When Lyle Endicott is fired from his job at an art museum, he comes up with a plan to take advantage of a trusting invalid whom he befriended at the museum.

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Cast

Episode complete credited cast:
...
Himself - Host
Patricia Collinge ...
Martha Cheney
...
...
Pamela Waring
...
Herbert Koether
Kathryn Card ...
Bella
...
Ruby Boyenton
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Storyline

Lyle Endicott is a smooth manipulator, but he's not smooth enough to save his job at a Manhattan art museum. And his talent doesn't seem to have gotten him anywhere in life. "Why not just once can something go right for me?" he wonders. Luck finally seems to shine on him when he overhears his boss, Mr. Koether, talking to one of the museum's patrons, Martha Cheney, an invalid who uses a wheelchair. She and Koether call each other by their first names, but their friendship isn't enough to persuade Miss Cheney to sell him the famous Cheney vase. Lyle realizes the heirloom is worth a lot of money -- money that can be his if he manages to insinuate himself into the old woman's life. Written by J. Spurlin

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25 December 1955 (USA)  »

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(RCA Sound Recording)

Aspect Ratio:

1.33 : 1
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Quotes

[first lines]
Homer Koether: I don't intend to discuss it any further. I want you to leave the museum this afternoon.
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User Reviews

 
Don't Mess with Little Old Ladies!
7 October 2008 | by (United States) – See all my reviews

When you have someone in a wheelchair being taken advantage of, you know that at some point the bad guys are going to pay. In this case a man finagles his way into a vulnerable woman's confidence in order to steal a valuable vase. He manipulates her every way he can, employing a confidante, and getting ready to strike. The old girl isn't dumb and evidence begins to build. As with many of these people, the man has a flaw and doesn't play things out to the end. The episode has a satisfying ending where justice is served. The acting is reasonably good and the story has some credibility. It calls for some pretty drastic action and things like this often get in the way, but it's a pretty good Hitchcock effort.


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