Beasts: Season 1, Episode 4

Baby (6 Nov. 1976)

TV Episode  -   -  Horror
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Ratings: 7.2/10 from 41 users  
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A young couple move to the countryside and discover a strange mummified animal in the wall of their cottage. The wife increasingly feels that she and her unborn child are in danger.


(as John Nelson)


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Episode complete credited cast:
Jane Wymark ...
Jo Gilkes
Peter Gilkes
Dick Pummery
Mark Dignam ...
Arthur Grace
Norman Jones ...
Stan Biddick
Shelagh Fraser ...
Dorothy Pummery


A young couple move to the countryside and discover a strange mummified animal in the wall of their cottage. The wife increasingly feels that she and her unborn child are in danger.

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6 November 1976 (UK)  »

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User Reviews

BEASTS – Episode 1: BABY (TV) (John Nelson Burton, 1976) ***
19 October 2008 | by (Naxxar, Malta) – See all my reviews

Having just been disappointed by the Nigel Kneale-scripted THE WOMAN IN BLACK (1989), I was glad to get to this vintage TV series which finds him treading more familiar territory – at least, judging by this first episode; even so, some eerie touches here – such as a cradle and, later, a chair rocking of their own accord – wouldn't be out-of-place in a traditional ghost story!

As in QUATERMASS AND THE PIT (a 1958 TV series that was eventually successfully adapted for the cinema nine years later), which remains Kneale's best offering, it all begins with the discovery (during excavation work in a country-house) of the body of a mysterious animal; as it happens, the proprietor is a young vet (Simon MacCorkindale) and, naturally, he would like to analyze it – with the help of a conceited and patronizing elder colleague (T.P. McKenna). However, his pregnant wife (Jane Wymark) has apprehensions about the thing – which seems to have been buried, and preserved all these years, in an unborn state – especially after the workers mention a strange case of animal sterility in the region!

Though a bit talky – particularly with the introduction of McKenna's eccentric wife (Shelagh Fraser) – and the low-budget shows in some obviously faked cat meowing(!), as with most of Kneale's writing, it's both intelligent and gripping, managing a subtle aura of unease throughout. Most notable in this respect are the shot of the forest suddenly getting overcast (recalling the conjured storm in NIGHT OF THE DEMON [1957]) and, of course, the weird subliminal look of the creature itself (I was actually reminded here of the similarly bizarre yet subtle monster-in-the-bedroom scene towards the end of THE SHINING [1980]).

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