Joss Whedon (creator) &
David Greenwalt (creator) ...
(more)
15 January 2003 (Season 4, Episode 8)
After The Beast arrives at Wolfram & Hart, Angel and the gang must break in to rescue Connor from another... more | add synopsis
More stuff with the Beast more (2 total)
| David Boreanaz | ... | Angel | |
| Charisma Carpenter | ... | Cordelia Chase | |
| J. August Richards | ... | Charles Gunn | |
| Amy Acker | ... | Winifred 'Fred' Burkle | |
| Vincent Kartheiser | ... | Connor | |
| Alexis Denisof | ... | Wesley Wyndam-Pryce | |
| Andy Hallett | ... | Lorne | |
| Stephanie Romanov | ... | Lilah Morgan | |
| Daniel Dae Kim | ... | Gavin Park | |
| Vladimir Kulich | ... | The Beast | |
| Kay Panabaker | ... | The Girl |
| Episode Crew |
Directed by | |||
| Skip Schoolnik | |||
Writing credits | ||
| Joss Whedon | (creator) & | |
| David Greenwalt | (creator) | |
| Jeffrey Bell | (written by) | |
Produced by | |||
| Jeffrey Bell | .... | co-executive producer | |
| Gail Berman | .... | executive producer | |
| Steven S. DeKnight | .... | co-producer | |
| David Fury | .... | consulting producer | |
| Sandy Gallin | .... | executive producer | |
| David Greenwalt | .... | consulting producer | |
| Fran Rubel Kuzui | .... | executive producer | |
| Kaz Kuzui | .... | executive producer | |
| Kelly A. Manners | .... | producer | |
| Tim Minear | .... | consulting producer | |
| Joss Whedon | .... | executive producer | |
Original Music by | |||
| Robert J. Kral | |||
Cinematography by | |||
| Ross Berryman | (director of photography) | ||
Film Editing by | |||
| Mark S. Westmore | |||
Casting by | |||
| Barbara Stordahl | |||
| Angela Terry | |||
Costume Design by | |||
| Shawna Trpcic | |||
Makeup Department | |||
| Christopher Burdett | .... | special makeup effects designer | |
| Anna Fleiner | .... | makeup artist | |
| Robert Hall | .... | special makeup designer: Almost Human, Inc | |
| Deborah Holmes Dobson | .... | hair stylist | |
| Elvis Jones | .... | special makeup effects artist: Almost Human, Inc | |
Production Management | |||
| David M. Burns | .... | production supervisor | |
| Christopher J. Ray | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Danny Green | .... | second assistant director: second unit | |
| Rich Sickler | .... | first assistant director | |
| Robyn Linn Willey | .... | second second assistant director | |
Art Department | |||
| Robert W. Anderson | .... | property master | |
| Greg Knapp | .... | construction medic | |
Sound Department | |||
| Thierry J. Couturier | .... | supervising sound editor | |
| Mike Marchain | .... | adr editor | |
| Kevin McCullough | .... | sound editor | |
Special Effects by | |||
| Michael Gaspar | .... | special effects coordinator | |
Visual Effects by | |||
| Rocco Passionino | .... | visual effects supervisor | |
| Carl Seibert | .... | visual effects producer | |
Stunts | |||
| Andy Dylan | .... | stunts | |
| Michael Gaines | .... | stunt double | |
| Mike Massa | .... | stunt coordinator (stunt double) | |
| Tyler Vogt | .... | stunts | |
| Scott Workman | .... | stunts | |
Camera and Electrical Department | |||
| Jeff Noble | .... | electrician | |
| Ray Ortega | .... | electrician | |
| Carter Smith | .... | assistant camera | |
| Carter Smith | .... | assistant camera | |
| Andre Sobczak | .... | key grip | |
Costume and Wardrobe Department | |||
| Carrie Grace | .... | costumer | |
Music Department | |||
| Tim Isle | .... | music editor | |
| Douglas Romayne | .... | composer: additional music (uncredited) | |
Other crew | |||
| Stacey Barber | .... | payroll accountant | |
| Kimberley Barnhart | .... | assistant production coordinator | |
| Elizabeth Craft | .... | story editor | |
| Sarah Fain | .... | story editor | |
| Allan B. Holt | .... | creature effects technician | |
| Petra Jorgensen | .... | script supervisor | |
| Matthew S. Partney | .... | assistant: Kelly A. Manners | |
| Mere Smith | .... | executive story editor | |
| Maggi Solso | .... | assistant location manager | |
| Gary Watt | .... | location manager | |
| Andrea Gruber | .... | publicist (uncredited) | |
| Stacey Levin | .... | head publicist (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| David Greenwalt | creator | |
| Joss Whedon | creator | |
Produced by | |||
| James A. Contner | .... | co-producer (only episodes he directed since 1999) | |
Casting by | |||
| Chadwick Cohn | |||
Makeup Department | |||
| Mark Alfrey | .... | sculptor: Almost Human | |
| Barney Burman | .... | makeup artist | |
| Jason Collins | .... | supervisor: Almost Human, Inc. | |
| Ken Culver | .... | foam technician | |
| Roxy D'Alonzo | .... | special makeup effects artist | |
| Glenn Hetrick | .... | special makeup effects artist | |
| Dayne Johnson | .... | makeup supervisor (1997-2004) | |
| Matthew Jorgensen | .... | sculptor/painter: Tech Optic Nerve | |
| Martin Kopulsky | .... | hair stylist | |
| Mark Landon | .... | additional makeup artist | |
| Jeff Lewis | .... | makeup artist | |
| Veronica Lorenz | .... | department head assistant | |
| Michael Marino | .... | sculptor: optic nerve | |
| Debbie Mezera | .... | office manager: Almost Human Inc (last two seasons) | |
| Anthony Miner | .... | key hair stylist | |
| Larry Odien | .... | special makeup effects artist | |
| James Ojala | .... | special makeup effects technician | |
| Gary J. Perticone | .... | assistant hair department head (season 3) | |
| Gloria Ponce | .... | head hair stylist | |
| Brian Sipe | .... | special makeup effects artist | |
| Robin Slater | .... | makeup artist | |
| Brian Wade | .... | special makeup effects artist | |
| Lynda Kyle Walker | .... | assistant department head hair stylist (2002) | |
| Steven E. Anderson | .... | makeup artist (uncredited) | |
| Gabriel De Cunto | .... | special makeup effects artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Beryl Cohen | .... | additional second second assistant director | |
| Vernon Davidson | .... | dga trainee (2002) | |
| Peter Dress | .... | second assistant director (2000-2001) | |
| Gabriel Echeverria | .... | dga trainee | |
| Tony Eng | .... | second assistant director: second unit | |
| Kelly A. Manners | .... | second unit director (1999-) | |
| Michael T. McNerney | .... | dga trainee | |
| Michelene Mundo | .... | second assistant director | |
| Carla R. Ponzio | .... | second assistant director: second unit (season 1, 2) | |
| Spiro Razatos | .... | second unit director | |
| Brian 'Coach' Rosett | .... | additional second assistant director | |
| Brian 'Coach' Rosett | .... | second assistant director: second unit | |
| Carrie Specht | .... | additional second assistant director (season 4) | |
| Carrie Specht | .... | second assistant director (season 4) | |
| Carrie Specht | .... | second second assistant director (season 4) | |
| Jodie Thomas | .... | dga trainee | |
Art Department | |||
| Joey Genitempo | .... | set painter (2002-2003) | |
| Todd McKibben | .... | constructor | |
| Todd McKibben | .... | property maker gang boss | |
| Joe Pew | .... | art department production assistant | |
| Kimberley Rosenberg | .... | set dresser | |
| Ed Servaites | .... | on-set dresser | |
| Randy Severino | .... | set dresser | |
| Alex Thompson | .... | painter | |
| Edwin Kinji Ushiro | .... | storyboard artist | |
| Thomas R. Wagner | .... | on-set property master | |
| Thomas R. Wagner | .... | property master | |
| Edward Wouters | .... | general construction foreman | |
| Andrew Marc Zerebko | .... | constructor | |
| Andrew Marc Zerebko | .... | property maker gang boss | |
Sound Department | |||
| Ken Ahern | .... | utility sound: second unit | |
| Gregg Barbanell | .... | foley artist | |
| David Barbee | .... | sound effects editor (1999-2004) | |
| Josh Bower | .... | cable person | |
| Susan Cahill | .... | adr editor | |
| Susan Cahill | .... | dialogue editor | |
| Jesse K-D. Dodd | .... | foley mixer | |
| Michael Florimbi | .... | sound mixer | |
| Kamal Humphrey | .... | utility sound technician | |
| Brian D. Lucas | .... | sound recordist | |
| Michael Miller | .... | adr mixer | |
| Steven Morrow | .... | production sound mixer: second unit | |
| Steven Morrow | .... | sound mixer: second unit | |
| Chris Quilty | .... | boom operator: second unit | |
| Christopher B. Reeves | .... | adr editor | |
| Christopher B. Reeves | .... | dialogue editor | |
| Raymond E. Spiess III | .... | adr editor | |
| Raymond E. Spiess III | .... | dialogue editor | |
| Tom Stasinis | .... | sound mixer: second unit | |
Special Effects by | |||
| David J. Barker | .... | special effects assistant: Las Vegas pyro unit | |
| Dan Crawley | .... | special effects makeup | |
| William Dawson | .... | special effects foreman | |
| Steve Fink | .... | special effects makeup | |
| Nathan Franson | .... | special effects makeup | |
| Matthew Jorgensen | .... | special effects makeup | |
| Michael Kay | .... | special effects technician | |
| Rodd Matsui | .... | special effects makeup | |
| Chris Nelson | .... | special effects foreman | |
| Michael O'Brien | .... | special effects makeup: Optic Nerve (2001) | |
| Brendon O'Dell | .... | special effects technician | |
| Richard Redlefsen | .... | special effects makeup: Almost Human | |
| Martin Simon | .... | special effects | |
| Chris Tappy | .... | special effects assistant: Las Vegas | |
| Gary Yee | .... | special effects makeup | |
Visual Effects by | |||
| Rick Baumgartner | .... | visual effects producer (seasons 2 and 3) | |
| Kelly Bechtle-Woods | .... | digital artist: 3D animator | |
| Raoul Bolognini | .... | visual effects coordinator | |
| Stephen Brand | .... | digital effects artist | |
| Brent Burpee | .... | systems engineer | |
| Rick Cortes | .... | digital compositor | |
| Jarrod Davis | .... | digital artist | |
| John Decker | .... | digital artist | |
| Leif Einarsson | .... | digital effects artist | |
| Eyal Erez | .... | senior effects animator | |
| Fish Essenfeld | .... | senior compositor | |
| Randy Goux | .... | visual effects | |
| Seth Tyler Hall | .... | visual effects | |
| Adam Howard | .... | digital compositor: 2001 | |
| Wensen Ho | .... | digital compositor: Zoic Studios | |
| Michael D. Leone | .... | CG supervisor | |
| Mark Lipsmeyer | .... | digital artist: Zoic Studios | |
| Sophia S. Longoria | .... | visual effects producer | |
| Andrew Orloff | .... | CG supervisor | |
| Kevin Quattro | .... | digital artist | |
| Deb Santosa | .... | visual effects artist | |
| Lee Stringer | .... | digital artist | |
| Bryan Whitaker | .... | digital effects artist | |
| Bob Williamson | .... | digital compositor | |
| Nina Yoon | .... | paint/roto artist | |
| Kristen Branan | .... | head of production: Zoic studios (uncredited) | |
| Scott Ramsey | .... | visual effects producer (uncredited) | |
Casting Department | |||
| Carissa Chapman | .... | casting assistant | |
| Lee A. Miles | .... | extras casting | |
| Dana Olson | .... | extras casting | |
| Christine Yammine | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mari Grimaud | .... | costume supervisor | |
| Renee Levy Hazelton | .... | set costumer | |
| Billy Ray McKenna | .... | costume supervisor | |
| Heather Sladinski | .... | set costumer | |
| Julie Yang | .... | costume supervisor | |
Music Department | |||
| Zoran Borisavljevic | .... | composer: additional music | |
| Alex Kharlamov | .... | composer: additional music | |
| Marina Kotsios | .... | composer: additional music | |
Transportation Department | |||
| Alex Connaughton | .... | driver: honeywagon | |
| J. Armin Garza II | .... | driver: camera car | |
| Thomas A. Gordon | .... | transportation coordinator (as Tom Gordon) | |
| Buddy Hunter | .... | driver | |
| Beau Reed | .... | driver | |
Cordelia Chase: This thing didn't emerge from a portal so much as pothole. more
References Dead Man Walking (1995) more
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Action section |
| IMDb USA section | Add this title to MyMovies |
*** This comment may contain spoilers ***
This episode sets up a lot of stuff for season five. Especially, the temporary destruction of Wolfram & Hart, the zombie security system, and the death of the little girl from the White Room. I don't love this episode, but it has some fun parts. If you're watching the season on DVD, you could probably skip it and not miss much plot-wise. But, it does have some real nice Lilah and Wes stuff, so I recommend that you see it if you get a chance.
Basically, this episode revolves around that Beast guy. It turns out that he has some connection to Conner. (Honestly, I'm not sure what that connection IS exactly, but I don't really care either. I sort of breeze out when Conner's whining about his problems.) Anyway, Conner is hurt when Cordy seems to regret sleeping with him. Thinking that Cordy's feelings might have something to do with her blaming him for the Beast (or whatever), he goes to Wolfram and Hart for some answers about his origins. In the meantime, Wes has broken up with Lilah, saying that they have to choose sides and he must be a White Hat. Lilah's in a bad mood. And it gets even worse when the Beast attacks Wolfram & Hart. Wes gets Lilah out, but Conner is trapped inside.
Wes goes to Angel to report that Conner is in danger. Angel is still furious about seeing Cordy and Conner together. When Wesley arrives, Fred is impressed that he had an inside man at Wolfram & Hart. Gunn is still angry at Wes and the two of the bicker. Still, Team Angel heads over to Wolfram & Hart to get Conner. All the lawyers are dead and turning into zombies. Team Angel and Conner wind up in the White Room and see the Beast killing the evil Little Girl. She uses the last of her strength to send them back to the Hyperion but not before telling them that the "Answer is among you." At the hotel, Angel tells Cordy that he knows that she slept with Conner and that he wants them both out of the Hyperion.
There are some good parts to this episode. I think that this crisis really puts Wes back on Team Angel. He's helping them full time again and it's good to see back at the Hyperion where he belongs. Plus, I love Wes and Lilah's break up scene. With the apocalypse and all, Wesley's saying that it's time to pick sides. Lilah chooses evil, but he has to go with good. Wes has his own moral code and he always picks the side that he believes is right. Lilah is furious about getting dumped. Her comment about the world not being black and white is one of the most profound statements of the series. Once you add some black to the white you get grey and no matter how much white you add after that, you still only have grey. I mean wow! I love that. It's saying that sometimes you do things or see things that you can't come back from. It's like a preview of the moral dilemmas that Team Angel will face in season five, from someone who's worked for Wolfram & Hart and knows what she's talking about. Also, I like Lorne's double take when Team Angel just appears in the lobby of the Hyperion. He squints at them, then at his sea-breeze and it just makes me laugh.
On the down side, I'm sad to see Gavin go. He was so evil and sleazy and --Okay, I'm shallow-- good looking. Also, given the revelations about Cordy later in the season, why is she so upset in this episode? She's saying that sex with Conner was just a one time thing and looks upset to find herself in bed with him. And when Angel tells Cordy that he knows about her and Conner sleeping together, Cordy gets this horrified looks and whispers, "Oh, God?" Why would she do that? Is she just scared that Angel might do something to upset her plan or what?
My favorite part of the episode: Wes going into Wolfram & Hart to save Lilah. The two of them have a really interesting relationship and I think that they have some genuine feelings for each other underneath their insults. Wes risking his life to rescue her is just a sweet indication of how much he cares. Sadly, they don't admit the depth of their feelings until it's too late.