I don't know why, but I feel like Jane Espenson was often saddled with some of the crummier story lines that just didn't give her a lot to do. When given something a bit meatier (so to speak) or more integral to the overarching story, she's capable of greatness--see season three's Earshot, season four's Pangs, or season five's Intervention (possibly my favorite episode of that season--yes, even above The Body or The Gift). But too often she's thrown the "in-between" episodes, the valley where you get stuck in a season with 22 episode while waiting for the plot to pick up. Maybe she preferred it that way. Vince Gilligan had the same preference on The X-Files, not caring to get involved in the show's mythology, and in some ways "Doublemeat Palace" actually feels a bit like an X-Files episode.
I don't know if there's much to say about Doublemeat Palace that hasn't been said already. Its satire of the fast food industry is pretty on-the-nose. It's both funny and depressing. There are some colorful characters, and Buffy is more cheerful in the face of corporate ennui than I would have expected. Maybe because the grotesque mystery she encounters on the job activates her Slayer sense and gives her a sense of purpose beyond the dead-eyed stare into the deep fryer that her other co-workers have to look forward to. Anybody who's worked customer service can relate to the vacant enthusiasm of middle management. And as another reviewer noted, Buffy looks pretty cute in the Doublemeat Palace uniform.
One thing the show has yet to address is why nobody seriously considers charging for the services Buffy performs as Slayer. Anya brought it up earlier in the season and everybody acted as though she was morally corrupt for suggesting such a thing. I can understand why Dawn would feel that way--teenagers have no sense of financial reality and thus look down on anyone who does--but why didn't a more level-headed Scooby point out that police officers and firefighters get paid for their work and nobody looks down on them for it? Heck, Cordelia made a pretty solid argument for accepting payment from clients way back in season 1 of Angel. The writers of Buffy choose to take an avenue of complete ignorance on the subject and, by bypassing it completely, make the whole financial quandary that leads to Buffy's employment in a part-time minimum-wage job seem silly and wholly unnecessary. Then again, for all its virtues, BtVS has often handled season-long story arcs with something less than grace, so I guess it's not all that surprising given the context of the previous seasons.
I don't know if there's much to say about Doublemeat Palace that hasn't been said already. Its satire of the fast food industry is pretty on-the-nose. It's both funny and depressing. There are some colorful characters, and Buffy is more cheerful in the face of corporate ennui than I would have expected. Maybe because the grotesque mystery she encounters on the job activates her Slayer sense and gives her a sense of purpose beyond the dead-eyed stare into the deep fryer that her other co-workers have to look forward to. Anybody who's worked customer service can relate to the vacant enthusiasm of middle management. And as another reviewer noted, Buffy looks pretty cute in the Doublemeat Palace uniform.
One thing the show has yet to address is why nobody seriously considers charging for the services Buffy performs as Slayer. Anya brought it up earlier in the season and everybody acted as though she was morally corrupt for suggesting such a thing. I can understand why Dawn would feel that way--teenagers have no sense of financial reality and thus look down on anyone who does--but why didn't a more level-headed Scooby point out that police officers and firefighters get paid for their work and nobody looks down on them for it? Heck, Cordelia made a pretty solid argument for accepting payment from clients way back in season 1 of Angel. The writers of Buffy choose to take an avenue of complete ignorance on the subject and, by bypassing it completely, make the whole financial quandary that leads to Buffy's employment in a part-time minimum-wage job seem silly and wholly unnecessary. Then again, for all its virtues, BtVS has often handled season-long story arcs with something less than grace, so I guess it's not all that surprising given the context of the previous seasons.