"Buffy the Vampire Slayer" Conversations with Dead People (2002)

User Rating:

8.6/10   

Director:

Nick Marck

Writers:

Joss Whedon (creator)
Jane Espenson (written by) ...

TV Series:

"Buffy the Vampire Slayer" (1997)

Original Air Date:

12 November 2002 (Season 7, Episode 7)

Genre:

Action | Drama | Fantasy

Plot:

Buffy has a conversation with a vampire who once went to Sunnydale High, and learns something interesting about Spike...

Plot Keywords:

Real Time | Heroine | Female Protagonist | Sister Sister Relationship | Lesbian

Cast

Sarah Michelle Gellar	...	Buffy Summers
Nicholas Brendon	...	Xander Harris (credit only)
Emma Caulfield	...	Anya (credit only)
Michelle Trachtenberg	...	Dawn Summers
James Marsters	...	Spike
Alyson Hannigan	...	Willow Rosenberg
Danny Strong	...	Jonathan Levinson
Adam Busch	...	Warren Meers
Tom Lenk	...	Andrew Wells
Jonathan M. Woodward	...	Holden Webster
Azura Skye	...	Cassie Newton
Kristine Sutherland	...	Joyce Summers
Stacey Scowley	...	Young Woman

Runtime:

42 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Dolby

Certification:

USA:TV-PG

Company:

Mutant Enemy

Trivia:

Joss Whedon and Marti Noxon are both uncredited writers on this episode, each writer writing one of the four different segments. The Dawn/Joyce segments were written by Jane Espenson, the Andrew, Johnathan and Warren segments were Drew Goddard's, Marti Noxon wrote the Willow/Cassie scenes, and Joss Whedon wrote Buffy's conversation with Holden.

Goofs:

Plot holes: The First is supposed to be non-corporeal, yet when it visits Willow in the form of Cassie, it touches books and the table, and sits down in a chair.

Quotes:

[to a vampire she went to school with]
Buffy: Yeah, what I really need is emotional therapy from the evil dead.

Movie Connections:

References "True Confessions" (1985)

The Last of the Greats

*** This comment may contain spoilers ***

The notion of User Comments for individual episodes of television series' seems at the outset an elaborate and nerdily elitist exercise. Of all the T.V. shows that I love, I'm pretty convinced "Buffy" is the only one this function of IMDb is really useful for. Insofar as you have to already be an avid follower of the show to appreciate them, "Buffy the Vampire Slayer" did harbor some of the most amazing and unforgettable singular works of serial narrative ever put on the small screen. It had, in my opinion, more truly great episodes than any other television series of its time (with the possible exception of "The X Files"). "Conversations With Dead People" was the last of them.

The episode is perhaps the most strongly themed of the entire show - while the motifs of loneliness and disconnection had been prominent in the series since the beginning of its sixth season, "Conversations With Dead People" is the only single episode to really commit itself thoroughly to these ideas and their bearings on 'our beloved characters'. From structure and form (five separate stories involving five separate people who never intersect or move from their isolated settings) to the focus of the dialog and nature of the narrative events, the episode concerns itself *only* with the very secret, deep and personal feelings of each of the characters, and the varying degrees of lonely pain that they experience. It's quite a daring and firm shift from action to meditation, and although Dawn's story involving a poltergeist preventing her from communicating with her dead mother has multitudes of violence, loud noises and explosions, the emotional need driving her character through the mess speaks for itself.

These defining, formal peculiarities aside, "Conversations With Dead People" also makes my top ten on account of two quite astounding performances: Alyson Hannigan as series regular Willow turns out one of her most amazing crying sequences, as she mourns openly to a ghost medium about the sudden death of her lover from the previous season. Deemed by fellow Buffy actor Tom Lenk as "one of the best criers in the biz", Hannigan makes good on that quote in this episode, creating some of the most real and heart wrenching emotion seen on commercial T.V.

More surprising though, is the thoroughly compelling performance of one-time guest Johnathon Woodward, as Buffy's undead, Freudian confidante and old, unremembered high school companion. Woodward went on to have cameo spots in each of Joss Whedon's television ventures, but he works enough magic here for all three: his comic balancing act between deep, three-dimensional character and mere physical opponent for Buffy's obligatory fights works splendidly with its own good-humoured ridicule.

Moreover, his remarkable psychoanalytical insights into Buffy, while making no sense by the principles of Vampirism that have been established in the show (Woodward's vampire seems, like James Marsters' Spike, to be some kind of miraculous deviation from the Vampiric model that classically has no human emotion), are dead on and as poignant as any comments made by any character in the history of the series. His compassionate yet matter-of-fact summation of her problem stands as one of my favourite lines of the show: "It all comes down to you feeling alone. But Buffy, everybody feels alone... Everybody *is*. Until they die." His and Buffy's incredibly short-lived relationship establishes such a strong bond so succinctly that for the first time, there actually is pathos in a no-name vampire's death. It's an inarguably bizarre usage of the standard Buffy-kills-a-newborn-demon-in-a-graveyard shtick, but also an incredibly successful one.

Although very clearly *meant* to be a different and radical take on the "Buffy" episode formula, "Conversations With Dead People" benefits beautifully from its very late status in the series by existing against all the expectations built before it. While there had been episodes earlier on in the show that had stood as pretty universally innovative television (that is, unusual for TV) this final-season oddball was able, due to the strength of the series' innovation up until that point, to get by on simply being unusual *for a Buffy episode*. It is perhaps more thematically impenetrable than most, but for the fans in the know, it's a goldmine.