A continuation of the dramatic anthology series hosted by the master of suspense and mystery. When the series Alfred Hitchcock Presents was revived in 1962, the name was changed, but the ... See full summary »
With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the ... See full summary »
Young Tom Fortnam is thrilled when he receives his guaranteed to grow mushroom seeds by special delivery mail. His father Bill is then approached by a friend, Roger, who thinks people are disappearing. Bill isn't quite sure what to make of it all until Roger's wife calls him to say that Roger has vanished, as has all of his clothes. When he visits Roger's house, he sees that Roger's son, who is the same age as Tom, is also busy growing mushrooms in the basement. Convinced there is a connection, Bill confronts his son - with fantastic results. Written by
Terrific episode for those who don't mind a dash of sci-fi in their Hitchcock. Young entrepreneur Peter Lazar sends away for a mushroom deal that promises quick profits by growing them in your own home. He's excited, and so are his Ozzie and Harriet parents. The next day a neighbor darkly summons Dad with incredible stories about people disappearing for no reason. Dad is unsettled since the neighbor seems so convincing, but then he becomes alarmed when the neighbor too inexplicably drops out of sight. What's going on? The final scene is one of the spookiest of all the Hitchcock entries.
Ray Bradbury did the script, accounting for why the details add up so effectively and the suspense builds so nicely. The lines including the voice-overs are especially literate and unsettling. In fact, this is one of those typically 50's productions that implies a sense of mounting unease beneath an outwardly calm and composed suburbia that might at any moment be invaded by an insidious enemy. Also, notice how in crossing the street early on, Dad has to suddenly stop for a honking car. It's a clever touch like this suggesting unseen danger (likely director Norman Lloyd's touch) that separates outstanding half-hours from merely good ones. Never mind that the idea here bears a distinct resemblance to the classic Invasion of the Body Snatchers. This one is so well done you'll hardly notice.
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