Batman: The Animated Series: Season 1, Episode 59

Read My Lips (10 May 1993)

TV Episode  -   -  Animation | Action | Adventure
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Batman must stop an insane ventriloquist whose alternate criminal personality dominates him through his gangster dummy.



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Episode cast overview:
Batman / Bruce Wayne (voice)
Rhino (voice)
Mugsy / Manager (voice)
Ratso (voice)


Batman must stop an insane ventriloquist whose alternate criminal personality dominates him through his gangster dummy.

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TV-PG | See all certifications »


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Release Date:

10 May 1993 (USA)  »

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(85 episodes)

Sound Mix:


Aspect Ratio:

1.33 : 1
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Did You Know?


The New Batman-Superman Adventures - Theme from the Animated Series
Written by Shirley Walker
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User Reviews

Scarred For Life

"Read My Lips" is the "Batman: The Animated Series" debut of Arnold Wesker (a.k.a The Ventriloquist). The Ventriloquist is a soft-spoken and meek elderly fellow. He appears harmless on the surface, but deep down inside of him is a vicious criminal mastermind. Through a puppet called Scarface, this side of him emerges. On paper, that sounds like a ridiculous concept for a villain, but as "Batman: The Animated Series" demonstrated many times before (Maxie Zeus and The Clock King are two other strong examples), with the right animation, writing, acting, direction, and scoring, even an absurd villain and story can be elevated to greatness.

Director Boyd Kirkland was at the top of his game in this episode. From the first scene, every aspect of it just works and feels very right. The use of space, darkness, and perspective is masterful. Every character is rendered with painstaking attention to detail in their body language and appearance. For example, the episode has one of the best instances of Batman sneaking into Commissioner Gordon's office through an open window. His shadowy figure very subtly slips in, and when Batman calmly walks towards Gordon, the Commissioner's startled reaction is one of the episode's biggest laughs. Later, Scarface's massive henchman named Rhino is drawn in angles that make him always tower over everyone else. Scarface himself is cleverly staged as he's kept in darkness and seen from behind at the beginning of the episode, to create the illusion that he's just a human gangster.

This tactic builds to the unforgettable moment when The Ventriloquist brings Scarface in full view of Batman for the first time. Batman's "WHAT THE HELL?" facial expression as he learns that the gang is expected to think of Scarface as their superior and The Ventriloquist as "just hired help" is the episode's funniest sight gag. The roles that these characters play in the gang is one of the most delightful ironies in an episode with many to savor not just from appearances, but also from words and meaning. For example, Rhino (who is as dumb as he is strong) takes an insult from his boss as a compliment. When Scarface exclaims, "you're too stupid to be a traitor", he responds, "thanks, boss!" with only relief and gratitude. When The Ventriloquist tries to offer an opinion or correction, Scarface barks, "don't put words in my mouth!" and "shut up! I want your opinion, dummy, I'll pull your string".

The ironies in this episode's dialog are consistently amusing and we have script writer Joe R. Lansdale to thank for them. Like many of the talented actors and actresses this series secured as guest stars during its run, Lansdale should be regarded as one of its greatest coups. Lansdale is a veteran genre writer who also wrote another standout episode called "Perchance to Dream", the superb Western riff "Showdown", and the cult classic film "Bubba Ho-Tep". He has a unique pulpy/twangy writing style that is ideal for a character like Scarface. His dialog is delivered with pitch perfect conviction by George Dzundza, who plays both The Ventriloquist and Scarface as seamlessly as Kevin Conroy playing Batman and Bruce Wayne or Richard Moll playing Harvey Dent and Two-Face.

I don't think any other episode in the series so deftly balances comedy and drama. The episode is all about building suspense towards confrontations and revelations. Most of its surprises are both funny and twisted, but the final one is pure horror. Composer Shirley Walker played a key role in balancing the episode's tones with one of her most catchy, inventive, and memorable scores. It is breezy and wonderfully evocative of early 20th century gangsters for much of the episode, but turns on a dime into something ominous whenever necessary.

The score helps the tone shift from lighter to darker without ever feeling jarring, especially at the end, when a fun fight scene set to her peppy jazz theme leads to the episode's final surprise. The Ventriloquist's dependence on his condescending second personality suddenly becomes more tragic than funny, and the episode ends on a note of immensely disturbing creepiness. Up to that point, "Read My Lips" has been funny, suspenseful, and action-packed. With the astonishing close-up that concludes it, the episode paints a truly haunting portrait of one deeply psychologically scarred individual and proves itself worthy of being called a masterpiece.

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