the Bronze while she is performing her back-up dance to "Something to Sing About." While the pole is not visible in the shot, Tara bumping into something before she goes out of frame in the background is noticeable. Likewise, if you look closely, you can see actress Amber Benson desperately trying to suppress a laugh as she straightens out her wardrobe after bumping into the pole. See more »


Sweet: [singing] I can bring whole cities to ruin, and still have time to get a soft-shoe in.
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Crazy Credits

The episode's name is displayed after the opening. See more »


References The Music Man (1962) See more »


Buffy the Vampire Slayer Theme
Performed by Nerf Herder
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User Reviews

definitely one of the high points from the series; even better live!
20 January 2007 | by (United States) – See all my reviews

I'll be honest, I don't watch Buffy the Vampire Slayer regularly- not now or even really much when it was on more in syndication and in its original run- but I did watch it casually sometimes with friends, and did enjoy the occasionally corny fights and angsty teen drama thrown in (plus, Anthony Stewart Head is quite the cool mentor). I had never seen this episode either, but had heard a lot about it from my girlfriend who is a much greater fan of the series than I. An incentive finally came to watch the episode here, where it's all practically singing and dancing with all of the usual characters coming into the swing of things (by way of a spell of course), as the episode is now presented under the 'Buffy Sing-along' in certain theaters across the country (if it's not near your city or town, it might be soon, it just left NYC). I was expecting a jovial enough time with the audience participation, but nothing great. Needless to say I'm writing this comment mostly to covey how immensely entertained I was by the whole shebang.

Joss Whedon, who wrote and directed the episode, alongside his musical collaborators, really 'get' how to make the wonderful contrivances of musicals fitting for their own types in their show, and it's a feast for fans and still provides many great, up-beat, catchy, and funny songs all the way through. It also helps that the cast in this case is a knockout more often than not, even with Sarah Michelle Gellar not as the greatest singer out there (she had to take singing lessons to prepare for the episode apparently). It would be hard for me to explain to much to such casual watchers of the show like myself, but if you know all the continuity of season five and six then it's no problem. Basically, a spell is cast somehow, and everyone breaks into songs and sometimes dances too, and moreover it brings out the emotions that the characters have been hiding (i.e. Spike's love for Buffy, Giles reluctance with certain matters, Willow's own love- which is rather graphic when you put the lyrics into total context), and also conjures up some demons who have a leader who will make the spell-caster a Queen. The revelation of this, of course, is just another of the jokes.

While I'm sure I would've still had a good time watching the episode at home, it's recommended to try and catch the live show just as much. The episode gives so much for an audience to chew up and have fun with, especially late at night ala Rocky Horror, and it makes for grand silliness even when things seem darkest in the storyline and psychologies. The music, meanwhile, is keen and tight and rhythmic without being corny (I loved the Spike song, and even the power ballad from Giles was fun, plus the demon song & dance), and the lyrics strike up enough wit for three episodes. The dialog from Whedon is also top notch (i.e. "So, Dawn's in trouble... must be Tuesday"). And the whole time, when I wasn't laughing from the totally unexpected bits and complete adherence to cheerful whimsy, I had a big stupid smile on my face (if you see it live, by the way, feel more than free to sing-along with everyone else). While I wouldn't discredit that it has merit alongside the rest of the season, as a stand-alone episode it takes the cake, and even could compare with the likes of Singin in the Rain as a truly happiest musical time.

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