New York, 1910. Bookkeeper Al Birch expects the arrival of his sweetheart Edwina from 20 years ago. When she arrives, she is still every bit the lady. But she doesn't come alone.

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Cast

Episode complete credited cast:
...
Himself - Host
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Edwina Freel
...
Albert Birch
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Mac McGurk
...
Mrs. Foster the landlady
...
Marie McGurk
Penny Santon ...
Italian Tenant
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Storyline

New York, 1910. In a poor neighborhood, a heat wave is making everyone weary and truculent. Meanwhile, Mr. Birch is renting a basement flat for his fiancée, Edwina. She was his sweetheart twenty years ago; now, thanks to a newspaper advertisement she placed, the two have found each other again. He wants everything to be perfect for her arrival, which means, among other things, a dozen roses. She loved roses. It strikes him as a bad sign when he breaks the vase the roses were to go in. The first real sign of trouble is seeing Edwina herself. She's still a beautiful woman and every bit the lady she always was. But she doesn't come alone. She arrives with a bundle in a baby blanket. This first shock gives way to more unpleasant surprises and mysterious behavior from the woman he hopes, at long last, to marry. Written by J. Spurlin

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4 November 1956 (USA)  »

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(RCA Sound Recording)

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1.33 : 1
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Trivia

Jessica Tandy appears just two episodes after her husband, Hume Cronyn. See more »

Quotes

[first lines]
Mrs. Foster: So, well, then he says he wants new dishes in the cupboards. "New dishes," I says. "Mr. Birch, look, I don't put new dishes in my furnished flats." But no, he insists, "She's got to have new dishes when she moves in."
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User Reviews

Colorful Characters Amidst a Stretch
16 March 2016 | by (Claremont,USA) – See all my reviews

Except for Broadway star Tandy, it's a great line-up of supporting players from that TV period. For example, catch the colorful two-some (Mathews & Corby) from lower-class heck. I guess they won't be dining with the queen any time soon. Then there's lanky, hawk-nosed Mary Wickes as a Gen. Patton landlady not to fool with. And what's the deal with middle-aged Tandy and Harris. They're getting back together after years apart. Seems like neither gave up a longing for the other. So why then did they part. But now she's got her dead sister's baby, Toby, to care for. Yet Harris doesn't mind, even if no one gets a chance to see the kid kept hidden in its blanket bundle. Besides, Tandy flies off the handle at unexpected times, leaving poor Harris confused and forlorn.

Of course, suspense builds around the unseen Toby and the baby's unpredictable step-mom. But it's really a human-interest tale embodied by Harris's affecting turn. Good to see a story revolve around a homely guy's feelings for a change, especially in the glamour obsessed 1950's. Can't say much for the payoff, however. It's not very plausible if you think about it. Considering the 'rose' symbolism that's gone before, maybe it's supposed to be symbolic of bad luck. Anyhow, the entry's a good chance to catch unsung Hollywood at its colorful and affecting best.


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