Recently deceased mystery writer Alexander Penn Arlington gets permission from the recording angel to relive his last day on earth, so that he can find out who murdered him.


(as Francis Cockrell)


(teleplay) (as Francis Cockrell), (teleplay) (as Marian Cockrell) | 1 more credit »

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Episode complete credited cast:
Alfred Hitchcock - Host
Alexander Penn Arlington
Carol Arlington
Wally Benson
Wilfred - the Recording Angel
Bill Slack ...
Rudy Robles ...


Recently deceased mystery writer Alexander Arlington appears before the recording angel in heaven. All goes well until he learns that his death was a murder, rather than a heart attack, as he had imagined. He receives permission from the angel to live his last day over again, so that he can find out who killed him. Back in his home, he relives a bitter fight with his assistant, and is certain that the assistant is the murderer. But when his nephew makes some threatening statements, and then he catches a glimpse of his wife warmly kissing a male friend, he starts to realize that almost everyone he knows has a motive for killing him. Written by Snow Leopard

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Release Date:

25 March 1956 (USA)  »

Company Credits

Production Co:

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Technical Specs

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.33 : 1
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Did You Know?


During Mr. Hitchcock's closing monologue, the name Vincent appears to be dubbed in. See more »


Alfred Hitchcock - Host: Good evening, fellow necromaniacs. I'm glad so many of you could come. I should explain that the word has nothing to do with necking. I'm awfully sorry. I haven't time to explain it now. You'll just have to look it up in the dictionary.
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User Reviews

They Can't Mess With Time
15 October 2008 | by (United States) – See all my reviews

There have been lots of stories of people who are allowed to come back for one more day after their deaths. This one is pretty tame. A mystery writer who has been murdered begs the admitting angel to let him know who killed him. They agree that he will go back to the time before his death and try to figure it out, hence the title. This then gets a bit dull. Like most mystery stories, a group of suspects soon materializes. They all have motives. He is such a pompous ass that they may be doing us a favor. Anyway, we know that when all is said and done there is going to be a bit of disappointment. The acting is OK. It has that real fifties feel to it. As it turns out, most of the suspects would probably have allied themselves with this man if he had just been a bit kinder. It's a decent entry into the canon, but didn't grab me that much.

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