Alfred Hitchcock Presents: Season 1, Episode 10

The Case of Mr. Pelham (4 Dec. 1955)

TV Episode  -   -  Crime | Drama | Mystery
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Ratings: 7.8/10 from 500 users  
Reviews: 7 user | 2 critic

A series of troubling incidents lead Mr. Pelham to believe that he has a double who is deliberately impersonating him.



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Episode complete credited cast:
Himself - Host
Dr. Harley
Justice Watson ...
Henry Peterson
Kirby Smith ...
Tom Mason
Kay Stewart ...
Miss Clement
John Compton ...
Jan Arvan ...
Norman Willis ...
Tim Graham ...
Richard Collier ...
Diane Brewster ...


Mr. Pelham consults a doctor about a series of troubling incidents. Recently a number of his acquaintances have claimed to have seen him in places where he could not have been. The doctor suggests that there must be another man with a strong resemblance to Pelham. But it soon becomes obvious that the other man is also deliberately impersonating him - even to the point of using Pelham's apartment as his own. Written by Snow Leopard

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Release Date:

4 December 1955 (USA)  »

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Technical Specs

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.33 : 1
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Version of The Man Who Haunted Himself (1970) See more »

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User Reviews

Who Is That Guy in the Mirror
7 March 2007 | by (Claremont,USA) – See all my reviews

Al Pelham is a mild-mannered, average-looking New Yorker with a small brokerage business. Then, strange things start happening. Someone is impersonating him for no apparent reason, a look-alike down to the smallest detail of appearance and memory bank. Whoever it is, he's taking over Pelham's life, easing him slowly out of existence. But why? Who could envy such a routine existence.

The premise seems more appropriate for the Twilight Zone since there appears to be no natural explanation. Even more relevant is the original Invasion of the Body Snatchers (1956), which was probably in development about the time this episode aired. Nonetheless, it's an intriguing 30 minutes, low-keyed, without hysteria or adornment as Pelham's predicament becomes ever more precarious. Lending a nice sinister touch is the predatory-lion painting that overhangs the last scene. It's thoughtful touches like this that can make the difference between a good episode and a memorable one. Those looking for a more natural explanation of Pelham's predicament might consider the emergence of a second, more assertive and success-oriented personality. But, however you take it, the premise was challengingly novel for the depths of 1950's TV, and is still one of the more memorable episodes.

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